Browse by Title

The following index gives access to all TML texts from their titles. Note that the TML reproduces the titles as given in the sampled sources, or creates new titles (in square brackets) by paraphrasing or excerpting from incipits/explicits or other introductory materials. Note also that different texts may have the same title.

  • [+] Abreviatio Magistri Franconis

    • Johannes dictus Balloce – balabm

      Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 13–21.

    • Johannes dictus Ballox – balabr

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:292–96.

  • [+] [Abreviatio Magistri Franconis]
  • [+] Ad musicam practicam introductio

    • Faber, Heinrich – fabmus1

      Source: Heinrich Faber, Ad musicam practicam introductio, non modo praecepta, sed exempla quoque ad usum puerorum accomodata, quàm breuissime continens (Nuremberg: In Officina Iohannis Montani, et Vlrici Neuber, 1550), ff. A1r–L1v.

    • Faber, Heinrich – fabmus2

      Source: Heinrich Faber, Ad musicam practicam introductio, non modo praecepta, sed exempla quoque ad usum puerorum accomodata, quàm breuissime continens (Nuremberg: In Officina Iohannis Montani, et Vlrici Neuber, 1550), ff. L2r–a3v.

  • [+] Ad organum faciendum

    • Anonymous – adorfa

      Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 226–43.

    • Anonymous – adorfac

      Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 45–49 and 111–15.

    • Anonymous – adorf

      Source: Jay A. Huff, ed. and trans., Ad organum faciendum et Item de organo, Musical Theorists in Translation, vol. 8 (Brooklyn, NY: Institute of Mediaeval Music, [1963]), 41–67 (odd).

  • [+] [Ad organum faciendum]

    • Anonymous – adorfba

      Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 149–50.

    • Anonymous – adorfbb

      Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 159–60.

    • Anonymous – adorfbr

      Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 175.

  • [+] Alia musica

    • Anonymous – alimusi

      Source: Edmund Brooks Heard, "Alia musica: A Chapter in the History of Music Theory" (PhD diss., University of Wisconsin, 1966), 119–229 (odd only).

    • Anonymous – aliamu

      Source: Jacques Chailley, ed., Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l'origine de la nomenclature modale pseudo-grecque au Moyen-Age (Paris: Centre de documentation universitaire et Société d'édition d'enseignement supérieur réunis, 1965), 85–88, 90–97, 99–111, 113–18, 120–30, 133–45, 147–74, 176–81, and 183–212.

    • Anonymous – alimu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:929–58.

    • Anonymous – alimus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:125–52.

  • [+] Apologia adversus Ioannem Spatarium et complices musicos Bononienses

    • Gaffurio, Franchino – gafapo

      Source: Apologia Franchini Gafurii Musici adversus Ioannem Spatarium et complices musicos Bononienses (Turin: Augustinus de Vicomercato, 1520).

  • [+] Apologia musices tam vocalis quam instrumentalis et mixtae

    • Case, John – casapo

      Source: Apologia musices tam vocalis quam instrumentalis et mixtae (Oxford: Josephus Barnesius, 1588).

  • [+] Ars ad adiscendum contrapunctum

    • Paulus de Florentia – paularsa

      Source: Albert Seay, "Paolo da Firenze: A Trecento Theorist," in L'Ars nova italiana del Trecento: Primo convegno internazionale, 23-26 luglio 1959, ed. Bianca Becherini (Certaldo: Centro di studi sull'Ars nova italiana del Trecento, 1962): 118-40, 133–40.

  • [+] Ars ad discantandum contrapunctum

    • Paulus de Florentia – paulars

      Source: Pier Paolo Scattolin, "Il trattato teorico di Paolo da Firenze," in Mensurabilis musicae tractatuli, vol. 2, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1975), 63–79.

  • [+] Ars cantus figurati

    • Antonius de Luca – lucarsc

      Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 24–59.

    • Antonius de Luca – lucars

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:421–33.

  • [+] Ars cantus mensurabilis

    • Anonymous V – ano5ars

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:379–98.

    • Franco – fraacm

      Source: Franconis de Colonia, Ars cantus mensurabilis, ed. Gilbert Reaney and André Gilles, Corpus scriptorum de musica, vol. 18 ([Rome]: American Institute of Musicology, 1974), 23–82.

    • Franco – fraarscm

      Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 230–59.

    • Franco – fraacmo_mobb842

      Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 49r–59v.

    • Franco – fraacme_mpbn1666

      Source: Paris, Bibliothèque nationale de France, MS latin 16663, ff. 76v–83r.

    • Franco – fraarsc

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:1–16.

    • Franco – fraars

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:117–36.

  • [+] Ars cantus mensurabilis mensurata per modos iuris

    • Anonymous – ano5acm

      Source: Ars cantus mensurabilis mensurata per modos iuris, ed. and trans. C. Matthew Balensuela, Greek and Latin Music Theory, vol. 10 (Lincoln: University of Nebraska Press, 1994), 124–258 (even–numbered pages only).

  • [+] Ars contrapuncti

    • Johannes de Muris – murarsc

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:59–68.

  • [+] Ars contrapunctus

    • Philippe de Vitry – vitarsc

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:23–27.

  • [+] Ars discantus

    • Johannes de Muris – murarsd

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:68–113.

  • [+] Ars discantus data a Magistro Iohanne de Muris abbreviando

    • Johannes de Muris – murad

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:312–15.

  • [+] Ars et modus pulsandi organa secundum modum nouissimum inuentum per magistros musicos modernos
  • [+] Ars et modus pulsandi organa secundum modum novissimum inventum per magistros musicos modernos

    • Anonymous – anoamp

      Source: Raffaello Casimiri, "Un trattatello per organisti di anonimo del sec. XIV," Note d'archivio per la storia musicale 19 (1942): 99-101, 100–101.

  • [+] Ars et practica cantus figurativi

    • Anonymous – anoapc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 36–47.

  • [+] Ars mensurandi motetos

    • Anonymous – anoars

      Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 55–69.

  • [+] Ars motettorum compilata breviter

    • Petrus Picardus – petars

      Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 16–24.

  • [+] Ars musica

    • Aegidius Zamorensis, Iohannes – zamlam

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:370–93.

    • Anonymous – anofra6

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 483–84.

    • Anonymous – metano3

      Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: Bössenecker, 1866), 70–78 partim.

  • [+] [Ars musica]

    • Anonymous – anoarsmu

      Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 69–94.

  • [+] Ars (musicae)

    • Boen, Johannes – boenmu

      Source: Johannis Boen, Ars (musicae), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 19 ([Rome]: American Institute of Musicology, 1972), 15–46.

  • [+] Ars musicae mensurabilis secundum Franconem

    • Anonymous – anofig

      Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 38–54 (even).

    • Anonymous – anoarsm

      Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 39–53 (odd).

  • [+] Ars musice

    • Anonymous – wfanon2

      Source: Johannes Wolf, "Anonymi cujusdam Codex Basiliensis," Vierteljahresschrift für Musikwissenschaft 9 (1893), 410–12.

    • Anonymous – anoam

      Source: Karl-Werner Gümpel, "Zur Frühgeschichte der vulgärsprachlichen spanischen und katalanischen Musiktheorie," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, ed. Johannes Vincke, Spanische Forschungen der Görresgesellschaft, I/24 (Münster: Aschendorff, 1968), 326–29.

    • Aquinas [Ps.], Thomas – aquars

      Source: S. Tommaso d'Aquino, Ars musice, ed. Mario di Martino (Naples: Eugenio de Simone, 1933), 23–39.

    • Boen, Johannes – boenars_mlbl2322

      Source: London, British Library, MS Additional 23220, ff. 14v–21v.

    • Boen, Johannes – boenarsm_mvbm8-24

      Source: Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434), ff. 73v–89v.

  • [+] Ars musice armonie
  • [+] Ars musice mensurate

    • Guido Frater – guifar

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 19–39.

  • [+] Ars musicorum liber VI

    • Guillermus de Podio – guiars6

      Source: Guillermus de Podio, Ars musicorum libri VI et VIII, ed. Albert Seay, Critical Texts, no. 8 (Colorado Springs: Colorado College Music Press, 1978), 1–8.

  • [+] Ars musicorum liber VIII

    • Guillermus de Podio – guiars8

      Source: Guillermus de Podio, Ars musicorum libri VI et VIII, ed. Albert Seay, Critical Texts, no. 8 (Colorado Springs: Colorado College Music Press, 1978), 9–34.

  • [+] Ars musyce
  • [+] Ars nova

    • Philippe de Vitry – vitarn

      Source: Gilbert Reaney, André Gilles, and Jean Maillard, "The 'Ars nova' of Philippe de Vitry," Musica disciplina 10 (1956): 5-33, 13–32.

    • Philippe de Vitry – vitarno

      Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 13–31.

    • Philippe de Vitry – vitanv_mbavb307

      Source: Vatican City, Biblioteca Apostolica Vaticana, MS Barb. lat. 307, ff. 17r–20v.

    • Philippe de Vitry – vitarsn

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:13–22.

  • [+] Ars organi

    • Anonymous – arsorg

      Source: Irving Godt and Benito V. Rivera, "The Vatican Organum Treatise: A Color Reproduction, Transcription, and Translation," in Gordon Athol Anderson (1929-1981) in memoriam von seinen Studenten, Freunden und Kollegen, 2 vols. (Henryville, PA: Institute of Mediaeval Music, 1984), 2:293–345/11.

  • [+] Ars perfecta in musica

    • Philippe de Vitry – vitarsp

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:28–35.

  • [+] Ars plane musice
  • [+] Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio A)

    • Johannes de Muris – murarspa

      Source: Ars practica mensurabilis cantus secundum Iohannem de Muris: Die Recensio maior des sogenannten "Libellus practice cantus mensurabilis," ed. Christian Berktold, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 14 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1999), 3–79.

  • [+] Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio B)

    • Johannes de Muris – murarspb

      Source: Ars practica mensurabilis cantus secundum Iohannem de Muris: Die Recensio maior des sogenannten "Libellus practice cantus mensurabilis," ed. Christian Berktold, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 14 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1999), 97–121.

  • [+] Berkeley Manuscript

    • Anonymous – berman

      Source: The Berkeley Manuscript, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 2 (Lincoln: University of Nebraska Press, 1984), 30–246.

  • [+] Breviarium de musica

    • Frutolfus – frubre

      Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 26–113.

  • [+] Breviarium de musica, capitulum XI

    • Frutolfus – frubrec

      Source: Michael Bernhard, "Zur Überlieferung des 11. Kapitels in Frutolfs Breviarum," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 40–67.

  • [+] [Breviarium de musica] and [Versus monocordi]

    • Oliva de Ripoll – olibrev

      Source: Karl-Werner Gümpel, "Das Breviarium de musica und Versus monocordi des Mönchs Oliba von Ripoll," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 110–19.

  • [+] Breviarium regulare musicae

    • Willelmus – wilbre

      Source: Ms. Oxford, Bodley 842 (Willelmus), Breviarium regulare musicae; Ms. British Museum, Royal 12. C. VI., Tractatus de figuris sive de notis; Johannes Torkesey, Declaratio trianguli et scuti, ed. Gilbert Reaney and André Gilles, Corpus scriptorum de musica, vol. 12 ([Rome]: American Institute of Musicology, 1966), 15–31.

  • [+] Breviarium regulare musice
  • [+] Brevis collectio artis musicae

    • Bonaventura da Brescia – bonbre

      Source: Bonaventura da Brescia, Brevis collectio artis musicae, ed. Albert Seay, Critical Texts, no. 11 (Colorado Springs: Colorado College Music Press, 1980).

  • [+] Brevis compilatio

    • Marchetus de Padua – marbrev

      Source: Giuseppe Vecchi, "Su la composizione del Pomerium di Marchetto da Padova e la Brevis Compilatio," Quadrivium 1 (1956): 177-205, 177–205.

  • [+] Brevis compilatio in arte musicae mensuratae

    • Marchetus de Padua – marbre

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:1–12.

  • [+] Brevis summula proportionum

    • Prosdocimo de' Beldomandi – probre2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:258–61.

  • [+] Brevis summula proportionum quantum ad musicam pertinet

    • Prosdocimo de' Beldomandi – probre1

      Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 46–62.

  • [+] [Cantor vero vocatur]
  • [+] Cantuagium

    • Eger von Kalkar, Heinrich – egecan

      Source: Das Cantuagium des Heinrich Eger von Kalkar, ed. Heinrich Hüschen, Beiträge zur rheinischen Musikgeschichte, vol. 2 (Cologne: Staufen, 1952).

  • [+] Capitulum de modo accipiendo

    • Anonymous – anocapm

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 59.

  • [+] Capitulum de quattuor mensuris

    • Anonymous – anocqm

      Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 62–63.

  • [+] Capitulum de semibrevibus

    • Anonymous – anosemi

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 15.

  • [+] [Capitulum de vocibus applicatis verbis]

    • Anonymous – anocap

      Source: Santorre Debenedetti, "Un trattatello del secolo XIV sopra la poesia musicale," Studi medievali 2 (1906-7): 59-82, 79–80.

  • [+] Carmen de musica cum glossis

    • Villa Dei, Alexander de – vilcar

      Source: Alexander de Villa Dei, Carmen de musica cum glossis, ed. Albert Seay, Critical Texts, no. 5 (Colorado Springs: Colorado College Music Press, 1977), 1–25.

  • [+] [Carmina]
  • [+] Cartula de cantu plano

    • Anonymous – anocar

      Source: Karl-Werner Gümpel, "Gregorianischer Gesang und Musica ficta: Bemerkungen zur spanischen Musiklehre des 15. Jahrhunderts," Archiv für Musikwissenschaft 47 (1990): 120-147, 144–47.

  • [+] Circa modum discantandi

    • Anonymous – anocmd

      Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 138–40.

    • Anonymous – anocmdg

      Source: Thrasybulos Georgiades, Englische Diskanttraktate aus der ersten Hälfte des 15. Jahrhunderts: Untersuchungen zur Entwicklung der Mehrstimmigkeit im Mittelalter, Schriftenreihe des Musikwissenschaftlichen Seminars der Universität München, Band 3. (Selbstverlag und Auslieferung: Musikwissenschaftliches Seminar der Universität München, 1937), 28–30.

  • [+] Cita et vera divisio monochordi in diatonico genere

    • Bernelinus – berndivm

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:653–74.

    • Bernelinus – berndiv

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:312–30.

  • [+] [Collectio tractatuum diversae originis]
  • [+] Cologne Organum Treatise

    • Anonymous – colorg

      Source: Hans Müller, ed., Hucbalds echte und unechte Schriften über Musik (Leipzig: B. G. Teubner, 1884), 79–80.

    • Anonymous – colorgs

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 222–23.

    • Anonymous – colorgr

      Source: Hugo Riemann, Geschichte der Musiktheorie im IX.-XIX. Jahrhundert (Berlin: Hesse, 1898), 20.

  • [+] Comendacio artis musicae secundum quendam Gregorium

    • Anonymous – anooxoc

      Source: Matthias Hochadel, ed., Commentum Oxoniense in musicam Boethii: Eine Quelle zur Musiktheorie an der spätmittelalterlichen Universität, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 16 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2002), 414–32 (even pages only).

  • [+] Commemoratio brevis de tonis et psalmis modulandis

    • Anonymous – anocmb

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 157–78.

    • Anonymous – anocobr

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:1025–42.

    • Anonymous – anocomb

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:213–29.

    • Anonymous – anocbt

      Source: Terence Bailey, ed., Commemoratio brevis de tonis et psalmis modulandis: Introduction, Critical Edition, Translation, Ottawa Mediaeval Texts and Studies, vol. 4 (Ottawa: University of Ottawa Press, 1979), 26–106 (even only).

  • [+] Commentarium in somnium Scipionis
  • [+] Commentarius in Micrologum Guidonis Aretini

    • Anonymous – guicom

      Source: Commentarius anonymus in Micrologum Guidonis Aretini, ed. P. Cölestin Vivell, O.S.B., Kais. Akademie der Wissenschaften in Wien, philosophisch-historische Klasse, Sitzungsberichte, 185/5 (Vienna: Hölder, 1917).

    • Anonymous – guicoms

      Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 99–172.

  • [+] Commentary on De vita et honestate clericorum of Pope John XXII

    • Quevedo, Bartolomé de – quecom

      Source: Karl-Werner Gümpel, "Der Toledaner Kapellmeister Bartolome de Quevedo und sein Kommentar zu der Extravagante 'Docta Sanctorum' Johannes XXII," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, Spanische Forschungen der Görresgesellschaft, I/21 (Münster: Aschendorff, 1963), 297–308.

  • [+] Commentum in musicam Boethii

    • Anonymous – anooxo

      Source: Matthias Hochadel, ed., Commentum Oxoniense in musicam Boethii: Eine Quelle zur Musiktheorie an der spätmittelalterlichen Universität, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 16 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2002), 2–304, 308–20, 330–410 (even pages only).

  • [+] [Commentum in musicam speculativam Iohannis de Muris]

    • Wenceslaus de Prachatitz – wencom

      Source: Gerhard Pietzsch, "Die Pflege der Musik an den Universitäten bis zur Mitte des 16. Jahrhunderts," Mitteilungen des Vereines für Geschichte der Deutschen in Böhmen 73 (1935): 112-18, 112–18.

  • [+] Commentum super tonos

    • Anonymous – anocst

      Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (even pages only).

    • Anonymous – anocsto

      Source: De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/I (Buren: Knuf, 1975), 24–93 (odd pages only).

  • [+] [Compendiolum artis veteris ac novae]
  • [+] Compendiolum artis veteris ac novae

    • Anonymous III – ano3com

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:370–75.

  • [+] Compendiolum musicae pro incipientibus

    • Faber, Heinrich – fabcom

      Source: Henrici Fabri Compendiolum musicae pro incipientibus, Bibliotheca musica bononiensis II/20 (Nuremberg: Paul Kauffmann, 1594; repr., Bologna: Forni, 1980).

  • [+] [Compendium]

    • Marchetus de Padua – marcom

      Source: Raffaello Monterosso, "Un compendio inedito del "Lucidarium" di Marchetto da Padova," Studi medievali III/2 (1966): 914-31, 927–31.

  • [+] Compendium artis mensurabilis tam veteris quam novae

    • Anonymous IV – ano4com

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:376–79.

  • [+] Compendium artis motectorum Marchecti

    • Petrus de Amalfia – pamcom

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 43–47.

  • [+] [Compendium breve artis musicae]

    • Anonymous – anocbam

      Source: Bernhold Schmid, "Ein Mensuralkompendium aus der Handschrift Clm 24809," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990), 74–76.

  • [+] Compendium breve artis musicae
  • [+] Compendium breve de proportionibus

    • Anonymous – anocbp

      Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 76–81.

  • [+] Compendium de discantu mensurabili

    • Petrus dictus Palma ociosa – petcom

      Source: Johannes Wolf, "Ein Beitrag zur Diskantlehre des 14. Jahrhunderts," Sammelbände der Internationalen Musikgesellschaft 15 (1913-14), 505–34.

  • [+] Compendium de musica

    • Jacobus Leodiensis – jaccdm

      Source: Jacobi Leodiensis Tractatus de consonantiis musicalibus, Tractatus de intonatione tonorum, Compendium de musica, ed. Joseph Smits van Waesberghe, Eddie Vetter, and Erik Visser, Divitiae musicae artis A/IXa (Buren: Knuf, 1988), 88–122.

  • [+] Compendium discantus

    • Franco – fracomo_mobb842

      Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 60r–62v.

    • Franco – fracom

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:154–56.

  • [+] Compendium musicae

    • Descartes, René – descom

      Source: Charles Adam and Paul Tannery, eds., Oeuvres de Descartes, 13 vols. (Paris: L. Cerf, 1897-1913), 10:89–141.

  • [+] [Compendium musicae]
  • [+] Compendium musicae mensurabilis artis antiquae

    • Anonymous – anocmm

      Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 27–36.

    • Anonymous – anocomm

      Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 49–58.

    • Anonymous – anocom

      Source: Petrus Picardus, Ars motettorum compilata breviter, ed. F. Alberto Gallo; Anonymus, Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. Nat., lat. 15129; Uppsala, Universiteitsbibl., C 55), ed. Gilbert Reaney and André Gilles; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 15 ([Rome]: American Institute of Musicology, 1971), 66–72.

  • [+] Compendium musicae mensurabilis tam veteris quam novae artis

    • Anonymous – ano4cmm

      Source: De valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); De diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 33–41.

  • [+] Compendium musicae practicae

    • Johannes de Muris – murcom

      Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 119–45.

    • Johannes de Muris – murcomp_mbavr114

      Source: Vatican City, Biblioteca Apostolica Vaticana, MS Reg. lat. 1146, ff. 2r–5r.

  • [+] Compendium musicale
  • [+] Compendium musices

    • Anonymous – anocmu

      Source: Compendium musices, Venetiis, 1499-1597, ed. David Crawford, Corpus scriptorum de musica, vol. 33 (n.p.: American Institute of Musicology, 1985), 36–57.

    • Coclico, Adrian Petit – coccom

      Source: Compendium musices descriptum ab Adriano Petit Coclico, discipulo Josquini de Pres (Nuremberg: Johann Berg, Ulrich Neuber, 1552; repr., Kassel: Bärenreiter, 1954).

    • Lampadius – lamcom

      Source: Compendium musices, tam figurati quam plani cantus ad formam dialogi, in usum ingenuae pubis ex eruditis Musicorum scriptis accurate congestum, quale ante hac nunquam uisum, et iam recens publicatum. Adiectis etiam regulis de concordantiarum et componendi cantus artificio, summatim omnia musices praecepta pulcherrimis exemplis illustrata, succincte et simpliciter complectens (Bern: Samuel Apiarius, 1554).

  • [+] [Compendium secundum famosiores musicos]
  • [+] Compendium totius artis motetorum

    • Anonymous – wfanon3

      Source: Johannes Wolf, "Ein anonymer Musiktraktat aus der ersten Zeit der 'Ars Nova,'" Kirchenmusikalisches Jahrbuch 21 (1908), 34–38.

  • [+] [Compilatio Caroloruhensis]

    • Anonymous – anocc

      Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 7–9.

  • [+] Complexus effectuum musices

    • Tinctoris, Johannes – tincom

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:165–77.

    • Tinctoris, Johannes – tincom1

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:191–95.

  • [+] Complexus viginti effectuum nobilis artis musices

    • Tinctoris, Johannes – tincom2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:195–200.

  • [+] Compositio monocordi secundum Enchiriadem

    • Anonymous – anome1a

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (left column only).

    • Anonymous – anome1b

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 233–35 (right column only).

  • [+] Constitutiones capellae pontificiae

    • Anonymous – anocon

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:382–96.

  • [+] Contrapunctus

    • Anonymous – anovic

      Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Der anonyme Contrapunctus-Traktat aus Ms. Vich 208," Archiv für Musikwissenschaft 31 (1974): 87-115, 93–97.

    • Prosdocimo de' Beldomandi – procon

      Source: Prosdocimo de' Beldomandi, Contrapunctus, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 1 (Lincoln: University of Nebraska Press, 1984), 26–94.

  • [+] Correspondance

    • Descartes, René – descor

      Source: Charles Adam and Paul Tannery, eds., Oeuvres de Descartes, 13 vols. (Paris: L. Cerf, 1897-1913), 10:151–69.

  • [+] De accentuum ecclesiasticorum exquisita ratione

    • Liban, Jerzy – libdea

      Source: De accentuum ecclesiasticorum exquisita ratione, scilicet Lectionali, Epistolari, et Euangelico, Libellus omnibus sacris iniciatis, Vicarijs et Ecclesiae Ministris, non minus Vtilis quam necessarius (Cracow: Scharffenberg, 1539; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).

  • [+] De arte canendi, ac vero signorum in cantibus usu, liber primus

    • Heyden, Sebaldus – heydac1

      Source: De arte canendi, ac vero signorum in cantibus usu, libri duo, autore Sebaldo Heyden (Nuremberg: apud Ioh. Petreium, 1540).

  • [+] De arte canendi, ac vero signorum in cantibus usu, liber secundus

    • Heyden, Sebaldus – heydac2

      Source: De arte canendi, ac vero signorum in cantibus usu, libri duo, autore Sebaldo Heyden (Nuremberg: apud Ioh. Petreium, 1540).

  • [+] [De arte contrapuncti]

    • Hothby, Johannes – hotdac

      Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 43–44.

  • [+] De arte discantandi

    • Anonymous – artdis

      Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 262–73.

  • [+] De arte musica

    • Aquinas [Ps.], Thomas – aqumus

      Source: D. Thomae Aquinatis De arte musica nunc primum ex codice bibliothecae Universitatis Ticinensis, ed. Sac. Guarinus Amelli (Milan: S. Josephus, 1880), 19–25.

    • Bertrandus Prudentius – bertarm

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 293–94, 297–303.

  • [+] De arte musicae

    • Anonymous – anoart

      Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 84–93.

  • [+] De arte musicali, prima pars: Musica speculativa
  • [+] De arte musicali, secunda pars: Musica practica
  • [+] De cantibus quae supra modum intenduntur vel remittuntur

    • Anonymous – anocan

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 87–89.

  • [+] De cantu figurato

    • Hothby, Johannes – hotdec

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:330–32.

  • [+] De cantu figurato secundum eundem fratrem Johannem Hothbi Carmelitam

    • Hothby, Johannes – hotdcf1

      Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 27–31.

  • [+] De cantu iubiliationis armonicae et utilitate eius

    • Carlerius, Egidius – carlcan

      Source: Egidius Carlerius, Duo tractatuli de musica, ed. Albert Seay, Critical Texts, no.7 (Colorado Springs: Colorado College Music Press, 1977), 5–13.

  • [+] De cantu mensurabili

    • Anonymous 3 – ano3dec

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:319–27.

  • [+] De cantu organico

    • Anonymous – aganoco

      Source: H. Angles, "De cantu organico: tratado de un autor catalán del siglo XIV," Anuario musical 13 (1958): 18-24, 18–24.

  • [+] Declaratio et expositio
  • [+] Declaratio musicae disciplinae, liber primus

    • Ugolino Urbevetanis – ugodec1a

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/1 ([Rome]: American Institute of Musicology, 1959), 13–121.

    • Ugolino Urbevetanis – ugodec1b

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/1 ([Rome]: American Institute of Musicology, 1959), 121–230.

  • [+] Declaratio musicae disciplinae, liber quartus

    • Ugolino Urbevetanis – ugodec4

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 1–84.

  • [+] Declaratio musicae disciplinae, liber quintus

    • Ugolino Urbevetanis – ugodec5

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 85–226.

  • [+] Declaratio musicae disciplinae, liber secundus

    • Ugolino Urbevetanis – ugodec2

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 1–53.

  • [+] Declaratio musicae disciplinae, liber tertius

    • Ugolino Urbevetanis – ugodec3a

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 54–167.

    • Ugolino Urbevetanis – ugodec3b

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 167–266.

  • [+] [Declaratio trianguli et scuti]
  • [+] [De cognicione notulorum]
  • [+] De consonantia et dissonantia

    • Anonymous – anodcd

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 78–79.

  • [+] De consona tonorum diversitate

    • Berno Augiensis – berndctd

      Source: Franz-Josef Schmale, Die Briefe des Abtes Bern von Reichenau, Veröffentlichungen der Kommission für Geschichtliche Landeskunde in Baden-Württemberg A/6 (Stuttgart: W. Kohlhammer, 1961), 17–19.

    • Berno Augiensis – berndct

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1155–58.

    • Berno Augiensis – berndec

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:114–24.

  • [+] De contrapuncto

    • Anonymous – anodcon

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 54–55.

  • [+] De contrapuncto plano

    • Anonymous – anodcp

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 68–72.

  • [+] De contrapuncto quaedam regulae utiles

    • Phillipotus Andrea – andcon

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:116–18.

  • [+] De die natali liber

    • Censorinus – cendie

      Source: Censorini de die natali liber, ed. Fridericus Hultsch (Leipzig: B. G. Teubner, 1867).

  • [+] De dimensione monocordi

    • Anonymous – anoddm

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 179–81.

  • [+] [De discantu]
  • [+] De discantu

    • Anonymous 5 – ano5ded

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:366–68.

  • [+] [De discantu, proportionibus et tonis]
  • [+] [De discantu et contranota]

    • Anonymous – anoddc_mlbl2145

      Source: London, British Library, MS Additional 21455, ff. 9v–11r.

    • Anonymous – anoddcs

      Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 141.

  • [+] De diversis maneriebus in musica mensurabili

    • Anonymous VII – ano7ded

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:404–8.

  • [+] De diversis manieribus in musica mensurabili

    • Anonymous – ano7ddm

      Source: De valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); De diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 51–62.

  • [+] De divisione monacordi
  • [+] De divisione philosophiae, Liber decimus, "De musica"

    • Gundissalinus, Dominicus – gunddiv

      Source: Dominicus Gundissalinus, De divisione philosophiae, ed. Ludwig Baur, Beiträge zur Geschichte der Philosophie des Mittelalters IV/2-3 (Münster: Aschendorff, 1903), 96–102.

  • [+] De enquiriadis monocordi divisione

    • Anonymous – anoemd

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 239.

  • [+] De expositione musice

    • Anonymous – ano1279

      Source: Heinrich Sowa, ed., Ein anonymer glossierter Mensuraltraktat 1279, Königsberger Studien zur Musikwissenschaft, vol. 9 (Kassel: Bärenreiter, 1930), 1–132.

  • [+] De figuris

    • Anonymous – anodef

      Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 160–66.

  • [+] De formatione contrapuncti tales dantur regulae

    • Anonymous – anodfc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 82–83.

  • [+] De harmonia musicorum instrumentorum opus, liber primus

    • Gaffurio, Franchino – gafhar1

      Source: Franchini Gafurii Laudensis Regii Musici publice profitentis: Delubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus (Milan: Gotardus Pontanus, 1518; repr., New York: Broude Bros., [1979]; Bologna: Forni, 1972).

  • [+] De harmonia musicorum instrumentorum opus, liber quartus et ultimus

    • Gaffurio, Franchino – gafhar4

      Source: Franchini Gafurii Laudensis Regii Musici publice profitentis: Delubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus (Milan: Gotardus Pontanus, 1518; repr., New York: Broude Bros., [1979]; Bologna: Forni, 1972).

  • [+] De harmonia musicorum instrumentorum opus, liber secundus

    • Gaffurio, Franchino – gafhar2

      Source: Franchini Gafurii Laudensis Regii Musici publice profitentis: Delubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus (Milan: Gotardus Pontanus, 1518; repr., New York: Broude Bros., [1979]; Bologna: Forni, 1972).

  • [+] De harmonia musicorum instrumentorum opus, liber tertius

    • Gaffurio, Franchino – gafhar3

      Source: Franchini Gafurii Laudensis Regii Musici publice profitentis: Delubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus (Milan: Gotardus Pontanus, 1518; repr., New York: Broude Bros., [1979]; Bologna: Forni, 1972).

  • [+] [De harmonia planetarum]
  • [+] De harmonica institutione

    • Hucbald – hucharm

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:905–29.

    • Hucbald – huchar

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:103–25.

    • Regino Prumiensis – regdhi

      Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 22–84.

    • Regino Prumiensis – reghari

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:483–502.

  • [+] De institutione arithmetica, liber primus
  • [+] De institutione arithmetica, liber secundus
  • [+] De institutione musica, liber primus
  • [+] De institutione musica, liber quartus
  • [+] De institutione musica, liber quintus
  • [+] De institutione musica, liber secundus
  • [+] De institutione musica, liber tertius
  • [+] [De intervallis]
  • [+] De inventione et usu musicae

    • Tinctoris, Johannes – tininv4

      Source: Karl Weinmann, "Ein unbekannter Traktat des Johannes Tinctoris," in Riemann-Festschrift: Gesammelte Studien: Hugo Riemann zum sechzigsten Geburtstage überreicht von Freunden und Schülern (Leipzig: Hesse, 1909), 269–71.

    • Tinctoris, Johannes – tininv

      Source: Karl Weinmann, ed., Johannes Tinctoris (1445-1511) und sein unbekannter Traktat "De inventione et usu musicae" (Regensburg: F. Pustet, 1917), 27–46.

  • [+] De inventione et usu musice

    • Tinctoris, Johannes – tininv2

      Source: Ronald Woodley, "The Printing and Scope of Tinctoris's Fragmentary Treatise De inventione et vsv mvsice," Early Music History 5 (1985): 239-268, 259–68.

  • [+] De laude et utilitate spiritualium canticorum, quae fiunt in ecclesia Christiana; seu de psalmodiae bono

    • Nicetius, episcopus – niclau

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:9–14.

  • [+] [De litteris, de deduccionibus, de modis, de speciebus]
  • [+] De mensurabili musica

    • Johannes de Garlandia – gardmm

      Source: Erich Reimer, Johannes de Garlandia: De mensurabili musica, kritische Edition mit Kommentar und Interpretation der Notationslehre, 2 vols., Beihefte zum Archiv für Musikwissenschaft, vols. 10-11 (Wiesbaden: Steiner, 1972), 1:35–89 and 91–97.

  • [+] [De mensurabili musica]
  • [+] De mensura fistularum in organis

    • Anonymous – anofis

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:283–87.

  • [+] De mensurando monochordo

    • Berno Augiensis – berndem

      Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIa (Buren: Knuf, 1978), 27, 42–55, 59, 61, 65, 67, 71, 73, 75, 77, 84–85, 91–92, 95, 103–4,111–14, and 116–19.

  • [+] [De mensuratione]
  • [+] De mensuris et discantu

    • Anonymous 4 – ano4dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:327–64.

  • [+] De minimis notulis

    • Anonymous X – ano10dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:413–15.

  • [+] De modis
  • [+] [De modis cantandi]
  • [+] De modis musicis

    • Anonymous – anodm

      Source: Terence Bailey, "De modis musicis: A New Edition and Explanation," Kirchenmusikalisches Jahrbuch 61-62 (1977-78): 47-60, 50–54.

  • [+] De modo, tempore, et prolatione
  • [+] De modo addiscendi Cantum Ecclesiasticum unicus Tractatus
  • [+] De modo bene cantandi

    • Zabern, Conrad von – concan

      Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 260–82.

  • [+] [De modo cantandi cantum planum]
  • [+] De modorum formulis et cantuum qualitatibus

    • Guido d'Arezzo – guimod

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:78–115.

  • [+] De modorum formulis et tonarius

    • Anonymous – anodmf

      Source: Anonymi de modorum formulis et tonarius, ed. Clyde W. Brockett, Corpus scriptorum de musica, vol. 37 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 46–128.

  • [+] De musica

    • Ancina Fossaniensis, Juvenal – ancmus

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 344–45.

    • Anonymous – anofra4

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 346–50.

    • Anonymous – anomus2

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 423–28.

    • Anonymous – anoqm

      Source: Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 354–55 and 358–59.

    • Anselmus, Georgius – ansdem

      Source: Georgii Anselmi Parmensis De musica: Dieta prima de celesti harmonia, dieta secunda de instrumentali harmonia, dieta tertia de cantabili harmonia, ed. Giuseppe Massera, "Historia musicae cultores" biblioteca, vol. 14 (Florence: Leo S. Olschki, 1961).

    • Aribo – aridem

      Source: Aribo, De musica, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 2 ([Rome]: American Institute of Musicology, 1951), 1–72.

    • Isidorus Hispalensis – isidemu

      Source: Isidori Hispalensis episcopi Etymologiarum sive originum libri XX, 2 vols., ed. W. M. Lindsay (Oxford: Clarendon, 1911), 1:ff. K6r–L2r.

    • Isidorus Hispalensis – isidem

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 82:163–69.

    • Johannes de Grocheo – grodem

      Source: Ernst Rohloff, Der Musiktraktat des Johannes de Grocheo nach den Quellen neu herausgegeben mit Übersetzung ins Deutsche und Revisionsbericht, Media latinitas musica, vol. 2 (Leipzig: Gebrüder Reinecke, 1943), 41–67.

    • Notker – notdem

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:95–102.

    • Odo – odomu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:773–96.

    • Odo – odomus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:265–84.

    • Wolterstorpius, Joachimus – woldem

      Source: Paul Kast, "Der Traktat 'De Musica' von Joachim Woltersdorf," in Studien zur italienisch-deutschen Musikgeschichte, ed. Paul Kast, Analecta musicologica, Band 1 (Köln: Böhlau, 1963), 24–27.

  • [+] [De musica]

    • Anonymous – anomusi_mbavb307

      Source: Vatican City, Biblioteca Apostolica Vaticana, MS Barb. lat. 307, ff. 21r–27r.

    • Notker – notdemu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:1171–78.

  • [+] De musica, liber primus

    • Augustinus, Aurelius – augdem1

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1081–1100.

    • Salinas, Franciscus – salmus1

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), ff. 1r–8v and pp. 1–45.

  • [+] De musica, liber quartus

    • Augustinus, Aurelius – augdem4

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1127–48.

    • Salinas, Franciscus – salmus4

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 176–234.

  • [+] De musica, liber quintus

    • Augustinus, Aurelius – augdem5

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1147–62.

    • Salinas, Franciscus – salmus5

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 235–85.

  • [+] De musica, liber secundus

    • Augustinus, Aurelius – augdem2

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1099–1116.

    • Salinas, Franciscus – salmus2

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 46–100.

  • [+] De musica, liber septimus

    • Salinas, Franciscus – salmus7

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 374–438.

  • [+] De musica, liber sextus

    • Augustinus, Aurelius – augdem6

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1161–94.

    • Salinas, Franciscus – salmus6

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 286–373.

  • [+] De musica, liber tertius

    • Augustinus, Aurelius – augdem3

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 32:1115–28.

    • Salinas, Franciscus – salmus3

      Source: Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur (Salamanca: Mathias Gastius, 1577), 101–75.

  • [+] De musica, tractatus primus

    • Engelbertus Admontensis – engdem1

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:287–98.

  • [+] De musica, tractatus quartus

    • Engelbertus Admontensis – engdem4

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:338–69.

  • [+] De musica, tractatus secundus

    • Engelbertus Admontensis – engdem2

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:298–320.

  • [+] De musica, tractatus tertius

    • Engelbertus Admontensis – engdem3

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:320–38.

  • [+] De musica antica et moderna
  • [+] De musica antiqua et nova

    • Anonymous I – ano1dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:334–64.

    • Anonymous II – ano2dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:364–70.

  • [+] De musica cum tonario

    • Johannes Affligemensis – johdem

      Source: Johannes Affligemensis, De musica cum tonario, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 1 ([Rome]: American Institute of Musicology, 1950), 43–200.

  • [+] De musicae laudibus oratio

    • Liban, Jerzy – libdem

      Source: De musicae laudibus oratio seu adhortatio quaedam, ad musicae studiosos: cui annexa est, quae in scalis et musica tractantur, multorum vocabulorum graecorum interpretatio, cum octo tonorum proprietatibus, et totidem eorum melodijs, tetraphonis haud inconcinnis Atque alia nonnulla, quae sequens ostendit paginula. His octo tonis, tanquam auctarium additur Peregrinus, quasi post liminio reuersus, qui cum coeteris tonis fratribus suis, in pristinam redit noticiam (Cracow: Halicz, 1540; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).

  • [+] De musica et de transformatione specialiter

    • Anonymous – anodmt

      Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 154–60.

  • [+] De musica et poetica opusculum in quo Conradolum Stangam prothonotarium apostolicum perpetua oratione alloquitur
  • [+] De musica et tonis tractatus

    • Anonymous – metano1

      Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: Bössenecker, 1866), 13–21.

  • [+] De musica figurata

    • Kromer, Marcin – krodem

      Source: Marcin Kromer, De musica figurata liber posterior, ed. Albert Seay, Texts/Translations, no. 3 (Colorado Springs: Colorado College Music Press, 1980), 2–34.

  • [+] De musica libellus

    • Anonymous – anodml

      Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 19–35.

    • Anonymous 7 – ano7dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:378–83.

  • [+] De musica liber

    • Cardanus, Hieronymus – cardem

      Source: Hieronymi Cardani Mediolanensis philosophi ac medici celeberrimi operum tomus decimus; quo continentur opuscula miscellanea ex fragmentis et paralipomenis. Contentorum huius tomi seriem index titulorum exhibet. Nunc primum ex authoris manuscriptis prodeunt (Lugduni, sumptibus Ioannis Antonii Huguetan et Marci Antonii Rauaud, 1663; repr., Stuttgart-Bad Cannstatt: Friedrich Frommann Verlag [Günther Holzboog], 1966), 105–16.

  • [+] De musica mensurabili

    • Anonymous – anodem

      Source: De musica mensurabili, ed. Cecily Sweeney; De semibrevibus caudatis, ed. André Gilles and Cecily Sweeney, Corpus scriptorum de musica, vol. 13 ([Rome]: American Institute of Musicology, 1971), 29–56.

    • Anonymous VI – ano6dem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:398–403.

    • Johannes de Garlandia – gardem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:175–82.

    • Theodoricus de Campo – camdem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:177–93.

  • [+] De musica mensurabili positio
  • [+] [De musica mensurata]

    • Anonymous – anobrig

      Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 293–303.

    • Anonymous – anobri

      Source: P. Altman Kellner, "Ein Mensuraltraktat aus der Zeit um 1400," Anzeiger der Oesterreichischen Akademie der Wissenschaften, philosophisch-historische Klasse 94 (1957): 73–85, 73–85.

  • [+] De musica mensurata

    • Anonymous – anodmm

      Source: De musica mensurata: The Anonymous of St. Emmeram, ed. and trans. Jeremy Yudkin, Music: Scholarship and Performance (Bloomington: Indiana University Press, 1990), 64-288 (even), 338–48.

  • [+] [De musica plana]

    • Czerey, János – czedmp

      Source: Ágnes Papp, "Eine späte Abschrift der Lehre der Musica plana in einem Gesangbuch aus Ungarn: Musiktheoretische Aufzeichnungen und Tonar," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 498–510.

  • [+] De musica verbali libri duo

    • Stoquerus, Gaspar – stodem

      Source: Gaspar Stoquerus, De musica verbali libri duo, ed. and trans. Albert C. Rotola, S.J., Greek and Latin Music Theory, vol. 5 (Lincoln: University of Nebraska Press, 1988), 100–254.

  • [+] De natura cantus ac miraculis vocis

    • Herbenus Traiectensis – herden

      Source: Herbeni Traiectensis De natura cantus ac miraculis vocis, ed. Joseph Smits van Waesberghe, Beiträge zur rheinischen Musikgeschichte, vol. 22 (Cologne: Arno Volk, 1957), 16–78.

  • [+] De numeris, qui musicas retinent consonantias, secundum Ptolomaeum de Parisius

    • Johannes de Muris – murden

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:284–86.

  • [+] De numeris musicis et de consonantiis

    • Anonymous – anomk

      Source: Christian Meyer, "Aus der Werkstatt des Kompilators," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997), 10–12.

  • [+] De nuptiis Philologiae et Mercurii, Liber IX, De harmonia
  • [+] De nuptiis Philologiae et Mercurii, Liber IX, De musica

    • Martianus Capella – mardnp9

      Source: Antiquae musicae auctores septem. Graece et Latine, Marcus Meibomius restituit ac notis explicavit, 2 vols. (Amstelodami: apud Ludovicum Elzevirium, 1652), 2:165–98.

  • [+] De octo tonis vbi nascuntur et oriuntur aut efficiuntur
  • [+] De organo

    • Anonymous – anoincor

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 205–13.

    • Hucbald – hucorg

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:74–78.

  • [+] De organo mediolanensi

    • Anonymous – anoorme

      Source: Jacques Handschin, "Aus der alten Musiktheorie III. Zur Ambrosianischen Mehrstimmigkeit," Acta musicologica 15 (1943): 2-23, 93-94, 5–6.

  • [+] De origine et effectu musicae

    • Anonymous – anooref

      Source: Gilbert Reaney, "The Anonymous Treatise De origine et effectu musicae, an Early 15th Century Commonplace Book of Music Theory," Musica disciplina 37 (1983): 101-19, 109–19. Text copyright 1985.

  • [+] De origine et effectu musice
  • [+] [De origine musice artis]
  • [+] De origine rerum
  • [+] De ortu et divisione philosophiae, Capitulum XVIII, De ortu et subiecto et proprio fine ac definitione

    • Kilwardby, Robert – kildeo

      Source: Walter Grossmann, Die einleitenden Kapitel des Speculum Musicae von Johannes de Muris: Ein Beitrag zur Musikanschauung des Mittelalters (Leipzig: Breitkopf und Härtel, 1924; reprint ed., Nendeln/Liechtenstein: Kraus, 1976), 94–96.

  • [+] De ortu scientiarum

    • Kilwardby, Robert – kildos

      Source: Robert Kilwardby O.P, De ortu scientiarum, Auctores britannici medii aevi, vol. IV (London: The British Academy; Toronto: The Pontifical Institute of Mediaeval Studies, 1976), 46–47, 50–53, 55–60, 138, 144, 146, 167, and 224.

  • [+] De ortu scientiarum, Dictio de cognoscenda causa unde orta est ars musice

    • Al-Farabi – farort

      Source: Henry George Farmer, ed. and trans., Al-Farabi's Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 44–48.

  • [+] De partitione licterarum monocordi

    • Theatinus, Jacobus – thepar

      Source: Angiolamaria Guarneri Galuzzi, Il "De partitione licterarum monocordi" di Jacobus Theatinus, Instituta et Monumenta, II/4 (Cremona: Fondazione Claudio Monteverdi, 1975), 29–52.

  • [+] De philosophiae laudibus oratio

    • Liban, Jerzy – libdep

      Source: De philosophiae laudibus oratio in qua singularum artium fere liberalium, laus et decorum continetur et utilitas, a doctissimorum sententiis philosphorum, non abhorrens, eme, lege, et adficiere (Cracow: Scharffenberg, 1537; repr., Cracow: Polskie Wydawnictwo Muzyczne, 1975).

  • [+] De plana musica
  • [+] De plana musica breve compendium

    • Anonymous – anodmp

      Source: André Gilles, "De musica plana breve compendium (Un témoignage de l'enseignement de Lambertus)," Musica disciplina 43 (1989): 33-62, 39–51.

  • [+] De practica musica, seu de mensurabili

    • Johannes de Muris – murpra

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:292–301.

  • [+] De preceptis artis musice et pratice compendiosus libellus

    • Guilielmus monachus – monprec

      Source: Guilielmi monachi De preceptis artis musicae, ed. Albert Seay, Corpus scriptorum de musica, vol. 11 ([Rome]: American Institute of Musicology, 1965), 15–59.

    • Guilielmus monachus – monpre

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:273–307.

  • [+] [De prolatione]
  • [+] [De proportione]
  • [+] De proportionibus

    • Anonymous – anodep_mbavb307

      Source: Vatican City, Biblioteca Apostolica Vaticana, MS Barb. lat. 307, f. 31r–v.

    • Ciconia, Johannes – cicprop

      Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 412–46 (even–numbered pages only).

    • Hothby, Johannes – hotdep

      Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 36–42.

  • [+] [De proportionibus]
  • [+] [De proportionibus et de intervallis]
  • [+] De scientiis

    • Al-Farabi – farscie

      Source: Henry George Farmer, ed. and trans., Al-Farabi's Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 21–31.

    • Al-Farabi – farsci

      Source: Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 420–21.

  • [+] De semibrevibus caudatis

    • Anonymous – anosem

      Source: De musica mensurabili, ed. Cecily Sweeney; De semibrevibus caudatis, ed. André Gilles and Cecily Sweeney, Corpus scriptorum de musica, vol. 13 ([Rome]: American Institute of Musicology, 1971), 65–79.

  • [+] De sex motibus vocum ad se invicem et dimensione earum

    • Guido d'Arezzo – guisex

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:115–16.

  • [+] De sinemenis

    • Anonymous – anodes

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:364–65.

  • [+] De speculatione musice

    • Odington, Walter – odides

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:182–250.

  • [+] De tonis

    • Johannes de Muris – murton

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:308–12.

  • [+] De tonorum agnicionibus
  • [+] De tractatu tonorum

    • Anonymous – schano

      Source: Marius Schneider, Geschichte der Mehrstimmigkeit: Historische und phänomenologische Studien (Berlin: Gebrüder Bornträger, 1934; reprint ed., Tutzing: Hans Schneider, 1969), 106–18.

  • [+] De Tribus Generibus Instrumentorum Musicae Veterum Organicae
  • [+] De universo, liber XVIII, caput IV

    • Rabanus Maurus – maudeu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 111:495–500.

  • [+] De valore notularum tam veteris quam novae artis

    • Anonymous – ano2dev

      Source: De valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); De diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 13–28.

  • [+] [De valore notularum tam veteris quam novae artis]
  • [+] De varia psalmorum atque cantuum modulatione

    • Berno Augiensis – bernvarp

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1131–54.

    • Berno Augiensis – bernvar

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:91–114.

  • [+] De vera et compendiosa seu regulari constructione contrapuncti et de pluribus viciis a pluribus ignaris comittendis seu commissis ab autoribus prohibitis

    • Anonymous – anodvc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 58–65.

  • [+] De vera solfizationis
  • [+] De vocum consonantiis

    • Osbernus Cantuariensis (?) – osbmus

      Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars A, "De vocum consonantiis" ac "De re musica" (Osberni Cantuariensis?), ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xa (Buren: Knuf, 1979), 14–38.

  • [+] Dialogus
  • [+] Dialogus de musica

    • Odo – ododi

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:757–74.

    • Odo – ododia

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:251–64.

    • Sycamber de Venray, Rutgerus – rutdia

      Source: Rutgerus Sycamber de Venray, Dialogus de musica (um 1500), ed. Fritz Soddemann, Beiträge zur rheinischen Musikgeschichte, vol. 54 (Köln: Arno Volk, 1963), 1–64.

  • [+] Dialogus de musica, prologus

    • Odo – odopro

      Source: Michel Huglo, "Der Prolog des Odo zugeschriebenen 'Dialogus de Musica'," Archiv für Musikwissenschaft 28 (1971): 134-146, 138–39.

  • [+] [Dialogus de organo et tractatulus de cantu]

    • Anonymous – anodia

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 214–21.

  • [+] Dialogus in arte musica

    • Hothby, Johannes – hotdia

      Source: Johannis Octobi Tres tractatuli contra Bartholomeum Ramum, ed. Albert Seay, Corpus scriptorum de musica, vol. 10 ([Rome]: American Institute of Musicology, 1964), 61–76.

  • [+] Diffinitorium musicae

    • Tinctoris, Johannes – tindif

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:177–91.

  • [+] Discantus positio vulgaris

    • Anonymous – dispovu

      Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 189–94.

    • Anonymous – disposi_mpbn1666

      Source: Paris, Bibliothèque nationale de France, MS latin 16663, ff. 64v–66v.

    • Anonymous – dispos

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:94–97.

  • [+] Discantus vulgaris positio

    • Anonymous – disvul

      Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 247–53.

  • [+] Disputatio de somnio Scipionis
  • [+] Distinccio inter colores musicales, et armorum heroum
  • [+] Diverse conclusiones
  • [+] Divisio monocordi secundum enchiriadem

    • Anonymous – anome5

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 240.

  • [+] Doctrina de tonis seu modis musicis
  • [+] Dodecachordon, Liber primus
  • [+] Dodecachordum, Liber secundus
  • [+] Dodecachordum, Liber tertius
  • [+] Dulce ingenium (Versio Parisiensis et Brugensis)

    • Anonymous – anodul

      Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 14–26.

  • [+] Dulce ingenium (Versio Pragensis)

    • Anonymous – anodul2

      Source: Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae," ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987), 27–43.

  • [+] Ecce modorum sive tonorum auspice Christo incipit ordo

    • Anonymous – anoecc

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 182–84.

  • [+] Elementa musicalia

    • Faber Stapulensis, Jacobus – stapmus

      Source: In hoc opere contenta. Arithmetica decem libris demonstrata. Musica libris demonstrata quattuor. Epitome in libros arithmeticos diui Seuerini Boetij. Rithmimachie ludus qui et pugna numerorum appellatur (Paris: Joannes Higmanus et Volgangus Hopilius, 1496), ff. f1r–h6v.

  • [+] Elementorum musices practicae

    • Martin, Claude – marele

      Source: Elementorum musices practicae pars prior, libris duobus absoluta, nunc primùm in lucem aedita (Paris, 1550; repr., Geneva: Minkoff, 1981).

  • [+] Enchiridion de principiis musice discipline

    • Guillermus de Podio – guienc

      Source: Karl-Werner Gümpel, "Das Enchiridion de principiis musice discipline des Guillermus de Podio," Spanische Forschungen der Görresgesellschaft, I/27 (Münster: Aschendorff, 1973), 362–96.

  • [+] Enchiridion musicae, liber III

    • Wollick, Nicolaus – wolenc3

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. cviiir–giv.

  • [+] Enchiridion musices, liber I

    • Wollick, Nicolaus – wolenc1

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. air–aviir.

  • [+] Enchiridion musices, liber II

    • Wollick, Nicolaus – wolenc2

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. aviir–cviiir.

  • [+] Enchiridion musices, liber IV

    • Wollick, Nicolaus – wolenc4

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. giv–gviir.

  • [+] Enchiridion musices, liber V

    • Wollick, Nicolaus – wolenc5

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. gviiv–kiiiir.

  • [+] Enchiridion musices, liber VI

    • Wollick, Nicolaus – wolenc6

      Source: Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris), ff. kiiiir–liiiir.

  • [+] Enchiridion utriusque musicae practicae

    • Rhau, Georg – rhaenc

      Source: Enchiridion utriusque musicae practicae a Georgio Rhau ex varijs musicorum libris, pro pueris in schola Vitebergensi congestum (Wittemberg: Georg Rhau, 1538; repr., Kassel: Bärenreiter, 1951).

  • [+] Epistola ad Dardanum

    • Hieronymus [Ps.] – hierinst

      Source: Reinhold Hammerstein, "Instrumenta Hieronymi," Archiv für Musikwissenschaft 16 (1959): 117-134, 120–22, 124–25, 127, 129–31.

  • [+] Epistola cum tractatu de musica instrumentali humanaque ac mundana

    • Adelboldus – adetra

      Source: Adalboldi episcopi Ultraiectensis Epistola cum tractatu de musica instrumentali humanaque ac mundana, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/II (Buren: Knuf, 1981), 12–29.

  • [+] Epistola de harmonica institutione

    • Regino Prumiensis – reghar

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:230–47.

  • [+] Epistola de vocibus in musica liturgica Graecorum usitatis
  • [+] Epistola Guidonis Michaeli monacho de ignoto cantu

    • Guido d'Arezzo – guiep

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:423–32.

  • [+] Epistola Guidonis Michaeli monacho de ignoto cantu directa

    • Guido d'Arezzo – guiepi

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:43–50.

  • [+] Epistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare

    • Anonymous – berepi

      Source: Epistola S. Bernardi De revisione cantus Cisterciensis, et Tractatus Cantum quem Cisterciensis Ordinis ecclesiae cantare, ed. F. J. Guentner, Corpus scriptorum de musica, vol. 24 ([Rome]: American Institute of Musicology, 1974), 21–41.

  • [+] Epistola XL: Boethio patricio Theodericvs rex
  • [+] Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam

    • Finé, Oronce – finepi

      Source: Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam per Orontium fineum Delphinatem studiose collectum (1530; repr., Geneva: Minkoff, 1993).

  • [+] Epitoma utriusque musicae practicae
  • [+] Erotemata musicae practicae

    • Lossio, Luca – losero

      Source: Erotemata musicae practicae (Nuremburg: Montanus et Neuberus, 1563; repr., New York: Arnaldo Forni, 1980).

  • [+] Erotematum musicae liber primus

    • Beurhusius, Fredericus – beuero1

      Source: Erotematum musicae libri duo, ex optimis huius artis scriptoribus vera perspicuaque methodo descripti (Nuremberg: In officina typographica Catharinae Gerlachin, et Haeredum Ioannis Montani, 1580; repr., Cologne: Arno Volk, 1969), 1–68.

  • [+] Erotematum musicae liber secundus

    • Beurhusius, Fredericus – beuero2

      Source: Erotematum musicae libri duo, ex optimis huius artis scriptoribus vera perspicuaque methodo descripti (Nuremberg: In officina typographica Catharinae Gerlachin, et Haeredum Ioannis Montani, 1580; repr., Cologne: Arno Volk, 1969), 68–125.

  • [+] Est tonus sic
  • [+] Et octo tonorum incipit tractatus metricus
  • [+] [Excerpta de consonantiis et de contrapuncto]

    • Anonymous – anoexc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 86–87.

  • [+] Excitatio quaedam musicae artis per refutationem

    • Hothby, Johannes – hotexc

      Source: Johannis Octobi Tres tractatuli contra Bartholomeum Ramum, ed. Albert Seay, Corpus scriptorum de musica, vol. 10 ([Rome]: American Institute of Musicology, 1964), 17–57.

  • [+] Exercitationes musicae duae

    • Calvisius, Seth – calvex

      Source: Exercitationes musicae duae. Qvarvm prior est, de modis mvsicis, qvos vulgò Tonos vocant, rectè cognoscendis, et dijudicandis. Posterior, de initio et progressv Mvsices, alijsque rebus eo spectantibus (Leipzig: Iacobus Apelius, 1600).

  • [+] Expositio de motu

    • Anonymous – anomov

      Source: Joseph Smits van Waesberghe, "De commentator anonymus in Micrologum Guidonis Aretini en zijn verhouding tot de Luiksche muziekschool," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936–46), 1:154–70.

    • Anonymous – anomot

      Source: Joseph Smits van Waesberghe, "Een tweede anoniem Motus-commentaar," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936-46), 1:185–87.

  • [+] Expositio manus

    • Tinctoris, Johannes – tinem

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:31–57.

    • Tinctoris, Johannes – tinexp

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:1–16.

  • [+] Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris

    • Prosdocimo de' Beldomandi – proexp

      Source: Prosdocimi de Beldemandis opera 1: Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris, ed. F. Alberto Gallo, Antiquae musicae italicae scriptores, vol. 3 (Bologna: Università degli Studi de Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 19–223.

  • [+] Extractus parvus musice

    • Gaffurio, Franchino – gafext

      Source: Franchini Gafurii Extractus parvus musice, ed. F. Alberto Gallo, Antiquae musicae italicae scriptores, vol. 4 (Bologna: Università degli Studi de Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1969), 13–208.

  • [+] Fragmenta

    • Censorinus – cenfra

      Source: Censorini de die natali liber ad Q. Caerellium accedit anonymi cuiusdam epitoma disciplinarum, ed. Nicolaus Sallmann (Leipzig: B. G. Teubner, 1983), 61–86.

  • [+] [Fragmenta]
  • [+] Fragmenta de musica

    • Gerlandus – gerfra

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:277–78.

  • [+] Fragmenta musica

    • Anonymous – anofra

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 67–78.

    • Anonymous – anofra2

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 185–94.

    • Anonymous – anofra3

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 275–79, 281–84, 286–88.

  • [+] Fragmentum

    • Anonymous – anofra7

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 496.

  • [+] [Fragmentum]
  • [+] Fragmentum de mensuris

    • Anonymous – anofram

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 51–52.

  • [+] [Fragmentum de proportionibus]

    • Anonymous – anofrap

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 55.

  • [+] Fragmentum. Lectori Ingenuo
  • [+] Fragmentum musices

    • Anonymous III – ano3fram

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:685–88.

    • Anonymous III – ano3fra

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:343–44.

  • [+] [Gerontikon]

    • Pambo, Abbas – pamger

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:1–4.

  • [+] [Glossae in Micrologum]

    • Anonymous – anooxa

      Source: Wolfgang Hirschmann, "Accessus und Glosse: Die Micrologus-Version der Handschrift Oxford, St John's College 188," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 165–69.

    • Anonymous – anooxp

      Source: Wolfgang Hirschmann, "Accessus und Glosse: Die Micrologus-Version der Handschrift Oxford, St John's College 188," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 170–71.

  • [+] Glossemata quaedam super nonnullas partes theoricae praescriptae Iohannis de Muris
  • [+] [Guidonis musica]
  • [+] Idea, sive designatio aliquot Operum, quae Ioannes Baptista Donius, partim absolvit, partim incepit
  • [+] Inchiriadon Uchubaldi Francigenae

    • Anonymous – anoinc

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 187–205.

  • [+] Incipit liber secundus de sex, ut, re, mi, fa, sol, la, sillabis
  • [+] Incipit liber tertius de contrapuncto praefationcula
  • [+] Incipit praefationcula in tam admirabilem quam tacitam et quietissimam novorum concinentiam
  • [+] Instituta patrum de modo psallendi sive cantandi

    • Anonymous – patpsal

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:5–8.

  • [+] Institutiones musicae, seu excerpta ex eiusdem libro, de artibus ac disciplinis liberalium litterarum

    • Cassiodorus, Aurelius – casim

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 70:1208–12.

    • Cassiodorus, Aurelius – casins

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:15–19.

  • [+] Institutionum disciplinae
  • [+] Institutionum liber secundus saecularium litterarum
  • [+] Institutio Sancti Bernardi abbatis Clareuallis quomodo cantare et psallere debeamus

    • Bernardus abbatis Clareuallis – berins

      Source: Chrysogonus Waddell, "A Plea for the 'Institutio Sancti Bernardi quomodo cantare et psallere debeamus,'" in Saint Bernard of Clairvaux: Studies Commemorating the Eighth Centenary of His Canonization, ed. M. Basil Pennington, Cistercian Studies Series, no. 28 (Kalamazoo, MI: Cistercian Publications, 1977), 187–88.

  • [+] Interpolationen

    • Berno Augiensis – bernint

      Source: Bernonis Augiensis Abbatis De arte musica disputationes traditae: Quae ratio est inter tria opera de arte musica Bernonis Augiensis, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/VIb (Buren: Knuf, 1979), 31–37.

  • [+] Intonarium

    • Odo – odoint

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:117–49.

  • [+] Introductio musice

    • Magister de Garlandia – garint

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:157–75.

  • [+] Introductorium musicae

    • Anonymous – anoleip

      Source: Hugo Riemann, "Anonymi Introductorium musicae (c. 1500)," Monatshefte für Musikgeschichte 29 (1897); 30 (1898), 1–8, 11–19.

    • Keck, Ioannes – keckinmu

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:319–29.

  • [+] Item versi eiusdem acute divisionis

    • Anonymous – anovers

      Source: Tilden A. Russell, "A Poetic Key to a Pre-Guidonian Palm and the Echemata," Journal of the American Musicological Society 34 (1981): 109-118, 110.

  • [+] Iuxta artem conficiendi [compositiones]

    • Anonymous – anoiux

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 98–115.

  • [+] Jesus. Libellus musicae adiscendae valde utilis et est dialogus. Discipulus et magister sunt locutores

    • Anonymous – anolib

      Source: Anonymus. Ex codice Vaticano lat. 5129, ed. Albert Seay, Corpus scriptorum de musica, vol. 9 ([Rome]: American Institute of Musicology, 1964), 21–48.

  • [+] [Lectio Guidonis]

    • Anonymous – guilec

      Source: Joseph Smits van Waesberghe, "Relazione inedita di una lezione di Guido d'Arezzo sulla teoria della musica," Note d'Archivio per la storia musicale 13 (1936): 38-51, 42–45.

  • [+] Lectura

    • Tallanderius, Petrus – tallec

      Source: Petrus Tallanderius, Lectura, ed. Albert Seay, Critical Texts, no. 4 (Colorado Springs: Colorado College Music Press, 1977).

  • [+] Libellus cantus mensurabilis
  • [+] Libellus cantus mensurabilis [fragmentum]
  • [+] Libellus de rudimentis musices: Compendium musicae

    • Rossetti, Biagio – roslib1

      Source: Biagio Rossetti, Libellus de rudimentis musices, ed. Albert Seay, Critical Texts, no. 12 (Colorado Springs: Colorado College Music Press, 1981), 1–60.

  • [+] Libellus de rudimentis musices: De choro et organo compendium

    • Rossetti, Biagio – roslib2

      Source: Biagio Rossetti, Libellus de rudimentis musices, ed. Albert Seay, Critical Texts, no. 12 (Colorado Springs: Colorado College Music Press, 1981), 62–94.

  • [+] Libellus monocordi

    • Prosdocimo de' Beldomandi – prolib

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:248–58.

  • [+] Libellus tonarius

    • Anonymous – anolit

      Source: Heinrich Sowa, Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien (Kassel: Bärenreiter, 1935), 81–154.

  • [+] Liber argumentorum

    • Anonymous – anoarg

      Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 19–30.

  • [+] Liber artis musicae

    • Aegidius Zamorensis, Iohannes – zamlib

      Source: Johannes Aegidius de Zamora, Ars musica, ed. Michel Robert-Tissot, Corpus scriptorum de musica, vol. 20 ([Rome]: American Institute of Musicology, 1974), 30–122 (even).

  • [+] Liber de arte contrapuncti, Liber primus

    • Tinctoris, Johannes – tincpt1

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:11–89.

    • Tinctoris, Johannes – tincon1

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:76–119.

  • [+] Liber de arte contrapuncti, Liber secundus

    • Tinctoris, Johannes – tincpt2

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:90–145.

    • Tinctoris, Johannes – tincon2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:119–47.

  • [+] Liber de arte contrapuncti, Liber tertius

    • Tinctoris, Johannes – tincpt3

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:146–57.

    • Tinctoris, Johannes – tincon3

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:147–53.

  • [+] Liber de musica
  • [+] Liber de natura et proprietate tonorum

    • Tinctoris, Johannes – tinldn

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:65–104.

    • Tinctoris, Johannes – tinnat

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:16–41.

  • [+] Liber imperfectionum notarum musicalium

    • Tinctoris, Johannes – tinlimp

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:143–67.

    • Tinctoris, Johannes – tinlib

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:54–66.

  • [+] Liber musicae

    • Anonymous – anolibm

      Source: G. Pannain, "Liber musicae. Un teorico anonimo del XIV secolo," Rivista musicale Italiana 27 (1920): 409-40, 409–39.

  • [+] Liber musicalium

    • Philippe de Vitry – vitlibm

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:35–46.

  • [+] Liber opusculorum, capitula V-VI

    • Odorannus de Sens – odosens

      Source: Odorannus de Sens, Opera omnia: Textes édités, traduits et annotés par Robert-Henri Bautier et Monique Gilles, et, pour la partie musicologique, par Marie-Elisabeth Duchez et Michel Huglo (Paris: Centre national de la recherche scientifique, 1972), 150–225.

  • [+] Liber specierum

    • Anonymous – anospeg

      Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 31–58.

  • [+] Libri tres de institutione harmonica, liber primus

    • Aaron, Petrus – aarih1

      Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Air–Cviv.

  • [+] Libri tres de institutione harmonica, liber secundus

    • Aaron, Petrus – aarih2

      Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Cviv–Eviiir.

  • [+] Libri tres de institutione harmonica, liber tertius

    • Aaron, Petrus – aarih3

      Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516; reprint ed., New York: Broude Bros., 1978), ff. Eviiiv–Hxr.

  • [+] Libri tres de institutione harmonica; Petrus Aaron Florentinus ad Lectorem

    • Aaron, Petrus – aarihcor

      Source: Libri tres de institutione harmonica editi a Petro Aaron Florentino. [Corrigenda.] (Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, [1516?]; reprint ed., New York: Broude Bros., 1978), ff. Iir–Iiiv.

  • [+] Lilium musicae planae

    • Keinspeck, Michael – keinlil

      Source: Michael Keinspeck und sein Musiktraktat "Lilium musicae planae" Basel 1496, ed. Winfried Ammel, Marburger Beiträge zur Musikforschung, vol. 5 (Marburg: Görich und Weierhäuser, 1970), 111–29.

  • [+] Lucidarium, Regulae de tonis, Tractatus figurarum, and Nova musica
  • [+] Lucidarium, tractatus decimus

    • Marchetus de Padua – marlu10

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:100.

    • Marchetus de Padua – marluc10

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 368.

  • [+] Lucidarium, tractatus decimusquartus

    • Marchetus de Padua – marlu14

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:120.

  • [+] Lucidarium, tractatus decimusquintus

    • Marchetus de Padua – marlu15

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:120.

  • [+] Lucidarium, tractatus decimussextus

    • Marchetus de Padua – marlu16

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:121.

  • [+] Lucidarium, tractatus decimustertius

    • Marchetus de Padua – marlu13

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:119.

  • [+] Lucidarium, tractatus duodecimus

    • Marchetus de Padua – marlu12

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:117–19.

    • Marchetus de Padua – marluc12

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 518–32.

  • [+] Lucidarium, tractatus nonus

    • Marchetus de Padua – marlu9

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:92–100.

    • Marchetus de Padua – marluc9

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 306–66.

  • [+] Lucidarium, tractatus octavus

    • Marchetus de Padua – marlu8

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:88–92.

    • Marchetus de Padua – marluc8

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 268–306.

  • [+] Lucidarium, tractatus primus

    • Marchetus de Padua – marlu1m_mmbai20i

      Source: Milan, Biblioteca Ambrosiana, MS I.20.inf, ff. 36v–38v.

    • Marchetus de Padua – marlu1

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:64–70.

    • Marchetus de Padua – marluc1

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 68–106.

  • [+] Lucidarium, tractatus quartus

    • Marchetus de Padua – marlu4

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:78–80.

    • Marchetus de Padua – marluc4

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 182–94.

  • [+] Lucidarium, tractatus quartus decimus

    • Marchetus de Padua – marluc14

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 538–42.

  • [+] Lucidarium, tractatus quintus

    • Marchetus de Padua – marlu5

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:80–83.

    • Marchetus de Padua – marluc5

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 196–222.

  • [+] Lucidarium, tractatus quintus decimus

    • Marchetus de Padua – marluc15

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 544–46.

  • [+] Lucidarium, tractatus secundus

    • Marchetus de Padua – marlu2m_mmbai20i

      Source: Milan, Biblioteca Ambrosiana, MS I.20.inf, ff. 38v–39r.

    • Marchetus de Padua – marlu2

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:70–76.

    • Marchetus de Padua – marluc2

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 106–66.

  • [+] Lucidarium, tractatus septimus

    • Marchetus de Padua – marlu7

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:87–88.

    • Marchetus de Padua – marluc7

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 256–66.

  • [+] Lucidarium, tractatus sextus

    • Marchetus de Padua – marlu6

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:83–87.

    • Marchetus de Padua – marluc6

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 224–56.

  • [+] Lucidarium, tractatus sextus decimus

    • Marchetus de Padua – marluc16

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 546–50.

  • [+] Lucidarium, tractatus tercius

    • Marchetus de Padua – marluc3

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 168–80.

  • [+] Lucidarium, tractatus tercius decimus

    • Marchetus de Padua – marluc13

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 534–38.

  • [+] Lucidarium, tractatus tertius

    • Marchetus de Padua – marlu3

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:76–78.

  • [+] Lucidarium, tractatus undecimus

    • Marchetus de Padua – marlu11

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:100–117.

    • Marchetus de Padua – marluc11

      Source: The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary, ed. and trans. by Jan W. Herlinger (Chicago and London: The University of Chicago Press, 1985), 370–518.

  • [+] Lucubratiunculae bonarum septem artium liberalium, capitulum quintum, De musica

    • Gresemund, Dietrich – greluc

      Source: Peter Wagner, "Aus der Musikgeschichte des deutschen Humanismus," Zeitschrift für Musikwissenschaft 3 (1920-21): 21-29, 22–27.

  • [+] Margarita philosophica cum additionibus nouis: ab auctore suo studiosissima reuisione quarto super additis, Liber V: De principiis musicae

    • Reisch, Gregor – reimar

      Source: Margarita philosophica, mit einem Vorwort, einer Einleitung und einem neuen Inhaltsverzeichnis von Lutz Geldsetzer (Düsseldorf: Stern-Verlag Janssen & Co., [1973]), 175–203.

  • [+] [Marginalia]

    • Anonymous – anomarg

      Source: Heinrich Sowa, "Zur Handschrift Clm 9921," Acta musicologica 5 (1933): 60-65; 107-20, 61–63, 65, 107–8, 110–11, 113–19.

  • [+] [Mensura cymbalorum]

    • Anonymous – anocym

      Source: Joseph Smits van Waesberghe, ed., Cymbala (Bells in the Middle Ages), Musicological Studies and Documents, vol. 1 (Rome: American Institute of Musicology, 1951), 37–61.

  • [+] [Mensura fistularum]

    • Anonymous – anoprir

      Source: "Anonyme Mensur der Orgelpfeifen. (Cod. Paull. 1493. Fol. 61a.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

    • Anonymous – anoprg

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 224–32.

  • [+] [Mensura instrumenti organici]

    • Anonymous – anomenr

      Source: "Anonyme Mensur der Orgelpfeifen. (Ex codice Bernensi Martiani Capellae 56b. Mitgetheilt von Schubiger Spicilegien S. 82. X. Jahrhundert.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 300.

  • [+] [Mensura monochordi]

    • Anonymous – anoein

      Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 150–52.

  • [+] Mensura monochordi Boetii

    • Anonymous – anommb

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:687–92.

    • Anonymous – anomen

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:344–48.

  • [+] Mensura monocordi

    • Anonymous – anommon

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 238.

  • [+] [Mensura monocordi VI]

    • Anonymous – anome6

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 241.

  • [+] Metrologus

    • Anonymous – anometr

      Source: Robertus de Handlo, Regule, and Johannes Hanboys, Summa, ed. and trans. by Peter M. Lefferts, Greek and Latin Music Theory, vol. 7 (Lincoln: University of Nebraska Press, 1991), 362–64 (even–numbered pages only).

    • Anonymous – anomet1_mbavr114

      Source: Vatican City, Biblioteca Apostolica Vaticana, MS Reg. lat. 1146, ff. 67r–70v.

  • [+] Metrologus liber

    • Anonymous – anomete

      Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 67–92.

    • Anonymous – anomet_mlbll763

      Source: London, British Library, MS Lansdowne 763, ff. 61r–68v.

  • [+] Micrologus

    • Guido d'Arezzo – guimicb_mbbr2784

      Source: Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS II.784, ff. 1r–20v.

    • Guido d'Arezzo – guimicr

      Source: Guidonis Aretini Micrologus, ed. Joseph Smits van Waesberghe, Corpus scriptorum de musica, vol. 4 ([Rome]: American Institute of Musicology, 1955), 79–234.

    • Guido d'Arezzo – guimicro

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:379–406.

    • Guido d'Arezzo – guimic

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:2–24.

  • [+] [Miscellanea]

    • Anonymous – anospi

      Source: Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57-61, 57–61.

  • [+] Mitologiarum libri tres
  • [+] Modus cantandi in mensuralibus

    • Anonymous – anomod

      Source: Lorenz Welker, "Ein anonymer Mensuraltraktat in der Sterzinger Miszellaneen-Handschrift," Archiv für Musikwissenschaft 48 (1991): 255-281, 255–81.

  • [+] Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia

    • Sebastianus de Felstin – felmod

      Source: Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia ([Cracow: Jan Haller, 1518]; reprint ed., Cracow: Polskie Wydawnictwo Muzyczne, 1979).

  • [+] Monacho qua mente sit psallendum

    • Anonymous – monpsal

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:4–5.

  • [+] Monachus quidam de Sherbourn talem musicam profert de Sancta Maria Magdalene
  • [+] Monochordi mensura

    • Anonymous – anomonr

      Source: "Anonyme Monochordeintheilung. (Cod. Paull. 1493, fol. 52b.)," in Studien zur Geschichte der Notenschrift, ed. Hugo Riemann (Leipzig: Breitkopf and Härtel, 1878), 301.

  • [+] Monochordum Encheriadis

    • Anonymous – anomonen

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:693–94.

  • [+] Monocordum Domni Encheriadis

    • Anonymous – anome2

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 236–37.

  • [+] Musica

    • Adelboldus – ademusi

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 140:1109–20.

    • Adelboldus – ademus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303–12.

    • Alcuinus, Flaccus – alcmus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:26–27.

    • Anonymous I – ano1mu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:673–82.

    • Anonymous I – ano1mus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:330–38.

    • Aribo – arimu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1307–46.

    • Aribo – arimus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:197–230.

    • Boen, Johannes – boenmusi_mvbm8-24

      Source: Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434), ff. 44v–73v.

    • Boen, Johannes – boenmus

      Source: Wolf Frobenius, Johannes Boens Musica und seine Konsonanzenlehre (Stuttgart: Musikwissenschaftliche Verlags-Gesellschaft, 1971), 32–78.

    • Dufay, Guillaume – dufmus

      Source: Clement A. Miller, "Early Gaffuriana: New Answers to Old Questions," Musical Quarterly 56 (1970): 387-88, 387–88.

    • Gui de Chalis – guicha

      Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 255–58.

    • Heinricus Augustensis – heimus

      Source: Musica Domni Heinrici Augustensis magistri, ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/VII (Buren: Knuf, 1977), 35–53.

    • Hermannus Contractus – hermusb

      Source: Hermanni Contracti Musica, ed. W. Brambach (Leipzig: B. G. Teubner, 1884).

    • Hermannus Contractus – hermuse

      Source: Musica Hermanni Contracti, ed. and trans. Leonard Ellinwood, Eastman School of Music Studies, no. 2 (Rochester, New York: Eastman School of Music, 1936).

    • Hermannus Contractus – hermusp

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:413–39.

    • Hermannus Contractus – hermus_mrsl1496

      Source: Rochester, Eastman School of Music, Sibley Library, MS 92.1100 (Wolffheim 1; acc. 149,667), 91–130.

    • Hermannus Contractus – hermusg

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:125–49.

    • Johannes Affligemensis – johmu

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1391–1430.

    • Johannes Affligemensis – johmus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:230–65.

    • Listenius, Nicolaus – lismus

      Source: Musica Nicolai Listenii ab authore denuo recognita multisque novis regulis et exemplis adaucta (Nuremberg: Petreius, 1549; reprint in Veröffentlichungen der Musik-Bibliothek Paul Hirsch, vol. 8, Berlin: Martin Breslauer, 1927).

    • Remigius Altisiodorensis – remmusi

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 131:931–64.

    • Remigius Altisiodorensis – remmus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:63–94.

    • Szydlow, Johannes de – szydmus

      Source: Waclaw Gieburowski, Die "Musica Magistri Szydlovite": ein polnischer Choraltraktat des XV. Jahrh. und seine Stellung in der Choraltheorie des Mittelalters, mit Beruecksichtigung der Choraltheorie und -Praxis des XV. Jahrh. in Polen, sowie der Nachtridentinischen Choralreform (Posen: St. Adalbert, 1915), 9–72.

    • Theogerus Metensis – themusi

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 163:777–92.

    • Theogerus Metensis – themus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:183–96.

    • Willehelmus Hirsaugensis – wilmusi

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 150:1147–78.

    • Willehelmus Hirsaugensis – wilmu

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:154–82.

    • Willehelmus Hirsaugensis – wilmus

      Source: Willehelmi Hirsaugensis Musica, ed. Denis Harbinson, Corpus scriptorum de musica, vol. 23 ([Rome]: American Institute of Musicology, 1975), 11–75.

  • [+] [Musica]

    • Anonymous 4 – ano4mus

      Source: Fritz Reckow, Der Musiktraktat des Anonymus 4, 2 vols., Beihefte zum Archiv für Musikwissenschaft, vols. 4-5 (Wiesbaden: Steiner, 1967), 1:22–89.

    • Ladislaus de Zalka – szamus

      Source: Dénes von Bartha, Das Musiklehrbuch einer ungarischen Klosterschule in der Handschrift von Fürstprimas Szalkai (1490), Musicologica hungarica, vol. 1 (Budapest: Magyar nemzeti múzeum, 1934), 63–128.

  • [+] Musica, liber primus
  • [+] Musica, liber secundus
  • [+] Musica, liber tercius
  • [+] Musica, pars prima

    • Adamus de Fulda – fulmus1

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:329–41.

  • [+] Musica, pars quarta

    • Adamus de Fulda – fulmus4

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:367–81.

  • [+] Musica, pars secunda

    • Adamus de Fulda – fulmus2

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:341–58.

  • [+] Musica, pars tertia

    • Adamus de Fulda – fulmus3

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:359–66.

  • [+] Musica compendium
  • [+] Musica disciplina

    • Aurelianus Reomensis – aurepi

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 343.

    • Aurelianus Reomensis – aurmd

      Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 53–135.

    • Aurelianus Reomensis – aurmusd

      Source: Joseph Perry Ponte III, "Aureliani Reomensis Musica disciplina: A Revised Text, Translation, and Commentary," 3 vols. (Ph.D. dissertation, Brandeis University, 1961), 2:1–199 (odd only).

    • Aurelianus Reomensis – aurmus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:27–63.

    • Ugolino Urbevetanis – ugomus

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 118–65.

  • [+] [Musica disciplina]

    • Anonymous – anomusd

      Source: Renate Federhofer-Königs, "Ein unvollständiger Musiktraktat des 14. Jahrhunderts in Ms. 1201 der Universitätsbibliothek Graz," Kirchenmusikalisches Jahrbuch 44 (1960), 14–19.

  • [+] Musica disciplina, cap. VIII-XVI

    • Aurelianus Reomensis – aurmdap

      Source: Aureliani Reomensis Musica disciplina, ed. Lawrence Gushee, Corpus scriptorum de musica, vol. 21 ([Rome]: American Institute of Musicology, 1975), 136–53.

  • [+] Musicae liber

    • Anonymous – anomus

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 241–48.

  • [+] Musica enchiriadis

    • Anonymous – musenci

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 1–29, 31–59.

    • Anonymous – musench

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:957–82.

    • Anonymous – musenc

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:152–73.

  • [+] Musicae rudimenta

    • Vogelsang, Johannes – vogmus

      Source: Renate Federhofer-Koenigs, "Johannes Vogelsang und sein Musiktraktat (1542): Ein Beitrag zur Musikgeschichte von Feldkirch (Vorarlberg)," Kirchenmusikalisches Jahrbuch 49 (1965), 76–113.

  • [+] Musicae rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus, Libellus primus de sonis

    • Beurhusius, Fredericus – beumus1

      Source: Musicae Rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus (Tremoniae, excudebat Albertus Sartorius, 1581), Beiträge zur rheinischen Musikgeschichte, vol. 38 (Köln: Arno Volk, 1960), 1–17.

  • [+] Musicae rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus, Libellus secundus de cantu

    • Beurhusius, Fredericus – beumus2

      Source: Musicae Rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus (Tremoniae, excudebat Albertus Sartorius, 1581); Beiträge zur rheinischen Musikgeschichte, vol. 38 (Köln: Arno Volk, 1960), 18–51.

  • [+] Musica guidonis
  • [+] Musica Johannis de Muris abbreviata

    • Johannes de Muris – murmusab

      Source: Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 335–44.

  • [+] Musica manualis cum tonale

    • Wylde, Johannes – wylmus

      Source: Johannis Wylde Musica manualis cum tonale, ed. Cecily Sweeney, Corpus scriptorum de musica, vol. 28 (Neuhausen-Stuttgart: American Institute of Musicology, 1982), 43–206.

  • [+] [Musica mensurabilis]

    • Petrus Picardus – petmusup

      Source: Carl Allan Moberg, "Om flerstämmig musik i Sverige under medeltiden," Svensk Tidskrift för Musikforskning 10 (1928): 62-67, 62–67.

  • [+] Musica mensurabilis

    • Petrus Picardus – petmusm

      Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 259–63.

    • Petrus Picardus – petmm_mpbn1666

      Source: Paris, Bibliothèque nationale de France, MS latin 16663, ff. 83r–84v.

    • Petrus Picardus – petmus

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:136–39.

  • [+] Musica plana atque mensurabilis una cum nonnullis solmisationis regulis certissimis insertis summa diligentia compendiose exarata

    • Saess, Heinrich – saemus

      Source: Renate Federhofer-Königs, "Die Musica plana atque mensurabilis von Heinrich Saess," Kirchenmusikalisches Jahrbuch 48 (1964), 64–94.

  • [+] Musica poetica

    • Burmeister, Joachim – burpoe

      Source: Musica poetica: Definitionibus et divisionibus breviter delineata, quibus in singulis capitibus sunt hypomnemata praeceptionum instar [sunoptikos] addita, edita studiô et operâ (Rostock: Stephanus Myliander, 1606).

  • [+] Musica practica, prima pars, tractatus primus

    • Ramus de Pareia, Bartholomeus – rammp1t1

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 1–24.

  • [+] Musica practica, prima pars, tractatus secundus

    • Ramus de Pareia, Bartholomeus – rammp1t2

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 25–51.

  • [+] Musica practica, prima pars, tractatus tertius

    • Ramus de Pareia, Bartholomeus – rammp1t3

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 52–61.

  • [+] Musica practica, secunda pars, tractatus primus

    • Ramus de Pareia, Bartholomeus – rammp2

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 62–76.

  • [+] Musica practica, tertia pars, tractatus primus

    • Ramus de Pareia, Bartholomeus – rammp3t1

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 77–92.

  • [+] Musica practica, tertia pars, tractatus secundus

    • Ramus de Pareia, Bartholomeus – rammp3t2

      Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 93–112.

  • [+] Musica quadrata seu mensurata

    • Beda [Ps.] – bedmus

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 90:919–38.

  • [+] Musica seu Prologus in Tonarium

    • Berno Augiensis – bernmus

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1097–1116.

    • Berno Augiensis – bernpro

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:62–79.

  • [+] Musica speculativa

    • Heritius, Erasmus – herspe

      Source: Theodor Kroyer, "Die Musica speculativa des Magister Erasmus Heritius," in Festschrift zum 50. Geburtstag Adolf Sandberger (München: Ferdinand Zierfuss, 1918), 72–91.

    • Johannes de Muris – murmspeb_mbbr1457

      Source: Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS 14579-85, ff. 48r–54r.

    • Johannes de Muris – murisapp

      Source: Christoph Falkenroth, Die Musica speculativa des Johannes de Muris, Beihefte zum Archiv für Musikwissenschaft, vol. 34 (Stuttgart: Steiner, 1992), 290–91.

    • Johannes de Muris – murisw3

      Source: Christoph Falkenroth, Die Musica speculativa des Johannes de Muris, Beihefte zum Archiv für Musikwissenschaft, vol. 34 (Stuttgart: Steiner, 1992), 292–301.

    • Johannes de Muris – murmsp

      Source: Christoph Falkenroth, Die Musica speculativa des Johannes de Muris, Beihefte zum Archiv für Musikwissenschaft, vol. 34 (Stuttgart: Steiner, 1992), 70–284 (even only).

    • Johannes de Muris – murmspe

      Source: Christoph Falkenroth, Die Musica speculativa des Johannes de Muris, Beihefte zum Archiv für Musikwissenschaft, vol. 34 (Stuttgart: Steiner, 1992), 77–289 (odd only).

    • Johannes de Muris – murmspew

      Source: Elzbieta Witkowska-Zaremba, Musica Muris i nurt spekulatywny w muszykografii sredniowiecznej--Musica Muris and Speculative Trend in the Medieval Musicography, Polish Academy of Sciences: Institute for the History of Science, Education and Technology, Studia Copernicana, vol. 32 (Warsaw: Polska Akademia Nauk, 1992), 171–204.

    • Johannes de Muris – murmusi

      Source: Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 2–330 (even only).

    • Johannes de Muris – murmusm_mmbah165

      Source: Milan, Biblioteca Ambrosiana, MS H.165.inf, ff. 1r–16r.

    • Johannes de Muris – murmspec_mvbm8-24

      Source: Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434), ff. 90r–108r.

    • Prosdocimo de' Beldomandi – prospec

      Source: Prosdocimo de' Beldomandi, Plana musica and Musica speculativa, ed. and trans. by Jan Herlinger, Studies in the History of Music Theory and Literature, vol. 4 (Urbana and Chicago: University of Illinois Press, 2008), 156–252.

  • [+] Musica theorica

    • Beda [Ps.] – bedmust

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 90:909–20.

    • Bede [Ps.] – bedmut

      Source: Hucbaldus Pizzani, "[Bedae Presbyteri] Musica theorica sive Scholia in Boethii De institutione musica libros quinque," Romanobarbarica 5 (1980), 329–57.

  • [+] Musica theorica, sectio prima

    • Folianus, Ludovicus – folmus1

      Source: Ludovici Foliani Mutinensis de musica theorica (Venice: Io. Antonius et Fratres de Sabio, 1529; reprint ed., Bologna: Forni, 1970).

  • [+] Musica theorica, sectio secunda

    • Folianus, Ludovicus – folmus2

      Source: Ludovici Foliani Mutinensis de musica theorica (Venice: Io. Antonius et Fratres de Sabio, 1529; reprint ed., Bologna: Forni, 1970).

  • [+] Musica theorica, sectio tertia

    • Folianus, Ludovicus – folmus3

      Source: Ludovici Foliani Mutinensis de musica theorica (Venice: Io. Antonius et Fratres de Sabio, 1529; reprint ed., Bologna: Forni, 1970).

  • [+] Musice active micrologus liber primus
  • [+] Musice active micrologus liber quartus
  • [+] Musice active micrologus liber secundus
  • [+] Musice active micrologus liber tertius
  • [+] Musice compilatio

    • Anonymous – anomusc

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 63–75.

  • [+] Musices opusculum, tractatus primus

    • Burtius, Nicolaus – burmus1

      Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

  • [+] Musices opusculum, tractatus secundus

    • Burtius, Nicolaus – burmus2

      Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

  • [+] Musices opusculum, tractatus secundus, capitulum VI

    • Burtius, Nicolaus – burmusx

      Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 156–58.

  • [+] Musices opusculum, tractatus tertius

    • Burtius, Nicolaus – burmus3

      Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

  • [+] Musurgia seu praxis musicae

    • Luscinius, Ottmar – lusmus

      Source: Musicae seu praxis musicae.... De concentus polyphoni, id est, ex plurifariis vocibus compositi canonibus libri totidem (Strasbourg: Schott, 1536).

  • [+] Nota regulas super tactus

    • Anonymous – anonot

      Source: Theodor Göllner, “Eine Spielanweisung für Tasteninstrumente aus dem 15. Jahrhundert,” in Essays in Musicology. A Birthday Offering for Willi Apel, ed. Hans Tischler (Bloomington: School of Music, Indiana University, 1968), 70–71.

  • [+] Notitia artis musicae

    • Johannes de Muris – murnot

      Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 47–107.

  • [+] Nova musica
  • [+] Nova musica, liber primus de consonantiis

    • Ciconia, Johannes – cicnm1

      Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 42–232 (even–numbered pages only).

  • [+] Nova musica, liber quartus de accidentibus

    • Ciconia, Johannes – cicnm4

      Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 362–410 (even–numbered pages only).

  • [+] Nova musica, liber secundus de speciebus

    • Ciconia, Johannes – cicnm2

      Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 234–336 (even–numbered pages only).

  • [+] Nova musica, liber tertius de proportionibus

    • Ciconia, Johannes – cicnm3

      Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 338–60 (even–numbered pages only).

  • [+] Novellus musicae artis tractatus

    • Zabern, Conrad von – connov

      Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 184–244.

  • [+] Novus cyclus harmonicus

    • Huygens, Christiaan – huynov

      Source: Opera varia, vol. 2 (Lugduni Batavorum: J. van der Aa, 1724), 747-54; reprint as Christiaan Huygens, Le Cycle harmonique (Rotterdam 1691) Novus cyclus harmonicus (Leiden 1724) with Dutch and English translations, ed. Rudolf Rasch, Tuning and Temperament Library, vol. 6 (Utrecht: Diapason Press, 1986), 143–52.

  • [+] [Octo principalia de arte organisandi]

    • Anonymous – anoopao

      Source: Elzbieta Witkowska-Zaremba, "Ars organisandi around 1430 and Its Terminology," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 387–98.

  • [+] Optima introductio in contrapunctum pro rudibus

    • Johannes de Garlandia – garopt

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:12–13.

  • [+] Opus aureum, partes I-II

    • Wollick, Nicolaus – wolopa

      Source: Die Musica Gregoriana des Nicolaus Wollick, ed. Klaus Wolfgang Niemöller, Beiträge zur Rheinischen Musikgeschichte, vol. 11 (Cologne: Staufen, 1955), 1–80.

  • [+] Opus aureum musicae, partes III et IV

    • Schanppecher, Melchior – schopa

      Source: Klaus Wolfgang Niemöller, Die Musica figurativa des Melchior Schanppecher, Beiträge zur rheinischen Musikgeschichte, vol. 50 (Köln: Arno Volk, 1961), 1–40.

  • [+] [Opusculum de arte organica]

    • Anonymous – anoodao

      Source: Elzbieta Witkowska-Zaremba, "Ars organisandi around 1430 and Its Terminology," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 402–18.

  • [+] Opusculum de monochordo

    • Zabern, Conrad von – conmon

      Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 245–59.

  • [+] Opusculum de musica

    • Anonymous – anotrho

      Source: Alexander Rausch, Opusculum de musica ex traditione Iohannis Hollandrini. A Commentary, Critical Edition and Translation, Musical Theorists in Translation, vol. 15 (Ottawa: Institute of Mediaeval Music, 1997), 26–80.

  • [+] [Opusculum de musica ex traditione Iohannis Hollandrini]
  • [+] Opusculum monacordale

    • Valendrinus, Johannes – valmon

      Source: Fritz Feldmann, Musik und Musikpflege im mittelalterlichen Schlesien, Darstellungen und Quellen zur schlesischen Geschichte, Band 37 (Breslau: Trewendt und Granier, 1938), 157–88.

  • [+] Opusculum musice

    • Sebastianus de Felstin – felop

      Source: Opusculum musice compilatum nouiter per dominum Sebastianum presbiterum de Felstin. Pro institutione adolescentum in cantu Simplici seu Gregoriano ([Cracow: Jan Haller, 1517]; reprint ed., Cracow: Polskie Wydawnictwo Muzyczne, 1979).

  • [+] [Opusculum musicum]
  • [+] Palma choralis
  • [+] Parvus tractatulus de modo monacordum dividendi

    • Prosdocimo de' Beldomandi – propar

      Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 64–118.

  • [+] Plana musica

    • Prosdocimo de' Beldomandi – propla

      Source: Prosdocimo de' Beldomandi, Plana musica and Musica speculativa, ed. and trans. by Jan Herlinger, Studies in the History of Music Theory and Literature, vol. 4 (Urbana and Chicago: University of Illinois Press, 2008), 34–154.

  • [+] Platonis Timaeus et commentarius

    • Calcidius – chaltim

      Source: Platonis Timaeus interprete Chalcidio cum eiusdem commentario, ed. Ioh. Wrobel (Leipzig: B. G. Teubner 1876; reprint ed., Frankfurt am Main: Minerva, 1963).

  • [+] Pomerium

    • Marchetus de Padua – marpome

      Source: Marcheti de Padua Pomerium, ed. Ioseph Vecchi, Corpus scriptorum de musica, vol. 6 ([Rome]: American Institute of Musicology, 1961), 31–210.

    • Marchetus de Padua – marpom

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:121–88.

  • [+] Practica artis musice

    • Amerus – amepra

      Source: Ameri Practica artis musice (1271), ed. Cesarino Ruini, Corpus Scriptorum de Musica, vol. 25 (n.p.: American Institute of Musicology, 1977), 19–112.

  • [+] Practicae musicae utriusque praecepta brevia

    • Oridryus, Johannes – oripra

      Source: Renate Federhofer-Königs, Johannes Oridryus und sein Musiktraktat (Düsseldorf 1557), Beiträge zur rheinischen Musikgeschichte, vol. 24 (Köln: Arno Volk, 1957), 65–157.

  • [+] Practica musica

    • Finck, Hermann – finpra

      Source: Practica musica Hermanni Finckii, exempla variorum signorum, proportionum et canonum, iudicium de tonis, ac quaedam de arte suaviter et artificiose cantandi continens (Vitebergae, excusa typis haeredum Georgii Rhaw, 1556).

  • [+] Practica musicae artis mensurabilis

    • Anonymous – anopra

      Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 101–8.

  • [+] Practica musice

    • Gaffurio, Franchino – gafpm1

      Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

    • Gaffurio, Franchino – gafpm2

      Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

    • Gaffurio, Franchino – gafpm3

      Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

    • Gaffurio, Franchino – gafpm4

      Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

  • [+] [Practica notarum]
  • [+] Praecepta musicae poeticae

    • Dressler, Gallus – drepra

      Source: Bernhard Engelke, "Praecepta mvsicae poeticae a D: Gallo Dresselero," Geschichtsblätter für Stadt und Land Magdeburg 49-50 (1914-15): 213-50, 213–50.

  • [+] [Prefatio de Johannis de Muris Musica speculativa]

    • Gaffurio, Franchino – murmgaf

      Source: Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 332.

    • Noricus, Conradus – murmnor

      Source: Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 332–34.

  • [+] Prologus in antiphonarium

    • Guido d'Arezzo – guiprol

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:413–22.

    • Guido d'Arezzo – guipran

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:34–42.

    • Guido d'Arezzo – guipro

      Source: Tres tractatuli Guidonis Aretini: Guidonis "Prologus in Antiphonarium," ed. Joseph Smits van Waesberghe, Divitiae musicae artis, A/III (Buren: Knuf, 1975), 58–81.

  • [+] Proportio est duarum rerum
  • [+] Proportionale musices

    • Tinctoris, Johannes – tinprom

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2a:9–60.

    • Tinctoris, Johannes – tinpro

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:153–77.

  • [+] Proportiones practicabiles secundum Gaffurium

    • Dygon, John – dygonpro

      Source: Proportiones practicabiles secundum Gaffurium, ed. and trans. Theodor Dumitrescu, Studies in the History of Music Theory and Literature, vol. 2 (Urbana and Chicago: University of Illinois Press, 2006), 68–158 (even–numbered pages only).

  • [+] Quaedam de arte discantandi

    • Anonymous – anoqua

      Source: Edmond de Coussemaker, Histoire de l'harmonie au moyen-age (Paris: V. Didron, 1852), 274–94.

  • [+] Quaestiones et solutiones advidendum tam mensurabilis cantus quam immensurabilis musica

    • Anonymous – anoqs

      Source: Quaestiones et solutiones, ed. Albert Seay, Critical Texts, no. 2 (Colorado Springs: Colorado College Music Press, 1977).

  • [+] Quaestiones in musica

    • Rudolf of St. Trond – rudqua

      Source: Rudolf Steglich, ed., Die Quaestiones in musica: Ein Choraltraktat des zentralen Mittelalters und ihr mutmasslicher Verfasser Rudolf von St. Trond (1070-1138) (Leipzig: Breitkopf und Härtel, 1911), 12–99.

  • [+] Quaestiones musicae in usum scholae Northusianae

    • Spangenberg, Iohannes – spanqua

      Source: Quaestiones musicae in usum scholae Northusiane, per Ioannem Spangenberg Herdessianum collectae (Nuremberg: Iohannes Petreius, 1536).

  • [+] Quaestiones super partes musicae

    • Johannes de Muris – murquae

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:301–8.

  • [+] Qualiter debeant fieri organa
  • [+] Quatuor Principalia I

    • Anonymous – quapria1_mlbl4909

      Source: London, British Library, MS Additional 4909, ff. 17v–20r.

    • Anonymous – quaprib1

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:200–206.

  • [+] Quatuor Principalia II

    • Anonymous – quapria2_mlbl4909

      Source: London, British Library, MS Additional 4909, ff. 20v–26v.

    • Anonymous – quaprib2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:206–19.

  • [+] Quatuor Principalia III

    • Anonymous – quapria3_mlbl4909

      Source: London, British Library, MS Additional 4909, ff. 26v–31v.

    • Anonymous – quaprib3

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:219–54.

  • [+] Quatuor Principalia IV

    • Anonymous – quapria4_mlbl4909

      Source: London, British Library, MS Additional 4909, ff. 31v–56r.

    • Anonymous – quaprib4

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:254–98.

  • [+] Quid est cantus?

    • Anonymous – anoquid

      Source: Peter Wagner, "Un piccolo trattato sul canto ecclesiastico," Rassegna gregoriana 3 (1904): 481–84, 482–84.

  • [+] Quid singulae litterae

    • Notker – notlet

      Source: Jacques Froger, "L'Épitre de Notker sur les 'Lettres significatives': Édition critique," Études grégoriennes 5 (1962):23-71, 69–70.

  • [+] Quodlibet VI: Quaestiones 16 et 17

    • Petrus de Alvernia – petquo

      Source: Frank Hentschel, "Der verjagte Dämon: Mittelalterliche Gedanken zur Wirkung der Musik aus der Zeit um 1300, mit einer Edition der Quaestiones 16 und 17 aus Quodlibet VI des Petrus d'Auvergne," in Miscellanea Mediaevalia: Veröffentlichungen des Thomas-Instituts der Universität zu Köln, vol. 27, Geistesleben im 13. Jahrhundert, ed. Jan A. Aertsen and Andreas Speer (Berlin: Walter de Gruyter, 2000), 412–21.

  • [+] Quomodo de arithmetica procedit musica

    • Anonymous – anoquom

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:435–44.

    • Anonymous – anoquo

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:55–61.

  • [+] Quomodo organice moduletur

    • Anonymous – anoquoo

      Source: Michael Bernhard, "Ein weiterer Text zur Klangschritt-Lehre," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 68–70.

  • [+] Quomodo organistrum construatur

    • Odo – odoor

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:815–16.

    • Odo – odoorg

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:303.

  • [+] Recanetum de musica aurea
  • [+] Recanetum de musica aurea, liber II, capituli XX-XXXVII

    • Vanneo, Stephano – vanrec

      Source: Stephano Vanneo, Recanetum de musica aurea, liber II, capituli XX-XXXVII, ed. Albert Seay, Texts/Translations, no. 2 (Colorado Springs: Colorado College Music Press, 1979).

  • [+] Registrum tonorum

    • Odalschalchus – odareg

      Source: Philipp Jaffé, "Des Abtes Udalskalk van St. Ulrich in Augsburg Registrum Tonorum," Archiv für die Geschichte des Bisthums Augsburg 2 (1859): 68-78, 69–78.

  • [+] Regula de monocordo

    • Anonymous – regdem

      Source: "A London Source for the Ars Nova of Philippe de Vitry," in Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 72–78.

    • Anonymous – regdeml_mlbl2145

      Source: London, British Library, MS Additional 21455, f. 8v.

  • [+] Regula discantus
  • [+] Regulae

    • Robertus de Handlo – hanregu

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:383–403.

  • [+] [Regulae cantandi contrapunctum]

    • Anonymous – anorcc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 50–52.

  • [+] Regulae cantus mensurati secundum Johannem Otteby

    • Hothby, Johannes – hotrcm2

      Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 51–59.

  • [+] [Regulae contrapuncti]

    • Anonymous – anorcpt

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 90–96.

  • [+] Regulae contrapuncti

    • Hothby, Johannes – hotrc

      Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 63–69.

    • Theodonus de Caprio – theorc

      Source: Raffaele Casimiri, "Teodono de Caprio non Teodorico de Campo, Teorico musicale italiano del sec. XV. Un suo trattato inedito," Note d'Archivio per la storia musicale 19 (1942): 38-42, 94–98.

  • [+] Regulae de arte musica

    • Abbot Guido – abguram

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:150–92.

  • [+] [Regulae de contrapuncto]

    • Anonymous – anordc

      Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 74–76.

  • [+] Regulae de contrapuncto

    • Anonymous VIII – ano8reg

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:409–11.

  • [+] [Regulae de musica]

    • Anonymous – metano2

      Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: Bössenecker, 1866), 61–70 partim.

  • [+] Regulae de rhythmimachia

    • Odo – odorh

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:795–808.

    • Odo – odorhy

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:285–95.

  • [+] Regulae generales de compositione cantus

    • Anonymous – anorege

      Source: Fritz Feldmann, Musik und Musikpflege im mittelalterlichen Schlesien, Darstellungen und Quellen zur schlesischen Geschichte, Band 37 (Breslau: Trewendt und Granier, 1938), 193–94.

  • [+] Regulae Magistri Johannis Hoctobi anglici cantus figurati

    • Hothby, Johannes – hotdcf2

      Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 39–44.

  • [+] Regulae Magistri Thomae Walsingham de figuris compositis et non compositis, et de cantu perfecto et imperfecto, et de modis incipiunt

    • Walsingham, Thomas – walreg

      Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 74–98.

  • [+] Regulae organi

    • Abbot Guido – abgureg

      Source: Cecily Sweeney, "The Regulae organi Guidonis Abbatis and 12th Century Organum/Discant Treatises," Musica disciplina 43 (1989): 27-30, 27–30.

  • [+] Regulae rhythmicae

    • Guido d'Arezzo – guireg

      Source: Guidonis Aretini "Regulae rhythmicae", ed. Joseph Smits van Waesberghe and Eduard Vetter, Divitiae musicae artis A/IV (Buren: Knuf, 1985), 92–133.

  • [+] Regulae rhythmicae in antiphonarii sui prologum prolatae

    • Guido d'Arezzo – guirrh

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:405–14.

    • Guido d'Arezzo – guirr

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:25–34.

  • [+] Regulae super abacum

    • Odo – odore

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:807–14.

    • Odo – odoreg

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:296–302.

  • [+] Regulae super discantum et ad discernendum ipsas notas discantus

    • Dietricus – diereg

      Source: Hans Müller, Eine Abhandlung über Mensuralmusik in der Karlsruher Handschrift St. Peter pergamen. 29a, Mittheilungen aus der Grossherzoglich Badischen Hof- und Landesbibliothek und Münzsammlung, Band 4 (Leipzig: B. G. Teubner, 1886), 5–7.

  • [+] Regulae super proportionem

    • Hothby, Johannes – hotregp

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:328–30.

  • [+] Regulae super proportiones

    • Hothby, Johannes – hotrsp

      Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 17–21.

  • [+] Regulae supra contrapunctum

    • Hothby, Johannes – hotrsc

      Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 101–3.

    • Hothby, Johannes – hotregc

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:333–34.

  • [+] Regule

    • Robertus de Handlo – hanreg

      Source: Robertus de Handlo, Regule, and Johannes Hanboys, Summa, ed. and trans. by Peter M. Lefferts, Greek and Latin Music Theory, vol. 7 (Lincoln: University of Nebraska Press, 1991), 80–178.

    • Weyts, Carmelite, Nicasius – weyreg

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:262–64.

  • [+] Regule contrapuncti
  • [+] Regule contrapuncti secundum usum Regni Siciliae

    • Anonymous – anoreg

      Source: Paolo Nalli, "Regulae contrapuncti secundum usum Regni Siciliae, tratte da un codice siciliano del Sec. XV," Archivio Storico per la Sicilia Orientale II/9 (1933), 287–88 and 291–92.

  • [+] Regule Magistri Johannis de Muris incipiunt
  • [+] Regule Magistri. Thome Walsingham. De figuris compositis. et non compositis. et de cantu perfecto et inperfecto. et De modis. incipiunt
  • [+] Rerum musicarum opusculum rarum ac insigne

    • Frosch, Johannes – frorer

      Source: Rerum musicarum opusculum rarum ac insigne, totius eius negotii rationem mira industria et brevitate complectens, iam recens publicatum (Argentorati, apud Petrum Schoeffer et Mathiam Apiarium, 1535).

  • [+] [Rhythmica]

    • Anonymous – anopes

      Source: Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 425.

  • [+] Ritus canendi [Pars prima]

    • Johannes Gallicus – galrc1

      Source: Johannes Gallicus, Ritus canendi [Pars prima], ed. Albert Seay, Critical Texts, no. 13 (Colorado Springs: Colorado College Music Press, 1981).

  • [+] Ritus canendi [Pars secunda]

    • Johannes Gallicus – galrc2

      Source: Johannes Gallicus, Ritus canendi [Pars secunda], ed. Albert Seay, Critical Texts, no. 14 (Colorado Springs: Colorado College Music Press, 1981).

  • [+] Ritus canendi vetustissimus et novus, liber primus
  • [+] Ritus canendi vetustissimus et novus, liber secundus
  • [+] Ritus canendi vetustissimus et novus, liber tertius
  • [+] Rubrice brevis

    • Anonymous – anorub

      Source: G. Vecchi, "Anonimi Rubrice brevis," Quadrivium 10 (1969): 128-34, 128–34.

  • [+] Rudimenta musices

    • Agricola, Martinus – agrrud

      Source: Rvdimenta mvsices, qvibvs canendi artificivm compendiosissime complexum, pueris vna cum monochordi dimensione traditur (Vitebergae apud Geor. Rhaw, 1539; reprint ed., New York: Broude Bros., 1966).

  • [+] Rythmimachia

    • Frutolfus – frurit

      Source: R. Peiper, ed., "Fortolfi Rythmimachia," in Abhandlungen zur Geschichte der Mathematik, 9 vols. (Leipzig: B. G. Teubner, 1877-99), 3:169–97 and 228.

  • [+] Scholia enchiriadis de arte musica

    • Anonymous – schen

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 132:981–1026.

    • Anonymous – schenc

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:173–212.

  • [+] Scientia artis musicae

    • Salomo, Elias – salsci

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:16–64.

  • [+] Scolica enchiriadis de arte musica

    • Anonymous – scench

      Source: Hans Schmid, ed., Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981), 60–156.

  • [+] Sentencia in musica sonora subiecti
  • [+] Sententiae de musica
  • [+] Septem sunt species

    • Torkesey, Johannes – torksep

      Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 136–37.

  • [+] Sequitur de synemenis

    • Anonymous – anoseq

      Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 126–34.

  • [+] Sequuntur regulae cantus mensurati eiusdem Ottobi

    • Hothby, Johannes – hotrcm1

      Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 19–24.

  • [+] Si quis artem
  • [+] Somnium Scipionis
  • [+] Species plani cantus sunt terdecim

    • Anonymous – anospe

      Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Das Manuskript Girona 91 und sein Contrapunctus-Traktat," Archiv für Musikwissenschaft 45 (1988): 186-205, 193–96.

  • [+] Speculum cantancium. siue psallencium
  • [+] Speculum doctrinale, liber XVII, capitula X-XXXV

    • Vincent of Beauvais – vinspe

      Source: Gottfried Göller, ed., Vinzenz von Beauvais O.P. (um 1194-1264) und sein Musiktraktat im Speculum doctrinale, Kölner Beiträge zur Musikforschung, Band XV (Regensburg: Gustav Bosse, 1959), 86–118.

  • [+] Speculum musicae, Liber primus

    • Jacobus Leodiensis – jacsp1a

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/1 ([Rome]: American Institute of Musicology, 1955), 3–142.

    • Jacobus Leodiensis – jacsp1b

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/1 ([Rome]: American Institute of Musicology, 1955), 142–229.

    • Johannes de Muris – murspe

      Source: Walter Grossmann, Die einleitenden Kapitel des Speculum Musicae von Johannes de Muris: Ein Beitrag zur Musikanschauung des Mittelalters (Leipzig: Breitkopf und Härtel, 1924; reprint ed., Nendeln/Liechtenstein: Kraus, 1976), 53–93.

  • [+] Speculum musicae, Liber quartus

    • Jacobus Leodiensis – jacsp4

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/4 ([Rome]: American Institute of Musicology, 1965), 1–126.

  • [+] Speculum musicae, Liber quintus

    • Jacobus Leodiensis – jacsp5a

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/5 ([Rome]: American Institute of Musicology, 1968), 1–90.

    • Jacobus Leodiensis – jacsp5b

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/5 ([Rome]: American Institute of Musicology, 1968), 90–184.

  • [+] Speculum musicae, Liber secundus

    • Jacobus Leodiensis – jacsp2a

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/2 ([Rome]: American Institute of Musicology, 1961), 1–128.

    • Jacobus Leodiensis – jacsp2b

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/2 ([Rome]: American Institute of Musicology, 1961), 128–231.

    • Jacobus Leodiensis – jacsp2c

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/2 ([Rome]: American Institute of Musicology, 1961), 232–309.

  • [+] Speculum musicae, Liber septimus

    • Jacobus Leodiensis – jacsp7

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/7 ([Rome]: American Institute of Musicology, 1973), 1–98.

    • Jacobus Leodiensis – jacsm7

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:383–433.

  • [+] Speculum musicae, Liber sextus

    • Jacobus Leodiensis – jacsp6a

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/6 ([Rome]: American Institute of Musicology, 1973), 1–161.

    • Jacobus Leodiensis – jacsp6b

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/6 ([Rome]: American Institute of Musicology, 1973), 161–317.

    • Jacobus Leodiensis – jacsm6a

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:193–279.

    • Jacobus Leodiensis – jacsm6b

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:279–383.

  • [+] Speculum musicae, Liber tertius

    • Jacobus Leodiensis – jacsp3a

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/3 ([Rome]: American Institute of Musicology, 1963), 1–89.

    • Jacobus Leodiensis – jacsp3b

      Source: Jacobi Leodiensis Speculum musicae, ed. Roger Bragard, Corpus scriptorum de musica, vol. 3/3 ([Rome]: American Institute of Musicology, 1963), 89–163.

  • [+] Sub breuissimo compendio Philippo de Vitriaco in musica incipit
  • [+] Sub brevissimo compendio Philippus de Vitriaco in musica incipit

    • Anonymous – anoomd

      Source: Philippi de Vitriaco Ars nova, ed. Gilbert Reaney, André Gilles, and Jean Maillard, Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964), 80–81.

  • [+] Summa

    • Hanboys, Johannes – hansum

      Source: Robertus de Handlo, Regule, and Johannes Hanboys, Summa, ed. and trans. by Peter M. Lefferts, Greek and Latin Music Theory, vol. 7 (Lincoln: University of Nebraska Press, 1991), 180–344.

    • Hanboys, Johannes – hansuma

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:403–48.

    • Johannes de Muris – mursum

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:190–248.

  • [+] Summa de speculatione musice

    • Odington, Walter – odisum

      Source: Walteri Odington, Summa de speculatione musicae, ed. Frederick F. Hammond, Corpus scriptorum de musica, vol. 14 ([Rome]: American Institute of Musicology, 1970), 42–146.

  • [+] Summa musicae artis
  • [+] Summa musice

    • Perseus and Petrus – pepesum

      Source: The Summa Musice: A Thirteenth-Century Manual for Singers, ed. Christopher Page, Cambridge Musical Texts and Monographs (Cambridge: Cambridge University Press, 1991), 139–211.

  • [+] Summula
  • [+] Synopsis musicae novae omnino verae atque methodicae universae

    • Lippius, Johannes – lipmus

      Source: Synopsis musicae novae omnino verae atque methodicae universae, in omnis sophiae praegustum [Parergos] inventae disputatae et propositae omnibus philomusis. à Magistro Joanne Lippio Argentoratensi Alsato Theologo (Argentorati: Paulus Ledertz, typis Carolus Kieffer, 1612).

  • [+] [Tabula neumarum]

    • Anonymous – anoneum

      Source: Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878), taf. XXI.

  • [+] Tacita nunc inchoatur stupendaque numerorum musica
  • [+] Terminorium musicalium diffinitorium anonymi

    • Anonymous – anoter

      Source: Zsuzsa Czagány, "Ein Diffinitorium musicum aus dem späten 15. Jahrhundert," in International Musical Society Study Group Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary, 3-8 September 1990 (Budapest: Hungarian Academy of Sciences, Institute for Musicology, 1992), 132–39.

  • [+] Tetrachordum musices, tractatus primus

    • Cochlaeus, Johannes – coctet1

      Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Air–Bir.

  • [+] Tetrachordum musices, tractatus quartus

    • Cochlaeus, Johannes – coctet4

      Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Diiiiv–Fiiiir.

  • [+] Tetrachordum musices, tractatus secundus

    • Cochlaeus, Johannes – coctet2

      Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Bir–Civ.

  • [+] Tetrachordum musices, tractatus tertius

    • Cochlaeus, Johannes – coctet3

      Source: Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis (Nurnbergae, impressi in officina excusoria Friderici Peypus, 1514), ff. Civ–Diiiir.

  • [+] Theoria

    • Johannes de Grocheo – grothe

      Source: Johannes Wolf, "Die Musiklehre des Johannes de Grocheo," Sammelbände der Internationalen Musikgesellschaft 1 (1899-1900), 69–120.

  • [+] Theorica musice, liber primus

    • Gaffurio, Franchino – gaftm1

      Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

  • [+] Theorica musice, liber quartus

    • Gaffurio, Franchino – gaftm4

      Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

  • [+] Theorica musice, liber quintus

    • Gaffurio, Franchino – gaftm5

      Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

  • [+] Theorica musice, liber secundus

    • Gaffurio, Franchino – gaftm2

      Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

  • [+] Theorica musice, liber tertius

    • Gaffurio, Franchino – gaftm3

      Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

  • [+] Tonabius [sic]

    • Berno Augiensis – bernto

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 142:1115–30.

  • [+] Tonale

    • Anonymous – anotonn

      Source: Armand Machabey, "'Tonale' inédit du Graduel Manuscrit de Nevers," Revue de musicologie 10 (1926): 120-25, 120–25.

  • [+] Tonale Sancti Bernardi

    • Anonymous – bertona

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1153–66.

    • Anonymous – berton

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:265–77.

  • [+] Tonale secundum usum Sarum et universalis ecclesie

    • Anonymous – sarton

      Source: The Use of Sarum, 2 vols., ed. Walter H. Frere (Cambridge: Cambridge University Press, 1898-1901), 2:i–lxxiv.

  • [+] Tonarium

    • Odo – odoto

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 133:755–58.

    • Odo – odoton

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:247–50.

  • [+] Tonarius

    • Berno Augiensis – bernton

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:79–91.

    • Frutolfus – fruton

      Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 113–83.

    • Regino Prumiensis – regtona

      Source: Edna Marie Le Roux, RSM, "The De harmonica and Tonarius of Regino of Prüm" (PhD diss., Catholic University of America, 1965), 137–294 and (left column only) 303–5.

    • Regino Prumiensis – regton

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:1–73.

  • [+] Tractatuli

    • Anonymous – anotra17

      Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars B, XVII Tractatuli a quodam studioso peregrino ad annum MC collecti, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xb (Buren: Knuf, 1980), 33–41.

  • [+] Tractatulus de cantu mensurali seu figurativo musice artis

    • Anonymous – anotra

      Source: Tractatulus de cantu mensurali seu figurativo musice artis (MS. Melk, Stiftsbibliothek 950), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 16 ([Rome]: American Institute of Musicology, 1971), 11–37.

  • [+] Tractatulus de differentiis et generibus cantorum

    • Arnulphus de Sancto Gilleno – arntra

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:316–18.

  • [+] Tractatulus de figuris et temporibus

    • Anonymous – anofit

      Source: F. Alberto Gallo, Mensurabilis musicae tractatuli, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 79–85.

  • [+] Tractatulus de mensurationum

    • Anonymous – anotram

      Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 66–73.

  • [+] [Tractatulus de musica]

    • Anonymous – anotrdmf_mfbl279

      Source: Florence, Biblioteca Medicea Laurenziana, MS Plut. XXVII dex. 9, ff. 143v–145r.

    • Anonymous – anotrdmk_mkbj754

      Source: Kraków, Biblioteka Jagiellońska, MS 754, ff. 43v, 42r–v, and 44r.

    • Anonymous – anocadi

      Source: Marie Louise Göllner, ed., The Manuscript Cod. lat. 5539 of the Bavarian State Library, Musicological Studies and Documents, vol. 43 (Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993), 110–13.

    • Anonymous – anotrdmm_mmbs2818

      Source: Munich, Bayerische Staatsbibliothek, MS Clm 28186, ff. 258r–259v.

    • Anonymous – anotrdmw

      Source: Peter Wagner, "Aus dem St. Thomas-Archiv zu Leipzig," Zeitschrift für Musikwissenschaft 12 (1929), 129–37.

    • Anonymous – anotrdm

      Source: Unpublished critical text by Ulrike Hascher-Burger (Sonderholm 67, NL-2133 Hoofdorp, The Netherlands).

  • [+] [Tractatulus de notis]

    • Anonymous – ano2omn

      Source: F. Alberto Gallo, "Due trattatelli sulla notazione del primo trecento," Quadrivium 12 (1971): 119-30, 127–30.

    • Anonymous – ano1omn

      Source: F. Alberto Gallo, "Due trattatelli sulla notazione del primo trecento," Quadrivium 12 (1971): 119-30, 124–26.

  • [+] Tractatulus prolationum cum tabulis

    • Anonymous – anotpt

      Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 84–92.

  • [+] Tractatus

    • Anonymous – becano

      Source: Adolf Becker, "Ein Erfurter Traktat über gregorianische Musik," Archiv für Musikwissenschaft 1 (1918-19): 145-165, 151–61.

  • [+] Tractatus alterationum

    • Tinctoris, Johannes – tintral

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:173–79.

    • Tinctoris, Johannes – tintralt

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:66–70.

  • [+] Tractatus artis antiquae cum explicatione mensurae binariae

    • Anonymous – anotaa

      Source: Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987), 69–73.

  • [+] [Tractatus brevis de musica mensurata]

    • Anonymous – anoups3

      Source: Carl Allan Moberg, "Om flerstämmig musik i Sverige under medeltiden," Svensk Tidskrift för Musikforskning 10 (1928): 62-67, 82–86.

  • [+] Tractatus cantandi graduale. Graduali Cisterciensi prologi instar praemissus

    • Anonymous – anocist

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1151–54.

  • [+] Tractatus cantus figurati

    • Anonymous – ano12tcf

      Source: Tractatus et compendium cantus figurati (Mss. London, British Libr., Add. 34200; Regensburg, Proskesche Musikbibl., 98 th. 4o), ed. Jill M. Palmer, Corpus scriptorum de musica, vol. 35 (n.p.: American Institute of Musicology / Hänssler Verlag, 1990), 41–93.

  • [+] Tractatus cantus mensurabilis

    • Aegidius de Murino – aegtra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:124–28.

  • [+] [Tractatus compilatus de musica plana et mensurabili e traditione franconiana]
  • [+] Tractatus cuiusdam monachi de musica

    • Anonymous – wfanon1

      Source: Johannes Wolf, "Ein anonymer Musiktraktat des elften bis zwölften Jahrhunderts," Vierteljahresschrift für Musikwissenschaft 9 (1893), 194–226.

  • [+] [Tractatus de cantu mensurabili]

    • Anonymous – anocant

      Source: Michel Huglo, "Le traité de cantus mensurabilis du manuscrit de Bamberg," in Pax et Sapientia: Studies in Text and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson, ed. Ritva Jacobsson, Acta universitatis stockholmiensis, Studia latina stockholmiensia, vol. 29 (Stockholm: Almqvist & Wiksell, 1986), 94–95.

  • [+] Tractatus de cantu perfecto et imperfecto

    • Henricus de Zeelandia – zeltrac

      Source: Zsuzsa Czagány, "Der Tractatus de cantu perfecto et imperfecto des Henricus de Zeelandia," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1997), 114–17.

    • Henricus de Zelandia – zeltra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:113–15.

  • [+] Tractatus de consonantiis musicalibus

    • Anonymous 1 – ano1tra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:296–302.

    • Jacobus Leodiensis – jacdcm

      Source: Jacobi Leodiensis Tractatus de consonantiis musicalibus, Tractatus de intonatione tonorum, Compendium de musica, ed. Joseph Smits van Waesberghe, Eddie Vetter, and Erik Visser, Divitiae musicae artis A/IXa (Buren: Knuf, 1988), 21–46.

  • [+] Tractatus de contrapuncto

    • Anonymous – anotdc

      Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 44–58.

    • Prosdocimo de' Beldomandi – protrac

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:193–99.

  • [+] [Tractatus de contrapuncto et de musica mensurabili]

    • Anonymous – anotdcdm

      Source: Tractatus de contrapuncto et de musica mensurabili (Mss. Munich, Staatsbibliothek, Clm. 16208 et 24809), ed. Christian Meyer, Corpus scriptorum de musica, vol. 40 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1995), 47–71.

  • [+] Tractatus de discantu

    • Anonymous – anotrdis

      Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 39–45.

    • Anonymous 2 – ano2tra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:303–19.

    • Anonymous II – anotdd

      Source: Anonymous II, Tractatus de discantu, ed. Albert Seay, Texts/Translations, no. 1 (Colorado Springs: Colorado College Music Press, 1978), 2–62.

    • Franco [Ps.] – fracomp

      Source: De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 36 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1996), 50–56.

  • [+] Tractatus de diversis figuris
  • [+] Tractatus de duplici ritu cantus ecclesiastici in divinis officiis et primo de simplici

    • Carlerius, Egidius – carltra

      Source: Egidius Carlerius, Duo tractatuli de musica, ed. Albert Seay, Critical Texts, no.7 (Colorado Springs: Colorado College Music Press, 1977), 1–5.

  • [+] Tractatus de figuris sive de notis

    • Anonymous – tradef

      Source: Ms. Oxford, Bodley 842 (Willelmus), Breviarium regulare musicae; Ms. British Museum, Royal 12. C. VI., Tractatus de figuris sive de notis; Johannes Torkesey, Declaratio trianguli et scuti, ed. Gilbert Reaney and André Gilles, Corpus scriptorum de musica, vol. 12 ([Rome]: American Institute of Musicology, 1966), 40–51.

    • Anonymous 6 – ano6tra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:369–77.

  • [+] Tractatus de intonatione tonorum

    • Jacobus Leodiensis – jacdit

      Source: Jacobi Leodiensis Tractatus de consonantiis musicalibus, Tractatus de intonatione tonorum, Compendium de musica, ed. Joseph Smits van Waesberghe, Eddie Vetter, and Erik Visser, Divitiae musicae artis A/IXa (Buren: Knuf, 1988), 47–87.

  • [+] Tractatus de mensura fistularum

    • Eberhardus Frisingensis – ebetra

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:279–82.

  • [+] Tractatus de musica

    • Anonymous – anofra5

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 355–62.

    • Anonymous – aganont

      Source: Higini Angles, "Dos tractats medievals de musica figurada," in Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, ed. W. Lott, H. Osthoff, and W. Wolffheim (Berlin: Breslauer, 1929), 6–10.

    • Anonymous – anoleu

      Source: Zsuzsa Czagány, "Anonymi Leutoviensis Tractatus de musica," Musica disciplina 46 (1992): 223-242, 234–42.

    • Anonymous II – ano2trdm

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:681–86.

    • Anonymous II – ano2tdm

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:338–42.

    • Anonymous OP – anoptra

      Source: Ulrich Michels, "Der Musiktraktat des Anonymus OP: Ein frühes Theoretiker-Zeugnis der Ars nova," Archiv für Musikwissenschaft 26 (1969): 49-62, 56–62.

    • Anonymous XII – ano12tra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:475–95.

    • Aristotle – aritra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:251–81.

    • Ieronimus de Moravia – iertdm1

      Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 3–179.

    • Ieronimus de Moravia – iertdm2

      Source: Hieronymus de Moravia, Tractatus de musica, ed. S. M. Cserba, Freiburger Studien zur Musikwissenschaft, vol. 2 (Regensburg: Pustet, 1935), 179–89, 263–91.

    • Ieronimus de Moravia – iertra1

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:1–89.

    • Ieronimus de Moravia – iertra2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:89–94 and 139–54.

    • Johannes de Muris – murmus

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:249–83.

    • Nicolaus de Senis – nictra

      Source: Higini Angles, "Dos tractats medievals de musica figurada," in Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, ed. W. Lott, H. Osthoff, and W. Wolffheim (Berlin: Breslauer, 1929), 10–12.

    • Paulirinus, Paulus – pautra

      Source: Josef Reiss, "Pauli Paulirini de Praga Tractatus de musica (etwa 1460)," Zeitschrift für Musikwissenschaft 7 (1924-25), 261–64.

  • [+] [Tractatus de musica]

    • Anonymous – anolaf

      Source: Albert Seay, "An Anonymus [sic] Treatise from St. Martial," Annales Musicologiques 5 (1957): 7-42, 13–42.

    • Anonymous – anophil

      Source: Andres Briner, "Ein anonymer unvollständiger Musiktraktat des 15. Jahrhunderts in Philadelphia, USA," Kirchenmusikalisches Jahrbuch 50 (1966): 27-38, 27–38.

    • Anonymous – anotrac_mcbolt1

      Source: Cashel (Co. Tipperary), G. P. A. Bolton Library (formerly Cathedral Library), MS 1, no. 1, 59–70.

    • Anonymous – anopro

      Source: Dénes von Bartha, "Studien zum musikalischen Schrifttum des 15. Jahrhunderts," Archiv für Musikforschung 1 (1936): 180-99, 180–99.

    • Anonymous – anotdm

      Source: Martin Staehelin, "Beschreibungen und Beispiele musikalischer Formen in einem unbeachteten Traktat des frühen 15. Jahrhunderts" Archiv für Musikwissenschaft 31 (1974): 237-242, 239.

    • Anonymous – anomic

      Source: Renate Federhofer-Königs, "Ein anonymer Musiktraktat aus der 2. Hälfte des 14. Jahrhunderts in der Stiftsbibliothek Michaelbeuern/Salzburg," Kirchenmusikalisches Jahrbuch 46 (1962), 44–54.

    • Anonymous – lamtrac_msbclv30

      Source: Siena, Biblioteca comunale degli Intronati, MS L.V.30, ff. 14r–32r.

  • [+] Tractatus de Musica

    • Petrus de Sancto Dionysio – psdtra

      Source: Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972), 147–59.

  • [+] Tractatus de musica compendium cantus figurati

    • Anonymous – anocomp

      Source: Jill Palmer, "A Late Fifteenth-Century Anonymous Mensuration Treatise (Ssp) Salzburg, Erzabtei St. Peter, a VI 44, 1490; cod. pap.; 206 x 149 mm. 75ff.," Musica disciplina 39 (1985): 87-106, 89–103. Text copyright 1986.

  • [+] [Tractatus de musica cum glossis]
  • [+] Tractatus de musica et tonarius

    • Anonymous – anotrut

      Source: A. Marcel J. Zijlstra and Nienke de Boer, eds., Tractatus de musica et tonarius e codice Bibliothecae Universitatis Ultraiectensis (Utrecht UB 406)  (Utrecht: Instituut voor Muziekwetenschap, 1993), 9–30.

  • [+] Tractatus de musica figurata et de contrapuncto ab anonymo auctore

    • Anonymous – tradem

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:434–69.

  • [+] [Tractatus de musica mensurabili]

    • Anonymous – anotdmm

      Source: Bernhold Schmid, "Der Musiktraktat aus Clm 26812," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990), 82–98.

  • [+] Tractatus de musica mensurabili

    • Anonymous – wfanon4

      Source: Johannes Wolf, "Ein Breslauer Mensuraltraktat des 15. Jahrhunderts," Archiv für Musikwissenschaft 1 (1918-19), 331–45.

  • [+] [Tractatus de musica mensurata et musica falsa]

    • Anonymous – anoups2

      Source: Carl Allan Moberg, "Om flerstämmig musik i Sverige under medeltiden," Svensk Tidskrift för Musikforskning 10 (1928): 62-67, 67–82.

  • [+] [Tractatus de musica plana]
  • [+] Tractatus de musica plana

    • Monachus Carthusiensis – cartra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:434–83.

  • [+] [Tractatus de musica plana et mensurabili]

    • Anonymous XI – ano11tdm

      Source: Richard J. Wingell, "Anonymous XI (CS III): An Edition, Translation, and Commentary," 3 vols. (Ph.D. dissertation, University of Southern California, 1973), 1:1–173.

  • [+] Tractatus de musica plana et mensurabili

    • Anonymous XI – ano11tra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:416–75.

  • [+] Tractatus de musica plana et organica

    • Anonymous – anomupo

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:484–98.

  • [+] Tractatus de notis et pausis

    • Tinctoris, Johannes – tintdn

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:109–20.

    • Tinctoris, Johannes – tintran

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:41–46.

  • [+] [Tractatus de octo tonis]
  • [+] [Tractatus de organo]

    • Anonymous – anoorg

      Source: Fred Blum, "Another Look at the Montpellier Organum Treatise," Musica disciplina 13 (1959): 21-24, 21–24.

    • Anonymous – anomont

      Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 187–88.

    • Anonymous – anomon

      Source: Jacques Handschin, "Der Organum-Traktat von Montpellier," in Studien zur Musikgeschichte. Festschrift für Guido Adler zum 75. Geburtstag (Vienna: Universal, 1930), 50–51.

  • [+] Tractatus de proportionibus

    • Johannes de Muris – murdep

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:286–91.

  • [+] Tractatus de punctis

    • Tinctoris, Johannes – tintdp

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:185–98.

  • [+] Tractatus de regulari valore notarum

    • Tinctoris, Johannes – tintdr

      Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:125–38.

    • Tinctoris, Johannes – tintrar

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:46–53.

  • [+] [Tractatus de solmisatione]
  • [+] Tractatus de tonis

    • Guido de Sancto Dionysio – guiston

      Source: Sieglinde van de Klundert, Guido von Saint-Denis Tractatus de tonis: Edition und Studien, 2 vols. (Bubenreuth: Hurricane Publishers, 1998), 2:1–137.

    • Petrus de Cruce Ambianensis – pettrac

      Source: Petrus de Cruce Ambianensi Tractatus de tonis, ed. Denis Harbison, Corpus scriptorum de musica, vol. 29 (n.p.: American Institute of Musicology, 1976), vi–xxv.

    • Petrus de Cruce Ambianensis – pettra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 1:282–92.

  • [+] Tractatus figurarum

    • Anonymous – trafig

      Source: Tractatus figurarum, ed. and trans. by Philip E. Schreur, Greek and Latin Music Theory, vol. 6 (Lincoln: University of Nebraska Press, 1989), 66–102.

  • [+] Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis

    • Guido d'Arezzo [Ps.] – anotrac2

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:431–36.

    • Guido d'Arezzo [Ps.] – anotra2

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:50–55.

  • [+] Tractatus modi, temporis et prolationis

    • Sadze de Flandria, Christianus – flatra

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:264–73.

  • [+] Tractatus monochordi

    • Ugolino Urbevetanis – ugotram

      Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 227–53.

  • [+] Tractatus musicae scientiae

    • Person, Gobelinus – pertra

      Source: Hermann Müller, "Der tractatus musicae scientiae des Gobelinus Person," Kirchenmusikalisches Jahrbuch 20 (1907): 177-96, 180–96.

  • [+] Tractatus musice speculative

    • Prosdocimo de' Beldomandi – prospe

      Source: D. Raffaello Baralli and Luigi Torri, "Il Trattato di Prosdocimo de' Beldomandi contro il Lucidario di Marchetto da Padova per la prima volta trascritto e illustrato," Rivista musicale italiana 20 (1913): 731-62, 731–62.

  • [+] Tractatus practice cantus mensurabilis ad modum ytalicorum

    • Prosdocimo de' Beldomandi – protray

      Source: Claudio Sartori, La notazione italiana del trecento in una redazione inedita del "Tractatus practice cantus mensurabilis ad modum ytalicorum" di Prosdocimo de Beldemandis (Florence: Leo S. Olschki, 1938), 35–71.

  • [+] Tractatus practice de musica mensurabili

    • Prosdocimo de' Beldomandi – protrap1

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:200–228.

  • [+] Tractatus practice de musica mensurabili ad modum italicorum

    • Prosdocimo de' Beldomandi – protrap2

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:228–48.

  • [+] Tractatus super punctis musicalibus

    • Tinctoris, Johannes – tintrap

      Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:70–76.

  • [+] [Tractatus versificatus de modis]
  • [+] Trianguli et scuti declaratio
  • [+] Trianguli et scuti declaratio de proportionibus musicae mensurabilis

    • Torkesey, Johannes – tortri

      Source: Ms. Oxford, Bodley 842 (Willelmus), Breviarium regulare musicae; Ms. British Museum, Royal 12. C. VI., Tractatus de figuris sive de notis; Johannes Torkesey, Declaratio trianguli et scuti, ed. Gilbert Reaney and André Gilles, Corpus scriptorum de musica, vol. 12 ([Rome]: American Institute of Musicology, 1966), 58–61.

  • [+] Utillissime musicales regule

    • Guerson, Guillaume – gueut

      Source: Utillissime musicales Regule cunctis summopere necessarie plani cantus simplisis contrapuncti rerum factarum tonorum et artis accentuandi tam exemplariter quam practice per magistrum Guillermi Guersoni de Villalonga nouitter conpilate (Paris: Michel Thouloze, [c. 1495]).

  • [+] Vera quamque facilis ad cantandum atque brevis introductio
  • [+] Versus ad discernendum cantum

    • Hermannus Contractus – herverp

      Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 143:439–44.

    • Hermannus Contractus – herver

      Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:149–53.

  • [+] [Versus de musica]

    • Anonymous – anoverp

      Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 284–91.

    • Anonymous – anovdm

      Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 173–74.

    • Anonymous – anover

      Source: S. A. van Dijk, "Saint Bernard and the Instituta Patrum of Saint Gall," Musica disciplina 4 (1950): 99-109, 109.

  • [+] [Versus de tonis]

    • Anonymous – anovdt

      Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 172–73.

  • [+] Vita Sancti Remigii

    • Anonymous – remvit

      Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 474–75.

  • [+] Volens facere clavicordium

    • Anonymous – anovol

      Source: Jacques Handschin, "Aus der alten Musiktheorie," Acta musicologica 16/17 (1944-45): 1-10, 7–9.