Browse by Source

This page give access to a list of all sources (manuscript and print) from which the TML texts have been drawn.

• Prints
• [+] "A London Source for the Ars Nova of Philippe de Vitry." In Philippi de Vitriaco Ars nova, edited by Gilbert Reaney, André Gilles, and Jean Maillard, 72–78. Corpus scriptorum de musica, vol. 8 ([Rome]: American Institute of Musicology, 1964).

  • 72–78: Anonymous – Regula de monocordo (regdem)

• [+] "Anonyme Mensur der Orgelpfeifen. (Cod. Paull. 1493. Fol. 61a.)." In Studien zur Geschichte der Notenschrift, edited by Hugo Riemann, 301. Leipzig: Breitkopf and Härtel, 1878.

  • 301: Anonymous – [Mensura fistularum] (anoprir)

• [+] "Anonyme Mensur der Orgelpfeifen. (Ex codice Bernensi Martiani Capellae 56b. Mitgetheilt von Schubiger Spicilegien S. 82. X. Jahrhundert.)." In Studien zur Geschichte der Notenschrift, ed. Hugo Riemann, 300. Leipzig: Breitkopf and Härtel, 1878.

  • 300: Anonymous – [Mensura instrumenti organici] (anomenr)

• [+] "Anonyme Monochordeintheilung. (Cod. Paull. 1493, fol. 52b.)." In Studien zur Geschichte der Notenschrift, edited by Hugo Riemann, 301. Leipzig: Breitkopf and Härtel, 1878.

  • 301: Anonymous – Monochordi mensura (anomonr)

• [+] Aaron, Pietro. Libri Tres De Institutione Harmonica. [Bononiae, In aedibus Benedicti Hectoris Bibliopolae Bononiensis, 1516.] Facsimile, New York: Broude Bros., 1978.

  • ff. Air–Cviv: Petrus Aaron – Libri tres de institutione harmonica, liber primus (aarih1)

• [+] Adam, Charles, and Paul Tannery, eds. Oeuvres de Descartes. 13 vols. Paris: L. Cerf, 1897-1913.

  • 10:89–141: René Descartes – Compendium musicae (descom)

  • 10:151–69: René Descartes – Correspondance (descor)

• [+] Aegidius Zamorensis, Johannes. Ars musica. Edited by Michel Robert-Tissot. Corpus scriptorum de musica, vol. 20. [Rome]: American Institute of Musicology, 1974.

  • 30–122 (even): Iohannes Aegidius Zamorensis – Liber artis musicae (zamlib)

• [+] Agricola, Martin. Rudimenta Musices: Quibus Canendi Artificium Compendiosissime Complexum: Pueris Una Cum Monochordi Dimensione Traditur. Vitebergae: G. Rhaw, 1539.

  • Martinus Agricola – Rudimenta musices (agrrud)

• [+] Alexander, de Villa Dei. Carmen de musica cum glossis. Edited by Albert Seay. Critical Texts, no. 5. Colorado Springs: Colorado College Music Press, 1977.

  • 1–25: Alexander de Villa Dei – Carmen de musica cum glossis (vilcar)

• [+] Amelli, Abbate Ambrogio, O.S.B. "Di uno scritto inedito di S. Lodovico vescovo di Tolosa intorno alla musica." Archivum franciscanum historicum 2 (1909): 379-80.

  • 379–80: Ludovicus Sanctus – Sentencia in musica sonora subiecti (ludsen)

• [+] Amerus. Ameri Practica artis musice (1271). Edited by Cesarino Ruini. Corpus scriptorum de musica, vol. 25. N.p.: American Institute of Musicology, 1977.

  • 19–112: Amerus – Practica artis musice (amepra)

• [+] Ammel, Winfried. Michael Keinspeck Und Sein Musiktraktat Lilium Musicae Planae, Basel 1496. Marburg: [Auslieferung: Kassel, Bärenreiter-Antiquariat], 1970.

  • 111–29: Michael Keinspeck – Lilium musicae planae (keinlil)

• [+] Angles, H. "De cantu organico: tratado de un autor catalán del siglo XIV." Anuario musical 13 (1958): 18-24.

  • 18–24: Anonymous – De cantu organico (aganoco)

• [+] Angles, Higini. "Dos tractats medievals de musica figurada." In Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, edited by W. Lott, H. Osthoff, and W. Wolffheim. Berlin: Breslauer, 1929.

  • 6–10: Anonymous – Tractatus de musica (aganont)

  • 10–12: Nicolaus de Senis – Tractatus de musica (nictra)

• [+] Anonymous II. Tractatus de discantu. Edited by Albert Seay. Texts/Translations, no. 1. Colorado Springs: Colorado College Music Press, 1978.

  • 2–62: Anonymous II – Tractatus de discantu (anotdd)

• [+] Anselmus, Georgius. Georgii Anselmi Parmensis De musica: Dieta prima de celesti harmonia, dieta secunda de instrumentali harmonia, dieta tertia de cantabili harmonia. Edited by Giuseppe Massera. "Historia musicae cultores" biblioteca, vol. 14. Florence: Leo S. Olschki, 1961.

  • Georgius Anselmus – De musica (ansdem)

• [+] Aribo. De musica. Edited by J. Smits van Waesberghe. Corpus scriptorum de musica, vol. 2. [Rome]: American Institute of Musicology, 1951.

  • 1–72: Aribo – De musica (aridem)

• [+] Aurelian, of Reome. Aureliani Reomensis Musica disciplina. Edited by Lawrence Gushee. Corpus scriptorum de musica, vol. 21. [Rome]: American Institute of Musicology, 1975.

  • 53–135: Aurelianus Reomensis – Musica disciplina (aurmd)

  • 136–53: Aurelianus Reomensis – Musica disciplina, cap. VIII-XVI (aurmdap)

• [+] Bailey, Terence. "De modis musicis: A New Edition and Explanation." Kirchenmusikalisches Jahrbuch 61-62 (1977-78): 47-60.

  • 50–54: Anonymous – De modis musicis (anodm)

• [+] Bailey, Terence. Commemoratio Brevis De Tonis Et Psalmis Modulandis. Ottawa: University of Ottawa Press, 1979.

  • 26–106 (even only): Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocbt)

• [+] Balensuela, C. Matthew, ed. and trans. Ars cantus mensurabilis mensurata per modos iuris. Greek and Latin Music Theory, vol. 10. Lincoln: University of Nebraska Press, 1994.

  • 124–258 (even–numbered pages only): Anonymous – Ars cantus mensurabilis mensurata per modos iuris (ano5acm)

• [+] Baralli, D. Raffaello, and Luigi Torri. "Il Trattato di Prosdocimo de' Beldomandi contro il Lucidario di Marchetto da Padova per la prima volta trascritto e illustrato." Rivista musicale italiana 20 (1913): 731-62.

  • 731–62: Prosdocimo de' Beldomandi – Tractatus musice speculative (prospe)

• [+] Bartha, Dénes von. "Studien zum musikalischen Schrifttum des 15. Jahrhunderts." Archiv für Musikforschung 1 (1936): 180-99.

  • 180–99: Anonymous – [Tractatus de musica] (anopro)

• [+] Bartha, Dénes von. Das Musiklehrbuch einer ungarischen Klosterschule in der Handschrift von Fürstprimas Szalkai (1490). Musicologica hungarica, vol. 1. Budapest: Magyar nemzeti múzeum, 1934.

  • 63–128: Ladislaus de Zalka – [Musica] (szamus)

• [+] Becker, Adolf. "Ein Erfurter Traktat über gregorianische Musik." Archiv für Musikwissenschaft 1 (1918-19): 145-165.

  • 151–61: Anonymous – Tractatus (becano)

• [+] Berktold, Christian, ed. Ars practica mensurabilis cantus secundum Iohannem de Muris: Die Recensio maior des sogenannten "Libellus practice cantus mensurabilis". Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 14. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1999.

  • 3–79: Johannes de Muris – Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio A) (murarspa)

  • 97–121: Johannes de Muris – Ars practica mensurabilis cantus secundum Iohannem de Muris (Recensio B) (murarspb)

• [+] Bernhard, Michael, ed. Anonymi saeculi decimi vel undecimi tractatus de musica "Dulce ingenium musicae." Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 6. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1987.

  • 14–26: Anonymous – Dulce ingenium (Versio Parisiensis et Brugensis) (anodul)

  • 27–43: Anonymous – Dulce ingenium (Versio Pragensis) (anodul2)

• [+] Bernhard, Michael. "Ein weiterer Text zur Klangschritt-Lehre." In Quellen und Studien zur Musiktheorie des Mittelalters, edited by Michael Bernhard, 68-70. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, vol. 8. München: Verlag der Bayerischen Akademie der Wissenschaften, 1990.

  • 68–70: Anonymous – Quomodo organice moduletur (anoquoo)

• [+] Bernhard, Michael. "Zur Überlieferung des 11. Kapitels in Frutolfs Breviarum." In Quellen und Studien zur Musiktheorie des Mittelalters, edited by Michael Bernhard, 37-67. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, vol. 8. München: Verlag der Bayerischen Akademie der Wissenschaften, 1990.

  • 40–67: Frutolfus – Breviarium de musica, capitulum XI (frubrec)

• [+] Berno, Abbot of Reichenau. Bernonis Augiensis Abbatis De arte musica disputationes traditae: De mensurando monochordo. Edited by Joseph Smits van Waesberghe. Divitiae musicae artis A/VIa. Buren: Knuf, 1978.

  • 27, 42–55, 59, 61, 65, 67, 71, 73, 75, 77, 84–85, 91–92, 95, 103–4,111–14, and 116–19: Berno Augiensis – De mensurando monochordo (berndem)

• [+] Berno, Abbot of Reichenau. Bernonis Augiensis Abbatis De arte musica disputationes traditae: Quae ratio est inter tria opera de arte musica Bernonis Augiensis. Edited by Joseph Smits van Waesberghe. Divitiae musicae artis A/VIb. Buren: Knuf, 1979.

  • 31–37: Berno Augiensis – Interpolationen (bernint)

• [+] Beurhaus, Friedrich, and Walter Thoene. Musicae Rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus. Tremoniae, A. Sartorius, 1581. Reprint, Köln: Arno Volk, 1960.

  • 1–17: Fredericus Beurhusius – Musicae rudimenta e pleniore eius descriptione itemque exempla quaedam facilia ad puerilem exercitationem e bonis auctoribus, Libellus primus de sonis (beumus1)

• [+] Beurhusius, Fredericus. Erotematum musicae libri duo, ex optimis huius artis scriptoribus vera perspicuaque methodo descripti. Nuremberg: In officina typographica Catharinae Gerlachin, et Haeredum Ioannis Montani, 1580. Reprint, Cologne: Arno Volk, 1969.

  • 1–68: Fredericus Beurhusius – Erotematum musicae liber primus (beuero1)

• [+] Blum, Fred. "Another Look at the Montpellier Organum Treatise." Musica disciplina 13 (1959): 21-24.

  • 21–24: Anonymous – [Tractatus de organo] (anoorg)

• [+] Boethius. Boetii De institutione arithmetica libri duo. Edited by Godofredus Friedlein. Leipzig: B. G. Teubner, 1867.

  • 1–72: Anicius Manlius Severinus Boethius – De institutione arithmetica, liber primus (boeari1)

• [+] Boethius. Boetii De institutione musica libri quinque. Edited by Godofredus Friedlein. Leipzig: B. G. Teubner, 1867.

  • 177–225: Anicius Manlius Severinus Boethius – De institutione musica, liber primus (boemus1)

• [+] Bonaventura, da Brescia. Brevis collectio artis musicae. Edited by Albert Seay. Critical Texts, no. 11. Colorado Springs: Colorado College Music Press, 1980.

  • Bonaventura da Brescia – Brevis collectio artis musicae (bonbre)

• [+] Briner, Andres. "Ein anonymer unvollständiger Musiktraktat des 15. Jahrhunderts in Philadelphia, USA." Kirchenmusikalisches Jahrbuch 50 (1966): 27-38.

  • 27–38: Anonymous – [Tractatus de musica] (anophil)

• [+] Brockett, Clyde W., ed. Anonymi de modorum formulis et tonarius. Corpus scriptorum de musica, vol. 37. N.p.: American Institute of Musicology / Hänssler-Verlag, 1997.

  • 46–128: Anonymous – De modorum formulis et tonarius (anodmf)

• [+] Bukofzer, Manfred. Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. Sammlung musikwissenschaftlicher Abhandlungen, vol. 21. Strassbourg: Heitz, 1936.

  • 136–37: Johannes Torkesey – Septem sunt species (torksep)

  • 138–40: Anonymous – Circa modum discantandi (anocmd)

  • 141: Anonymous – [De discantu et contranota] (anoddcs)

  • 156–58: Nicolaus Burtius – Musices opusculum, tractatus secundus, capitulum VI (burmusx)

• [+] Burmeister, Joachim. Musica poetica: Definitionibus et divisionibus breviter delineata. Rostock: Stephanus Myliander, 1606.

  • Joachim Burmeister – Musica poetica (burpoe)

• [+] Burtius, Nicolaus, Benedetto Faelli, and Ugo de Rugeriis. Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem. Bologna: Ugo Ruggeri, 1487. Reprint, Bologna: Forni, 1969.

  • Nicolaus Burtius – Musices opusculum, tractatus primus (burmus1)

• [+] Calvisius, Seth. Exercitationes musicae duae. Qvarvm prior est, de modis mvsicis, qvos vulgò Tonos vocant, rectè cognoscendis, et dijudicandis. Posterior, de initio et progressv Mvsices, alijsque rebus eo spectantibus. Leipzig: Iacobus Apelius, 1600.

  • Seth Calvisius – Exercitationes musicae duae (calvex)

• [+] Cardanus, Hieronymus. Hieronymi Cardani Mediolanensis philosophi ac medici celeberrimi operum tomus decimus; quo continentur opuscula miscellanea ex fragmentis et paralipomenis. Contentorum huius tomi seriem index titulorum exhibet. Nunc primum ex authoris manuscriptis prodeunt. Lugduni, sumptibus Ioannis Antonii Huguetan et Marci Antonii Rauaud, 1663. Reprint, Stuttgart-Bad Cannstatt: Friedrich Frommann Verlag [Günther Holzboog], 1966.

  • 105–16: Hieronymus Cardanus – De musica liber (cardem)

• [+] Carlerius, Egidius. Duo tractatuli de musica. Edited by Albert Seay. Critical Texts, no.7. Colorado Springs: Colorado College Music Press, 1977.

  • 1–5: Egidius Carlerius – Tractatus de duplici ritu cantus ecclesiastici in divinis officiis et primo de simplici (carltra)

  • 5–13: Egidius Carlerius – De cantu iubiliationis armonicae et utilitate eius (carlcan)

• [+] Case, John. Apologia musices tam vocalis quam instrumentalis et mixtae. Oxford: Josephus Barnesius, 1588.

  • John Case – Apologia musices tam vocalis quam instrumentalis et mixtae (casapo)

• [+] Casimiri, Raffaele. "Teodono de Caprio non Teodorico de Campo, Teorico musicale italiano del sec. XV. Un suo trattato inedito." Note d'Archivio per la storia musicale 19 (1942): 38-42.

  • 94–98: Theodonus de Caprio – Regulae contrapuncti (theorc)

• [+] Casimiri, Raffaello. "Un trattatello per organisti di anonimo del sec. XIV." Note d'archivio per la storia musicale 19 (1942): 99-101.

  • 100–101: Anonymous – Ars et modus pulsandi organa secundum modum novissimum inventum per magistros musicos modernos (anoamp)

• [+] Cassiodorus, Flavius Magnus Aurelius., Åke Fridh, and James W. Halporn. Magni Aurelii Cassiodori Senatoris Opera. 1. Corpus Christianorum. Series Latina, 96. Turnholti: Brepols, 1973.

  • 87–91: Aurelius Cassiodorus – Epistola XL: Boethio patricio Theodericvs rex (casletc)

• [+] Cassiodorus, Senator. Cassiodori senatoris Institutiones. Edited by R. A. B. Mynors. Oxford: Clarendon, 1937.

  • 142–50: Aurelius Cassiodorus – Institutionum liber secundus saecularium litterarum (casinst)

• [+] Censorinus. Censorini de die natali liber. Edited by Fridericus Hultsch. Leipzig: B. G. Teubner, 1867.

  • Censorinus – De die natali liber (cendie)

• [+] Censorinus. Censorini de die natali liber ad Q. Caerellium accedit anonymi cuiusdam epitoma disciplinarum. Edited by Nicolaus Sallmann. Leipzig: B. G. Teubner, 1983.

  • 61–86: Censorinus – Fragmenta (cenfra)

• [+] Chailley, Jacques, ed. Alia musica (Traité de musique du IXe siècle): Edition critique commentée avec une introduction sur l'origine de la nomenclature modale pseudo-grecque au Moyen-Age. Paris: Centre de documentation universitaire et Société d'édition d'enseignement supérieur réunis, 1965.

  • 85–88, 90–97, 99–111, 113–18, 120–30, 133–45, 147–74, 176–81, and 183–212: Anonymous – Alia musica (aliamu)

• [+] Cochlaeus, Johannes. Tetrachordum musices Ioannis Coclei Norici artium magistri Nurnbergae aeditum pro iuuentute Laurentiana in primis dein pro ceteris quoque Musarum Tyrunculis. Nurnbergae: Friederici Peypus, 1514.

  • ff. Air–Bir: Johannes Cochlaeus – Tetrachordum musices, tractatus primus (coctet1)

• [+] Coclico, Adrian Petit. Compendium musices descriptum ab Adriano Petit Coclico, discipulo Josquini de Pres. Nuremberg: Johann Berg, Ulrich Neuber, 1552. Reprint, Kassel: Bärenreiter, 1954.

  • Adrian Petit Coclico – Compendium musices (coccom)

• [+] Coussemaker, Charles Edmond Henri de. Scriptorum de musica medii aevi nova series a Gerbertina altera. Paris: Durand, 1864-76.

  • 1:1–89: Ieronimus de Moravia – Tractatus de musica (iertra1)

  • 1:94–97: Anonymous – Discantus positio vulgaris (dispos)

  • 1:97–117: Johannes de Garlandia – De musica mensurabili positio (gardemp)

  • 1:117–36: Franco – Ars cantus mensurabilis (fraars)

  • 1:136–39: Petrus Picardus – Musica mensurabilis (petmus)

  • 1:154–56: Franco – Compendium discantus (fracom)

  • 1:157–75: Magister de Garlandia – Introductio musice (garint)

  • 1:175–82: Johannes de Garlandia – De musica mensurabili (gardem)

  • 1:182–250: Walter Odington – De speculatione musice (odides)

  • 1:251–81: Aristotle – Tractatus de musica (aritra)

  • 1:282–92: Petrus de Cruce Ambianensis – Tractatus de tonis (pettra)

  • 1:292–96: Johannes dictus Ballox – Abreviatio Magistri Franconis (balabr)

  • 1:296–302: Anonymous 1 – Tractatus de consonantiis musicalibus (ano1tra)

  • 1:303–19: Anonymous 2 – Tractatus de discantu (ano2tra)

  • 1:319–27: Anonymous 3 – De cantu mensurabili (ano3dec)

  • 1:327–64: Anonymous 4 – De mensuris et discantu (ano4dem)

  • 1:364–65: Anonymous – De sinemenis (anodes)

  • 1:366–68: Anonymous 5 – De discantu (ano5ded)

  • 1:369–77: Anonymous 6 – Tractatus de figuris sive de notis (ano6tra)

  • 1:378–83: Anonymous 7 – De musica libellus (ano7dem)

  • 1:383–403: Robertus de Handlo – Regulae (hanregu)

  • 1:403–48: Johannes Hanboys – Summa (hansuma)

  • 2:1–73: Regino Prumiensis – Tonarius (regton)

  • 2:74–78: Hucbald – De organo (hucorg)

  • 2:78–115: Guido d'Arezzo – De modorum formulis et cantuum qualitatibus (guimod)

  • 2:115–16: Guido d'Arezzo – De sex motibus vocum ad se invicem et dimensione earum (guisex)

  • 2:117–49: Odo – Intonarium (odoint)

  • 2:150–92: Abbot Guido – Regulae de arte musica (abguram)

  • 2:193–279: Jacobus Leodiensis – Speculum musicae, Liber sextus (jacsm6a)

  • 2:383–433: Jacobus Leodiensis – Speculum musicae, Liber septimus (jacsm7)

  • 2:434–83: Monachus Carthusiensis – Tractatus de musica plana (cartra)

  • 2:484–98: Anonymous – Tractatus de musica plana et organica (anomupo)

  • 3:1–12: Marchetus de Padua – Brevis compilatio in arte musicae mensuratae (marbre)

  • 3:12–13: Johannes de Garlandia – Optima introductio in contrapunctum pro rudibus (garopt)

  • 3:13–22: Philippe de Vitry – Ars nova (vitarsn)

  • 3:23–27: Philippe de Vitry – Ars contrapunctus (vitarsc)

  • 3:28–35: Philippe de Vitry – Ars perfecta in musica (vitarsp)

  • 3:35–46: Philippe de Vitry – Liber musicalium (vitlibm)

  • 3:46–58: Johannes de Muris – Libellus cantus mensurabilis (murlib)

  • 3:59–68: Johannes de Muris – Ars contrapuncti (murarsc)

  • 3:68–113: Johannes de Muris – Ars discantus (murarsd)

  • 3:113–15: Henricus de Zelandia – Tractatus de cantu perfecto et imperfecto (zeltra)

  • 3:116–18: Phillipotus Andrea – De contrapuncto quaedam regulae utiles (andcon)

  • 3:118–24: Philippus de Caserta – Tractatus de diversis figuris (castra)

  • 3:124–28: Aegidius de Murino – Tractatus cantus mensurabilis (aegtra)

  • 3:129–77: Johannes Verulus de Anagnia – Liber de musica (verlib)

  • 3:177–93: Theodoricus de Campo – De musica mensurabili (camdem)

  • 3:193–99: Prosdocimo de' Beldomandi – Tractatus de contrapuncto (protrac)

  • 3:200–228: Prosdocimo de' Beldomandi – Tractatus practice de musica mensurabili (protrap1)

  • 3:228–48: Prosdocimo de' Beldomandi – Tractatus practice de musica mensurabili ad modum italicorum (protrap2)

  • 3:248–58: Prosdocimo de' Beldomandi – Libellus monocordi (prolib)

  • 3:258–61: Prosdocimo de' Beldomandi – Brevis summula proportionum (probre2)

  • 3:262–64: Nicasius Weyts, Carmelite – Regule (weyreg)

  • 3:264–73: Christianus Sadze de Flandria – Tractatus modi, temporis et prolationis (flatra)

  • 3:273–307: Guilielmus monachus – De preceptis artis musice et pratice compendiosus libellus (monpre)

  • 3:328–30: Johannes Hothby – Regulae super proportionem (hotregp)

  • 3:330–32: Johannes Hothby – De cantu figurato (hotdec)

  • 3:333–34: Johannes Hothby – Regulae supra contrapunctum (hotregc)

  • 3:334–64: Anonymous I – De musica antiqua et nova (ano1dem)

  • 3:364–70: Anonymous II – De musica antiqua et nova (ano2dem)

  • 3:370–75: Anonymous III – Compendiolum artis veteris ac novae (ano3com)

  • 3:376–79: Anonymous IV – Compendium artis mensurabilis tam veteris quam novae (ano4com)

  • 3:379–98: Anonymous V – Ars cantus mensurabilis (ano5ars)

  • 3:398–403: Anonymous VI – De musica mensurabili (ano6dem)

  • 3:404–8: Anonymous VII – De diversis maneriebus in musica mensurabili (ano7ded)

  • 3:409–11: Anonymous VIII – Regulae de contrapuncto (ano8reg)

  • 3:413–15: Anonymous X – De minimis notulis (ano10dem)

  • 3:416–75: Anonymous XI – Tractatus de musica plana et mensurabili (ano11tra)

  • 3:475–95: Anonymous XII – Tractatus de musica (ano12tra)

  • 4:1–16: Johannes Tinctoris – Expositio manus (tinexp)

  • 4:16–41: Johannes Tinctoris – Liber de natura et proprietate tonorum (tinnat)

  • 4:41–46: Johannes Tinctoris – Tractatus de notis et pausis (tintran)

  • 4:46–53: Johannes Tinctoris – Tractatus de regulari valore notarum (tintrar)

  • 4:54–66: Johannes Tinctoris – Liber imperfectionum notarum musicalium (tinlib)

  • 4:66–70: Johannes Tinctoris – Tractatus alterationum (tintralt)

  • 4:70–76: Johannes Tinctoris – Tractatus super punctis musicalibus (tintrap)

  • 4:298–313: Johannes Gallicus dictus Carthusiensis seu de Mantua – Ritus canendi vetustissimus et novus, liber primus (galrit1)

  • 4:345–72: Johannes Gallicus dictus Carthusiensis seu de Mantua – Vera quamque facilis ad cantandum atque brevis introductio (galrits1)

  • 4:200–206: Anonymous – Quatuor Principalia I (quaprib1)

  • 4:76–119: Johannes Tinctoris – Liber de arte contrapuncti, Liber primus (tincon1)

  • 4:153–77: Johannes Tinctoris – Proportionale musices (tinpro)

  • 4:177–91: Johannes Tinctoris – Diffinitorium musicae (tindif)

  • 4:191–95: Johannes Tinctoris – Complexus effectuum musices (tincom1)

  • 4:195–200: Johannes Tinctoris – Complexus viginti effectuum nobilis artis musices (tincom2)

  • 4:396–409: Johannes Gallicus dictus Carthusiensis seu de Mantua – Incipit praefationcula in tam admirabilem quam tacitam et quietissimam novorum concinentiam (galtra)

  • 4:409–21: Johannes Gallicus dictus Carthusiensis seu de Mantua – Tacita nunc inchoatur stupendaque numerorum musica (gallib)

  • 4:421–33: Antonius de Luca – Ars cantus figurati (lucars)

  • 4:434–69: Anonymous – Tractatus de musica figurata et de contrapuncto ab anonymo auctore (tradem)

• [+] Coussemaker, Edmond de. Histoire de l'harmonie au moyen-age. Paris: V. Didron, 1852.

  • 226–43: Anonymous – Ad organum faciendum (adorfa)

  • 247–53: Anonymous – Discantus vulgaris positio (disvul)

  • 255–58: Gui de Chalis – Musica (guicha)

  • 262–73: Anonymous – De arte discantandi (artdis)

  • 274–94: Anonymous – Quaedam de arte discantandi (anoqua)

• [+] Crawford, David, ed. Compendium musices, Venetiis, 1499-1597. Corpus scriptorum de musica, vol. 33. N.p.: American Institute of Musicology, 1985.

  • 36–57: Anonymous – Compendium musices (anocmu)

• [+] Czagány, Zsuzsa. "Anonymi Leutsoviensis Tractatus De Musica." Musica Disciplina 46 (1992): 223-42.

  • 234–42: Anonymous – Tractatus de musica (anoleu)

• [+] Czagány, Zsuzsa. "Der Tractatus de cantu perfecto et imperfecto des Henricus de Zeelandia." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, edited by Michael Bernhard, 109-117. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13. München: Verlag der Bayerischen Akademie der Wissenschaften, 1990.

  • 114–17: Henricus de Zeelandia – Tractatus de cantu perfecto et imperfecto (zeltrac)

• [+] Czagány, Zsuzsa. "Ein Diffinitorium musicum aus dem späten 15. Jahrhundert." In Cantus Planus: Papers Read At the Fourth Meeting, Pécs, Hungary, 3-8 September 1990, edited by László Dobszay, 127-140. Budapest: Hungarian Academy of Sciences Institute for Musicology, 1992.

  • 132–39: Anonymous – Terminorium musicalium diffinitorium anonymi (anoter)

• [+] Debenedetti, Santorre. "Un trattatello del secolo XIV sopra la poesia musicale." Studi medievali 2 (1906-7): 59-82.

  • 79–80: Anonymous – [Capitulum de vocibus applicatis verbis] (anocap)

• [+] De Luca, Antonius. Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis. Edited by Heinz Ristory. Corpus scriptorum de musica, vol. 38. N.p.: American Institute of Musicology / Hänssler-Verlag, 1997.

  • 24–59: Antonius de Luca – Ars cantus figurati (lucarsc)

  • 62–63: Anonymous – Capitulum de quattuor mensuris (anocqm)

  • 66–73: Anonymous – Tractatulus de mensurationum (anotram)

  • 76–81: Anonymous – Compendium breve de proportionibus (anocbp)

  • 84–92: Anonymous – Tractatulus prolationum cum tabulis (anotpt)

• [+] Dick, Adolfus, ed. Martianus Capella. Leipzig: B. G. Teubner, 1925.

  • 469–535: Martianus Capella – De nuptiis Philologiae et Mercurii, Liber IX, De harmonia (marden9)

• [+] Dygon, John, and Franchinus Gaffurius. John Dygon's Proportiones Practicabiles Secundum Gaffurium. Edited by Theodor Dumitrescu. Studies in the History of Music Theory and Literature, vol. 2. Urbana: University of Illinois Press, 2006.

  • 68–158 (even–numbered pages only): John Dygon – Proportiones practicabiles secundum Gaffurium (dygonpro)

• [+] Eger von Kalkar, Heinrich. Das Cantuagium des Heinrich Eger von Kalkar. Edited by Heinrich Hüschen. Beiträge zur rheinischen Musikgeschichte, vol. 2. Cologne: Staufen, 1952.

  • Heinrich Eger von Kalkar – Cantuagium (egecan)

• [+] Eggebrecht, Hans Heinrich, and Frieder Zaminer, eds. Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit. Neue Studien zur Musikwissenschaft, vol. 3. Mainz: B. Schotts Söhne, 1970.

  • 45–49 and 111–15: Anonymous – Ad organum faciendum (adorfac)

  • 149–50: Anonymous – [Ad organum faciendum] (adorfba)

  • 159–60: Anonymous – [Ad organum faciendum] (adorfbb)

  • 175: Anonymous – [Ad organum faciendum] (adorfbr)

  • 187–88: Anonymous – [Tractatus de organo] (anomont)

• [+] Ellsworth, Oliver B. The Berkeley Manuscript: University of California Music Library, Ms. 744 (olim Phillipps 4450). Greek and Latin Music Theory, vol. 2. Lincoln: University of Nebraska Press, 1984.

  • 30–246: Anonymous – Berkeley Manuscript (berman)

• [+] Enchiridion musices Nicolai Wollici Barroducensis de gregoriana et figuratiua atque contrapuncto simplici percommode tractans, omnibus cantu oblectantibus perutile et necessarium (Impressum Parisii impensa honestissimorum virorum Iohannis Parui ad intersignium Leonis Argentei et Francisci Regnault ad intersignium diui Claudii commorantium. Anno virginei partus .1512. 14. kalendas Nouembris).

  • ff. air–aviir: Nicolaus Wollick – Enchiridion musices, liber I (wolenc1)

• [+] Engelke, Bernhard. "Praecepta mvsicae poeticae a D: Gallo Dresselero." Geschichtsblätter für Stadt und Land Magdeburg 49-50 (1914-15): 213-50.

  • 213–50: Gallus Dressler – Praecepta musicae poeticae (drepra)

• [+] Faber, Heinrich. Ad musicam practicam introductio, non modo praecepta, sed exempla quoque ad usum puerorum accomodata, quàm breuissime continens. Nuremberg: in Officina Iohannis Montani, et Vlrici Neuber, 1550.

  • ff. A1r–L1v: Heinrich Faber – Ad musicam practicam introductio (fabmus1)

• [+] Faber, Heinrich. Henrici Fabri Compendiolum musicae pro incipientibus. Bibliotheca musica bononiensis II/20. Nuremberg: Paul Kauffmann, 1594. Reprint, Bologna: Forni, 1980.

  • Heinrich Faber – Compendiolum musicae pro incipientibus (fabcom)

• [+] Faber Stapulensis, Jacobus. In hoc opere contenta. Arithmetica decem libris demonstrata. Musica libris demonstrata quattuor. Epitome in libros arithmeticos diui Seuerini Boetij. Rithmimachie ludus qui et pugna numerorum appellatur. Paris: Joannes Higmanus et Volgangus Hopilius, 1496.

  • ff. f1r–h6v: Jacobus Faber Stapulensis – Elementa musicalia (stapmus)

• [+] Falkenroth, Christoph. Die Musica speculativa des Johannes de Muris. Beihefte zum Archiv für Musikwissenschaft, vol. 34. Stuttgart: Steiner, 1992.

  • 70–284 (even only): Johannes de Muris – Musica speculativa (murmsp)

  • 77–289 (odd only): Johannes de Muris – Musica speculativa (murmspe)

  • 290–91: Johannes de Muris – Musica speculativa (murisapp)

  • 292–301: Johannes de Muris – Musica speculativa (murisw3)

• [+] Farmer, Henry George, ed. and trans. Al-Farabi's Arabic-Latin Writings on Music. Collection of Oriental Writers on Music, vol. 2. Glasgow: The Civic Press, 1934. Reprint, London: Hinrichsen Edition Ltd., 1965.

  • 21–31: Al-Farabi – De scientiis (farscie)

  • 44–48: Al-Farabi – De ortu scientiarum, Dictio de cognoscenda causa unde orta est ars musice (farort)

• [+] Favonius Eulogius. Favonii Eulogii Disputatio de somnio Scipionis. Edited by Alfred Holder. Leipzig: B. G. Teubner, 1901.

  • Favonius Eulogius – Disputatio de somnio Scipionis (favdis)

• [+] Federhofer-Koenigs, Renate. "Johannes Vogelsang und sein Musiktraktat (1542): Ein Beitrag zur Musikgeschichte von Feldkirch (Vorarlberg)." Kirchenmusikalisches Jahrbuch 49 (1965): 73-123.

  • 76–113: Johannes Vogelsang – Musicae rudimenta (vogmus)

• [+] Federhofer-Königs, Renate. "Die Musica plana atque mensurabilis von Heinrich Saess." Kirchenmusikalisches Jahrbuch 48 (1964): 61-107.

  • 64–94: Heinrich Saess – Musica plana atque mensurabilis una cum nonnullis solmisationis regulis certissimis insertis summa diligentia compendiose exarata (saemus)

• [+] Federhofer-Königs, Renate. "Ein anonymer Musiktraktat aus der 2. Hälfte des 14. Jahrhunderts in der Stiftsbibliothek Michaelbeuern/Salzburg." Kirchenmusikalisches Jahrbuch 46 (1962): 43-60.

  • 44–54: Anonymous – [Tractatus de musica] (anomic)

• [+] Federhofer-Königs, Renate. "Ein unvollständiger Musiktraktat des 14. Jahrhunderts in Ms. 1201 der Universitätsbibliothek Graz." Kirchenmusikalisches Jahrbuch 44 (1960): 14-27.

  • 14–19: Anonymous – [Musica disciplina] (anomusd)

• [+] Federhofer-Königs, Renate. Johannes Oridryus Und Sein Musiktraktat (Düsseldorf 1557). Beiträge zur rheinischen Musikgeschichte, vol. 24. Köln: Arno Volk-Verlag, 1957.

  • 65–157: Johannes Oridryus – Practicae musicae utriusque praecepta brevia (oripra)

• [+] Feldmann, Fritz. Musik und Musikpflege im mittelalterlichen Schlesien. Darstellungen und Quellen zur schlesischen Geschichte, Band 37. Breslau: Trewendt und Granier, 1938.

  • 157–88: Johannes Valendrinus – Opusculum monacordale (valmon)

  • 193–94: Anonymous – Regulae generales de compositione cantus (anorege)

• [+] Finck, Hermann. Practica musica Hermanni Finckii, exempla variorum signorum, proportionum et canonum, iudicium de tonis, ac quaedam de arte suaviter et artificiose cantandi continens. Vitebergae: Rhau, 1556. Reprint, Stuttgart: Cornetto-Verlag, 1995.

  • Hermann Finck – Practica musica (finpra)

• [+] Finé, Oronce. Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam per Orontium fineum Delphinatem studiose collectum. 1530. Reprint, Geneva: Minkoff, 1993.

  • Oronce Finé – Epithoma musice instrumentalis ad omnimodam Hemispherii seu Luthine et theoricam et practicam (finepi)

• [+] Fogliano, Lodovico. Mvsica Theorica Ludouici Foliani Mutinensis. Colophon: Venetiis per Io. Antonium & Fratres de Sabio, 1529. Reprint, Bologna: Forni, 1970.

  • Ludovicus Folianus – Musica theorica, sectio prima (folmus1)

• [+] Franco de Colonia. Ars cantus mensurabilis. Edited by Gilbert Reaney and André Gilles. Corpus scriptorum de musica, vol. 18. [Rome]: American Institute of Musicology, 1974.

  • 23–82: Franco – Ars cantus mensurabilis (fraacm)

• [+] Frere, Walter Howard. The Use of Sarum ..: The Original Texts Edited From the MSS. Cambridge: University Press, 1898-1901.

  • 2:i–lxxiv: Anonymous – Tonale secundum usum Sarum et universalis ecclesie (sarton)

• [+] Frobenius, Wolf. Johannes Boens Musica Und Seine Konsonanzenlehre. Stuttgart: Musikwissenschaftliche Verlags-Gesellschaft, 1971.

  • 32–78: Johannes Boen – Musica (boenmus)

• [+] Froger, Jacques. "L'Épitre de Notker sur les 'Lettres significatives': Édition critique." Études grégoriennes 5 (1962): 23-71.

  • 69–70: Notker – Quid singulae litterae (notlet)

• [+] Frosch, Johann. Rerum musicarum opusculum rarum ac insigne, totius eius negotii rationem mira industria et brevitate complectens, iam recens publicatum. Argentorati: apud Petrum Schoeffer et Mathiam Apiarium, 1535. Facsimile, New York: Broude, 1967.

  • Johannes Frosch – Rerum musicarum opusculum rarum ac insigne (frorer)

• [+] Frutolfus. Frutolfi Breviarium de musica et Tonarius. Edited by P. Cölestin Vivell. Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2. Vienna: In Kommission bei A. Hölder, 1919.

  • 26–113: Frutolfus – Breviarium de musica (frubre)

  • 113–83: Frutolfus – Tonarius (fruton)

• [+] Fulgentius, Fabius Planciades. Fabii Planciadis Fulgentii V. C. Opera. Edited by Rudolfus Helm. Leipzig: B. G. Teubner, 1898.

  • 3–80: Fabius Planciades Fulgentius – Mitologiarum libri tres (fulmit)

• [+] Gaffurio, Franchino. Franchini Gafurii Extractus parvus musice. Edited by F. Alberto Gallo. Antiquae musicae italicae scriptores, vol. 4. Bologna: Università degli Studi de Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1969.

  • 13–208: Franchino Gaffurio – Extractus parvus musice (gafext)

• [+] Gaffurio, Franchino. Franchini Gafurii Laudensis Regii Musici publice profitentis: Delubrique Mediolanensis Phonasci: de Harmonia Musicorum Instrumentorum Opus. Milan: Gotardus Pontanus, 1518. Reprints, New York: Broude Bros., [1979]; Bologna: Forni, 1972.

  • Franchino Gaffurio – De harmonia musicorum instrumentorum opus, liber primus (gafhar1)

• [+] Gaffurius, Franchinus. Apologia Franchini Gafurii Musici adversus Ioannem Spatarium et complices musicos Bononienses. Turin: Augustinus de Vicomercato, 1520; reprint, New York: Broude Bros., 1979.

  • Franchino Gaffurio – Apologia adversus Ioannem Spatarium et complices musicos Bononienses (gafapo)

• [+] Gaffurius, Franchinus. Practica Musice Franchini Gafori Laudensis. Milan: Guillermus Le Signerre, 1496.

  • Franchino Gaffurio – Practica musice (gafpm1)

• [+] Gaffurius, Franchinus. Theorica Musice. Milan: Ioannes Petrus de Lomatio, 1492. Facsimile of the first edition, New York: Broude Bros., 1967.

  • Franchino Gaffurio – Theorica musice, liber primus (gaftm1)

• [+] Gallo, F. Alberto, ed. Tractatulus de cantu mensurali seu figurativo musice artis (MS. Melk, Stiftsbibliothek 950). Corpus scriptorum de musica, vol. 16. [Rome]: American Institute of Musicology, 1971.

  • 11–37: Anonymous – Tractatulus de cantu mensurali seu figurativo musice artis (anotra)

• [+] Gallo, F. Alberto. "Due trattatelli sulla notazione del primo trecento." Quadrivium 12 (1971): 119-30.

  • 124–26: Anonymous – [Tractatulus de notis] (ano1omn)

  • 127–30: Anonymous – [Tractatulus de notis] (ano2omn)

• [+] Gallo, F. Alberto. Mensurabilis musicae tractatuli. Antiquae musicae italicae scriptores, vol. 1. Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966.

  • 15: Anonymous – Capitulum de semibrevibus (anosemi)

  • 19–39: Guido Frater – Ars musice mensurate (guifar)

  • 43–47: Petrus de Amalfia – Compendium artis motectorum Marchecti (pamcom)

  • 51–52: Anonymous – Fragmentum de mensuris (anofram)

  • 55: Anonymous – [Fragmentum de proportionibus] (anofrap)

  • 59: Anonymous – Capitulum de modo accipiendo (anocapm)

  • 63–75: Anonymous – Musice compilatio (anomusc)

  • 79–85: Anonymous – Tractatulus de figuris et temporibus (anofit)

• [+] Galuzzi, Angiolamaria Guarneri. Il "De partitione licterarum monocordi" di Jacobus Theatinus. Instituta et Monumenta, II/4. Cremona: Fondazione Claudio Monteverdi, 1975.

  • 29–52: Jacobus Theatinus – De partitione licterarum monocordi (thepar)

• [+] Georgiades, Thrasybulos G., Leonel Power, and Chilston. Englische Diskanttraktate aus der ersten Hälfte Des 15. Jahrhunderts: Untersuchungen zur Entwicklung der Mehrstimmigkeit im Mittelalter. München: [Musikwissenschaftliches Seminar der Universität München], 1937.

  • 28–30: Anonymous – Circa modum discantandi (anocmdg)

• [+] Gerbert, Martin. Scriptores ecclesiastici de musica sacra potissimum: Ex Variis Italiæ, Galliæ & Germaniæ Codicibus Manuscriptis Collecti Et Nunc Primum Publica Luce Donati a Martino Gerberto Monasterii Et Congreg. S. Blasii In Silva Nigra Abbate, S.Q.R.I.P. : Typis San-Blasianis, 1784. Facsimile edition, Hildesheim: Olms, 1963.

  • 1:1–4: Pambo, Abbas – [Gerontikon] (pamger)

  • 1:4–5: Anonymous – Monacho qua mente sit psallendum (monpsal)

  • 1:5–8: Anonymous – Instituta patrum de modo psallendi sive cantandi (patpsal)

  • 1:9–14: Nicetius, episcopus – De laude et utilitate spiritualium canticorum, quae fiunt in ecclesia Christiana; seu de psalmodiae bono (niclau)

  • 1:15–19: Aurelius Cassiodorus – Institutiones musicae, seu excerpta ex eiusdem libro, de artibus ac disciplinis liberalium litterarum (casins)

  • 1:20–25: Isidorus Hispalensis – Sententiae de musica (isisen)

  • 1:26–27: Flaccus Alcuinus – Musica (alcmus)

  • 1:27–63: Aurelianus Reomensis – Musica disciplina (aurmus)

  • 1:63–94: Remigius Altisiodorensis – Musica (remmus)

  • 1:95–102: Notker – De musica (notdem)

  • 1:103–25: Hucbald – De harmonica institutione (huchar)

  • 1:125–52: Anonymous – Alia musica (alimus)

  • 1:152–73: Anonymous – Musica enchiriadis (musenc)

  • 1:173–212: Anonymous – Scholia enchiriadis de arte musica (schenc)

  • 1:213–29: Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocomb)

  • 1:230–47: Regino Prumiensis – Epistola de harmonica institutione (reghar)

  • 1:247–50: Odo – Tonarium (odoton)

  • 1:251–64: Odo – Dialogus de musica (ododia)

  • 1:265–84: Odo – De musica (odomus)

  • 1:285–95: Odo – Regulae de rhythmimachia (odorhy)

  • 1:296–302: Odo – Regulae super abacum (odoreg)

  • 1:303: Odo – Quomodo organistrum construatur (odoorg)

  • 1:303–12: Adelboldus – Musica (ademus)

  • 1:312–30: Bernelinus – Cita et vera divisio monochordi in diatonico genere (berndiv)

  • 1:330–38: Anonymous I – Musica (ano1mus)

  • 1:338–42: Anonymous II – Tractatus de musica (ano2tdm)

  • 1:343–44: Anonymous III – Fragmentum musices (ano3fra)

  • 1:344–48: Anonymous – Mensura monochordi Boetii (anomen)

  • 2:2–24: Guido d'Arezzo – Micrologus (guimic)

  • 2:25–34: Guido d'Arezzo – Regulae rhythmicae in antiphonarii sui prologum prolatae (guirr)

  • 2:34–42: Guido d'Arezzo – Prologus in antiphonarium (guipran)

  • 2:43–50: Guido d'Arezzo – Epistola Guidonis Michaeli monacho de ignoto cantu directa (guiepi)

  • 2:50–55: Guido d'Arezzo [Ps.] – Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis (anotra2)

  • 2:55–61: Anonymous – Quomodo de arithmetica procedit musica (anoquo)

  • 2:62–79: Berno Augiensis – Musica seu Prologus in Tonarium (bernpro)

  • 2:79–91: Berno Augiensis – Tonarius (bernton)

  • 2:91–114: Berno Augiensis – De varia psalmorum atque cantuum modulatione (bernvar)

  • 2:114–24: Berno Augiensis – De consona tonorum diversitate (berndec)

  • 2:125–49: Hermannus Contractus – Musica (hermusg)

  • 2:149–53: Hermannus Contractus – Versus ad discernendum cantum (herver)

  • 2:154–82: Willehelmus Hirsaugensis – Musica (wilmu)

  • 2:183–96: Theogerus Metensis – Musica (themus)

  • 2:197–230: Aribo – Musica (arimus)

  • 2:230–65: Johannes Affligemensis – Musica (johmus)

  • 2:265–77: Anonymous – Tonale Sancti Bernardi (berton)

  • 2:277–78: Gerlandus – Fragmenta de musica (gerfra)

  • 2:279–82: Eberhardus Frisingensis – Tractatus de mensura fistularum (ebetra)

  • 2:283–87: Anonymous – De mensura fistularum in organis (anofis)

  • 2:287–98: Engelbertus Admontensis – De musica, tractatus primus (engdem1)

  • 2:370–93: Iohannes Aegidius Zamorensis – Ars musica (zamlam)

  • 3:1–16: Franco – Ars cantus mensurabilis (fraarsc)

  • 3:16–64: Elias Salomo – Scientia artis musicae (salsci)

  • 3:64–70: Marchetus de Padua – Lucidarium, tractatus primus (marlu1)

  • 3:121–88: Marchetus de Padua – Pomerium (marpom)

  • 3:190–248: Johannes de Muris – Summa (mursum)

  • 3:249–83: Johannes de Muris – Tractatus de musica (murmus)

  • 3:284–86: Johannes de Muris – De numeris, qui musicas retinent consonantias, secundum Ptolomaeum de Parisius (murden)

  • 3:286–91: Johannes de Muris – Tractatus de proportionibus (murdep)

  • 3:292–301: Johannes de Muris – De practica musica, seu de mensurabili (murpra)

  • 3:301–8: Johannes de Muris – Quaestiones super partes musicae (murquae)

  • 3:308–12: Johannes de Muris – De tonis (murton)

  • 3:312–15: Johannes de Muris – Ars discantus data a Magistro Iohanne de Muris abbreviando (murad)

  • 3:316–18: Arnulphus de Sancto Gilleno – Tractatulus de differentiis et generibus cantorum (arntra)

  • 3:319–29: Ioannes Keck – Introductorium musicae (keckinmu)

  • 3:329–41: Adamus de Fulda – Musica, pars prima (fulmus1)

  • 3:382–96: Anonymous – Constitutiones capellae pontificiae (anocon)

  • 3:398–402: Metrophanes Critopulus, hieromonachus – Epistola de vocibus in musica liturgica Graecorum usitatis (criepi)

• [+] Gieburowski, Waclaw, and Szydłow. Die "musica Magistri Szydlovite,": Ein Polnischer Choraltraktat Des Xv. Jahrh. Und Seine Stellung In Der Choraltheorie Des Mittelalters, Mit Berücksichtigung Der Choraltheorie Und Praxis Des Xv Jahrh. In Polen, Sowie Der Nachtridentinischen Choralreform. Posen: St. Adalbert-Druckerei, 1915.

  • 9–72: Johannes de Szydlow – Musica (szydmus)

• [+] Gilles, André, and Cecily Sweeney, eds. De musica mensurabili; De semibrevibus caudatis. Corpus scriptorum de musica, vol. 13. [Rome]: American Institute of Musicology, 1971.

  • 29–56: Anonymous – De musica mensurabili (anodem)

  • 65–79: Anonymous – De semibrevibus caudatis (anosem)

• [+] Gilles, André. "De musica plana breve compendium (Un témoignage de l'enseignement de Lambertus)." Musica disciplina 43 (1989): 33-62.

  • 39–51: Anonymous – De plana musica breve compendium (anodmp)

• [+] Glareanus, Henricus. [Dodekachordon]. Basle: Henrichus Petri, 1547.

  • 1–64: Henricus Glareanus – Dodecachordon, Liber primus (gladod1)

• [+] Godt, Irving, and Benito V. Rivera. "The Vatican Organum Treatise: A Color Reproduction, Transcription, and Translation." In Gordon Athol Anderson (1929-1981) in memoriam von seinen Studenten, Freunden und Kollegen, 2 vols., 2:293–345. Henryville, PA: Institute of Mediaeval Music, 1984.

  • 2:293–345/11: Anonymous – Ars organi (arsorg)

• [+] Grossmann, Walter, Johannes de Muris, and Robert Kilwardby. Die Einleitenden Kapitel Des Speculum Musicae Von Johannes De Muris: Ein Beitrag Zur Musikanschauung Des Mittelalters. Leipzig: Breitkopf & Härtel, 1924.

  • 53–93: Johannes de Muris – Speculum musicae, Liber primus (murspe)

  • 94–96: Robert Kilwardby – De ortu et divisione philosophiae, Capitulum XVIII, De ortu et subiecto et proprio fine ac definitione (kildeo)

• [+] Guentner, F. J., ed. Epistola S. Bernardi De revisione cantus Cisterciensis, et Tractatus Cantum quem Cisterciensis Ordinis ecclesiae cantare. Corpus scriptorum de musica, vol. 24. [Rome]: American Institute of Musicology, 1974.

  • 21–41: Anonymous – Epistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare (berepi)

• [+] Guerson, Guillaume. Utillissime musicales Regule cunctis summopere necessarie plani cantus simplisis contrapuncti rerum factarum tonorum et artis accentuandi tam exemplariter quam practice per magistrum Guillermi Guersoni de Villalonga nouitter conpilate. Paris: Michel Thouloze, [c. 1495].

  • Guillaume Guerson – Utillissime musicales regule (gueut)

• [+] Guido, and Joseph Smits van Waesberghe. Guidonis Prologus in antiphonarium. In Tres tractatuli Guidonis Aretini, edited by J. Smits van Waesberghe. Divitiae musicae artis, A/III. Buren: Knuf, 1975.

  • 58–81: Guido d'Arezzo – Prologus in antiphonarium (guipro)

• [+] Guido, d'Arezzo. Guidonis Aretini "Regulae rhythmicae". Edited by Joseph Smits van Waesberghe and Eduard Vetter. Divitiae musicae artis A/IV. Buren: Knuf, 1985.

  • 92–133: Guido d'Arezzo – Regulae rhythmicae (guireg)

• [+] Guido, d'Arezzo. Guidonis Aretini Micrologus. Edited by Joseph Smits van Waesberghe. Corpus scriptorum de musica, vol. 4. [Rome]: American Institute of Musicology, 1955.

  • 79–234: Guido d'Arezzo – Micrologus (guimicr)

• [+] Guido, Tractatus De Tonis. Edited by Sieglinde van de Klundert. Bubenreuth: Hurricane Publishers, 1998.

  • 2:1–137: Guido de Sancto Dionysio – Tractatus de tonis (guiston)

• [+] Guilielmus, Monachus. Guilielmi monachi De preceptis artis musicae. Edited by Albert Seay. Corpus scriptorum de musica, vol. 11. [Rome]: American Institute of Musicology, 1965.

  • 15–59: Guilielmus monachus – De preceptis artis musice et pratice compendiosus libellus (monprec)

• [+] Guillermus, de Podio. Ars musicorum libri VI et VIII. Edited by Albert Seay. Critical Texts, no. 8. Colorado Springs: Colorado College Music Press, 1978.

  • 1–8: Guillermus de Podio – Ars musicorum liber VI (guiars6)

• [+] Gundissalinus, Dominicus. Dominicus Gundissalinus, De divisione philosophiae. Edited by Ludwig Baur. Beiträge zur Geschichte der Philosophie des Mittelalters IV/2-3. Münster: Aschendorff, 1903.

  • 96–102: Dominicus Gundissalinus – De divisione philosophiae, Liber decimus, "De musica" (gunddiv)

• [+] Göller, Gottfried, ed. Vinzenz von Beauvais O.P. (um 1194-1264) und sein Musiktraktat im Speculum doctrinale. Kölner Beiträge zur Musikforschung, Band XV. Regensburg: Gustav Bosse, 1959.

  • 86–118: Vincent of Beauvais – Speculum doctrinale, liber XVII, capitula X-XXXV (vinspe)

• [+] Göllner, Marie Louise. The Manuscript Cod. lat. 5539 of the Bavarian State Library. Musicological Studies and Documents, vol. 43. Neuhausen-Stuttgart: Hänssler-Verlag, American Institute of Musicology, 1993.

  • 69–94: Anonymous – [Ars musica] (anoarsmu)

  • 101–8: Anonymous – Practica musicae artis mensurabilis (anopra)

  • 110–13: Anonymous – [Tractatulus de musica] (anocadi)

• [+] Göllner, Theodor. “Eine Spielanweisung für Tasteninstrumente aus dem 15. Jahrhundert.” In Essays in Musicology. A Birthday Offering for Willi Apel, edited by Hans Tischler, 69-81. [Bloomington]: School of Music, Indiana University, 1968.

  • 70–71: Anonymous – Nota regulas super tactus (anonot)

• [+] Haas, Max. "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts." In Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, edited by Hans Oesch and Wulf Arlt, 323-456. Forum Musicologicum, vol. 3. Winterthur: Amadeus Verlag, 1982.

  • 354–55 and 358–59: Anonymous – De musica (anoqm)

  • 420–21: Al-Farabi – De scientiis (farsci)

  • 425: Anonymous – [Rhythmica] (anopes)

• [+] Hammerstein, Reinhold. "Instrumenta Hieronymi." Archiv für Musikwissenschaft 16 (1959): 117-134.

  • 120–22, 124–25, 127, 129–31: Hieronymus [Ps.] – Epistola ad Dardanum (hierinst)

• [+] Handlo, Robertus de, Peter Lefferts, and Johannes Hanboys. Regule. Lincoln: University of Nebraska Press, 1991.

  • 80–178: Robertus de Handlo – Regule (hanreg)

  • 180–344: Johannes Hanboys – Summa (hansum)

  • 362–64 (even–numbered pages only): Anonymous – Metrologus (anometr)

• [+] Handschin, Jacques. "Aus der alten Musiktheorie." Acta musicologica 16/17 (1944-45): 1-10.

  • 7–9: Anonymous – Volens facere clavicordium (anovol)

• [+] Handschin, Jacques. "Aus der alten Musiktheorie III. Zur Ambrosianischen Mehrstimmigkeit." Acta musicologica 15 (1943): 2-23, 93-94.

  • 5–6: Anonymous – De organo mediolanensi (anoorme)

• [+] Handschin, Jacques. "Der Organum-Traktat von Montpellier." In Studien zur Musikgeschichte. Festschrift für Guido Adler zum 75. Geburtstag, 50–51. Vienna: Universal, 1930.

  • 50–51: Anonymous – [Tractatus de organo] (anomon)

• [+] Heard, Edmund Brooks. "Alia musica: A Chapter in the History of Music Theory." PhD diss., University of Wisconsin, 1966.

  • 119–229 (odd only): Anonymous – Alia musica (alimusi)

• [+] Heinrich, von Augsburg. Musica Domni Heinrici Augustensis Magistri. Ed. by Joseph Smits van Waesberghe. Divitiae musicae artis, A/VII. Buren: F. Knuf, 1977.

  • 35–53: Heinricus Augustensis – Musica (heimus)

• [+] Hentschel, Frank. "Der verjagte Dämon: Mittelalterliche Gedanken zur Wirkung der Musik aus der Zeit um 1300, mit einer Edition der Quaestiones 16 und 17 aus Quodlibet VI des Petrus d'Auvergne." In Miscellanea Mediaevalia: Veröffentlichungen des Thomas-Instituts der Universität zu Köln, vol. 27, Geistesleben im 13. Jahrhundert, edited by Jan A. Aertsen and Andreas Speer, 412–21. Berlin: Walter de Gruyter, 2000.

  • 412–21: Petrus de Alvernia – Quodlibet VI: Quaestiones 16 et 17 (petquo)

• [+] Herbenus Traiectensis. Herbeni Traiectensis De natura cantus ac miraculis vocis. Edited by Joseph Smits van Waesberghe. Beiträge zur rheinischen Musikgeschichte, vol. 22. Cologne: Arno Volk, 1957.

  • 16–78: Herbenus Traiectensis – De natura cantus ac miraculis vocis (herden)

• [+] Hermannus, and Leonard Ellinwood. Musica Hermanni Contracti: Presented From an Unedited Source and Collated with the Vienna Ms. No. 51 and the Editions of Gerbert and Brambach, with Parallel English Translation. Expanded From a Thesis Presented for the Degree of Master of Music. Rochester: Eastman School of Music, University of Rochester, 1936.

  • Hermannus Contractus – Musica (hermuse)

• [+] Hermannus Contractus. Hermanni Contracti Musica. Edited by W. Brambach. Leipzig: B. G. Teubner, 1884.

  • Hermannus Contractus – Musica (hermusb)

• [+] Heyden, Sebaldus. De arte canendi, ac vero signorum in cantibus usu, libri duo, autore Sebaldo Heyden. Nuremberg: Ioh. Petreium, 1540.

  • Sebaldus Heyden – De arte canendi, ac vero signorum in cantibus usu, liber primus (heydac1)

• [+] Hieronymus de Moravia. Tractatus de musica. Edited by S. M. Cserba. Freiburger Studien zur Musikwissenschaft, vol. 2. Regensburg: Pustet, 1935.

  • 3–179: Ieronimus de Moravia – Tractatus de musica (iertdm1)

  • 189–94: Anonymous – Discantus positio vulgaris (dispovu)

  • 194–230: Johannes de Garlandia – De musica mensurabili positio (gardmmp)

  • 230–59: Franco – Ars cantus mensurabilis (fraarscm)

  • 259–63: Petrus Picardus – Musica mensurabilis (petmusm)

• [+] Hirsaugensis, Guilelmus and Denis Harbinson. Willehelmi Hirsaugensis Musica. Corpus scriptorum de musica, vol. 23. [Rome]: American Institute of Musicology, 1975.

  • 11–75: Willehelmus Hirsaugensis – Musica (wilmus)

• [+] Hirschmann, Wolfgang. "Accessus und Glosse: Die Micrologus-Version der Handschrift Oxford, St John's College 188." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, edited by Michael Bernhard, 145-174. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15. München: Verlag der Bayerischen Akademie der Wissenschaften, 1990.

  • 165–69: Anonymous – [Glossae in Micrologum] (anooxa)

  • 170–71: Anonymous – [Glossae in Micrologum] (anooxp)

• [+] Hochadel, Matthias. Commentum Oxoniense In Musicam Boethii: Eine Quelle Zur Musiktheorie an Der Spätmittelalterlichen Universität. Veröffentlichungen der Musikhistorischen Kommission, vol. 16. München: Bayerischen Akademie der Wissenschaften in Kommission bei dem Verlag C.H. Beck München, 2002.

  • 2–304, 308–20, 330–410 (even pages only): Anonymous – Commentum in musicam Boethii (anooxo)

  • 414–32 (even pages only): Anonymous – Comendacio artis musicae secundum quendam Gregorium (anooxoc)

• [+] Hofman, Eucharius. Doctrina de tonis sev modis mvsicis. Gryphiswaldiae: Typis Augustini Ferberi, 1582.

  • Eucharius Hofman – Doctrina de tonis seu modis musicis (hofdoc)

• [+] Huff, Jay A., ed. and trans. Ad organum faciendum et Item de organo. Musical Theorists in Translation, vol. 8. Brooklyn, NY: Institute of Mediaeval Music, [1963].

  • 41–67 (odd): Anonymous – Ad organum faciendum (adorf)

• [+] Huglo, Michel. "Der Prolog des Odo zugeschriebenen 'Dialogus de Musica.'" Archiv für Musikwissenschaft 28 (1971): 134-146.

  • 138–39: Odo – Dialogus de musica, prologus (odopro)

• [+] Huglo, Michel. "Le traité de cantus mensurabilis du manuscrit de Bamberg." In Pax et Sapientia: Studies in Text and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson, edited by Ritva Jacobsson, 91-95. Acta universitatis stockholmiensis, Studia latina stockholmiensia, vol. 29. Stockholm: Almqvist & Wiksell, 1986.

  • 94–95: Anonymous – [Tractatus de cantu mensurabili] (anocant)

• [+] Huygens, Christiaan, and Willem Jacobs Gravesande. Christiani Hugenii Zulichemii Opera Varia, vol. 2. Lugduni Batavorum: Apud Janssonios Vander Aa, 1724. In Huygens, Christiaan. Le Cycle Harmonique: (Rotterdam 1691) = Novus Cyclus Harmonicus: (Leiden 1724): with Dutch and English Translations, edited by Rudolf Rasch, 747-54. Tuning and Temperament Library, vol. 6. Utrecht: Diapason Press, 1986.

  • 143–52: Christiaan Huygens – Novus cyclus harmonicus (huynov)

• [+] Isidorus Hispalensis. Isidori Hispalensis episcopi Etymologiarum sive originum libri XX. 2 vols. Edited by W. M. Lindsay. Oxford: Clarendon, 1911.

  • 1:ff. K6r–L2r: Isidorus Hispalensis – De musica (isidemu)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/1.[Rome]: American Institute of Musicology, 1955.

  • 3–142: Jacobus Leodiensis – Speculum musicae, Liber primus (jacsp1a)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/2. [Rome]: American Institute of Musicology, 1961.

  • 1–128: Jacobus Leodiensis – Speculum musicae, Liber secundus (jacsp2a)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/3. [Rome]: American Institute of Musicology, 1963.

  • 1–89: Jacobus Leodiensis – Speculum musicae, Liber tertius (jacsp3a)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/4. [Rome]: American Institute of Musicology, 1965.

  • 1–126: Jacobus Leodiensis – Speculum musicae, Liber quartus (jacsp4)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/5. [Rome]: American Institute of Musicology, 1968.

  • 1–90: Jacobus Leodiensis – Speculum musicae, Liber quintus (jacsp5a)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/6. [Rome]: American Institute of Musicology, 1973.

  • 1–161: Jacobus Leodiensis – Speculum musicae, Liber sextus (jacsp6a)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Speculum musicae. Edited by Roger Bragard. Corpus scriptorum de musica, vol. 3/7. [Rome]: American Institute of Musicology, 1973.

  • 1–98: Jacobus Leodiensis – Speculum musicae, Liber septimus (jacsp7)

• [+] Jacobus Leodiensis. Jacobi Leodiensis Tractatus de consonantiis musicalibus, Tractatus de intonatione tonorum, Compendium de musica. Edited by Joseph Smits van Waesberghe, Eddie Vetter, and Erik Visser. Divitiae musicae artis A/IXa. Buren: Knuf, 1988.

  • 21–46: Jacobus Leodiensis – Tractatus de consonantiis musicalibus (jacdcm)

  • 47–87: Jacobus Leodiensis – Tractatus de intonatione tonorum (jacdit)

  • 88–122: Jacobus Leodiensis – Compendium de musica (jaccdm)

• [+] Jaffé, Philipp. "Des Abtes Udalskalk van St. Ulrich in Augsburg Registrum Tonorum." Archiv für die Geschichte des Bisthums Augsburg 2 (1859): 68-78.

  • 69–78: Odalschalchus – Registrum tonorum (odareg)

• [+] Johannes Affligemensis, De musica cum tonario, ed. J. Smits van Waesberghe, Corpus scriptorum de musica, vol. 1 ([Rome]: American Institute of Musicology, 1950).

  • 43–200: Johannes Affligemensis – De musica cum tonario (johdem)

• [+] Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993).

  • 42–232 (even–numbered pages only): Johannes Ciconia – Nova musica, liber primus de consonantiis (cicnm1)

  • 412–46 (even–numbered pages only): Johannes Ciconia – De proportionibus (cicprop)

• [+] Johannes de Olomons, Palma choralis, ed. Albert Seay, Critical Texts, no. 6 (Colorado Springs: Colorado College Music Press, 1977).

  • Johannes de Olomons – Palma choralis (johpal)

• [+] Johannes dictus Balloce, Abreviatio magistri Franconis; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Saint-Dié, Bibl. Municipale, 42), ed. Gilbert Reaney; Anonymus, Compendium musicae mensurabilis artis antiquae (Ms. Wien, Nationalbibl., 5003); Anonymus, Tractatus artis antiquae cum explicatione mensurae binariae (Ms. Wien, Nationalbibl., 5003), ed. Heinz Ristory, Corpus scriptorum de musica, vol. 34 (n.p.: American Institute of Musicology, 1987).

  • 13–21: Johannes dictus Balloce – Abreviatio Magistri Franconis (balabm)

  • 27–36: Anonymous – Compendium musicae mensurabilis artis antiquae (anocmm)

  • 49–58: Anonymous – Compendium musicae mensurabilis artis antiquae (anocomm)

  • 69–73: Anonymous – Tractatus artis antiquae cum explicatione mensurae binariae (anotaa)

• [+] Johannes Gallicus, Ritus canendi [Pars prima], ed. Albert Seay, Critical Texts, no. 13 (Colorado Springs: Colorado College Music Press, 1981).

  • Johannes Gallicus – Ritus canendi [Pars prima] (galrc1)

• [+] Johannes Gallicus, Ritus canendi [Pars secunda], ed. Albert Seay, Critical Texts, no. 14 (Colorado Springs: Colorado College Music Press, 1981).

  • Johannes Gallicus – Ritus canendi [Pars secunda] (galrc2)

• [+] Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977).

  • 43–44: Johannes Hothby – [De arte contrapuncti] (hotdac)

  • 63–69: Johannes Hothby – Regulae contrapuncti (hotrc)

  • 101–3: Johannes Hothby – Regulae supra contrapunctum (hotrsc)

• [+] Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983).

  • 19–24: Johannes Hothby – Sequuntur regulae cantus mensurati eiusdem Ottobi (hotrcm1)

  • 27–31: Johannes Hothby – De cantu figurato secundum eundem fratrem Johannem Hothbi Carmelitam (hotdcf1)

  • 39–44: Johannes Hothby – Regulae Magistri Johannis Hoctobi anglici cantus figurati (hotdcf2)

  • 51–59: Johannes Hothby – Regulae cantus mensurati secundum Johannem Otteby (hotrcm2)

  • 74–98: Thomas Walsingham – Regulae Magistri Thomae Walsingham de figuris compositis et non compositis, et de cantu perfecto et imperfecto, et de modis incipiunt (walreg)

• [+] Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997).

  • 17–21: Johannes Hothby – Regulae super proportiones (hotrsp)

  • 36–42: Johannes Hothby – De proportionibus (hotdep)

  • 44–58: Anonymous – Tractatus de contrapuncto (anotdc)

• [+] Johannes Wolf, "Anonymi cujusdam Codex Basiliensis," Vierteljahresschrift für Musikwissenschaft 9 (1893).

  • 410–12: Anonymous – Ars musice (wfanon2)

• [+] Johannes Wolf, "Die Musiklehre des Johannes de Grocheo," Sammelbände der Internationalen Musikgesellschaft 1 (1899-1900).

  • 69–120: Johannes de Grocheo – Theoria (grothe)

• [+] Johannes Wolf, "Ein anonymer Musiktraktat aus der ersten Zeit der 'Ars Nova,'" Kirchenmusikalisches Jahrbuch 21 (1908).

  • 34–38: Anonymous – Compendium totius artis motetorum (wfanon3)

• [+] Johannes Wolf, "Ein anonymer Musiktraktat des elften bis zwölften Jahrhunderts," Vierteljahresschrift für Musikwissenschaft 9 (1893).

  • 194–226: Anonymous – Tractatus cuiusdam monachi de musica (wfanon1)

• [+] Johannes Wolf, "Ein Beitrag zur Diskantlehre des 14. Jahrhunderts," Sammelbände der Internationalen Musikgesellschaft 15 (1913-14).

  • 505–34: Petrus dictus Palma ociosa – Compendium de discantu mensurabili (petcom)

• [+] Johannes Wolf, "Ein Breslauer Mensuraltraktat des 15. Jahrhunderts," Archiv für Musikwissenschaft 1 (1918-19).

  • 331–45: Anonymous – Tractatus de musica mensurabili (wfanon4)

• [+] Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901).

  • 1–24: Bartholomeus Ramus de Pareia – Musica practica, prima pars, tractatus primus (rammp1t1)

• [+] Johannis Boen, Ars (musicae), ed. F. Alberto Gallo, Corpus scriptorum de musica, vol. 19 ([Rome]: American Institute of Musicology, 1972).

  • 15–46: Johannes Boen – Ars (musicae) (boenmu)

• [+] Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994).

  • 2–330 (even only): Johannes de Muris – Musica speculativa (murmusi)

  • 332: Franchino Gaffurio – [Prefatio de Johannis de Muris Musica speculativa] (murmgaf)

  • 332–34: Conradus Noricus – [Prefatio de Johannis de Muris Musica speculativa] (murmnor)

  • 335–44: Johannes de Muris – Musica Johannis de Muris abbreviata (murmusab)

• [+] Johannis de Muris Notitia artis musicae et Compendium musicae practicae; Petrus de Sancto Dionysio Tractatus de musica, ed. Ulrich Michels, Corpus scriptorum de musica, vol. 17 ([Rome]: American Institute of Musicology, 1972).

  • 47–107: Johannes de Muris – Notitia artis musicae (murnot)

  • 119–45: Johannes de Muris – Compendium musicae practicae (murcom)

  • 147–59: Petrus de Sancto Dionysio – Tractatus de Musica (psdtra)

  • 160–66: Anonymous – De figuris (anodef)

• [+] Johannis Octobi Tres tractatuli contra Bartholomeum Ramum, ed. Albert Seay, Corpus scriptorum de musica, vol. 10 ([Rome]: American Institute of Musicology, 1964).

  • 17–57: Johannes Hothby – Excitatio quaedam musicae artis per refutationem (hotexc)

  • 61–76: Johannes Hothby – Dialogus in arte musica (hotdia)

• [+] Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78).

  • 1:65–104: Johannes Tinctoris – Liber de natura et proprietate tonorum (tinldn)

  • 1:109–20: Johannes Tinctoris – Tractatus de notis et pausis (tintdn)

  • 1:125–38: Johannes Tinctoris – Tractatus de regulari valore notarum (tintdr)

  • 1:143–67: Johannes Tinctoris – Liber imperfectionum notarum musicalium (tinlimp)

  • 1:173–79: Johannes Tinctoris – Tractatus alterationum (tintral)

  • 1:185–98: Johannes Tinctoris – Tractatus de punctis (tintdp)

  • 2:11–89: Johannes Tinctoris – Liber de arte contrapuncti, Liber primus (tincpt1)

  • 2:31–57: Johannes Tinctoris – Expositio manus (tinem)

  • 2:165–77: Johannes Tinctoris – Complexus effectuum musices (tincom)

  • 2a:9–60: Johannes Tinctoris – Proportionale musices (tinprom)

• [+] Johannis Wylde Musica manualis cum tonale, ed. Cecily Sweeney, Corpus scriptorum de musica, vol. 28 (Neuhausen-Stuttgart: American Institute of Musicology, 1982).

  • 43–206: Johannes Wylde – Musica manualis cum tonale (wylmus)

• [+] Josef Reiss, "Pauli Paulirini de Praga Tractatus de musica (etwa 1460)," Zeitschrift für Musikwissenschaft 7 (1924-25).

  • 261–64: Paulus Paulirinus – Tractatus de musica (pautra)

• [+] Joseph Perry Ponte III, "Aureliani Reomensis Musica disciplina: A Revised Text, Translation, and Commentary," 3 vols. (Ph.D. dissertation, Brandeis University, 1961).

  • 2:1–199 (odd only): Aurelianus Reomensis – Musica disciplina (aurmusd)

• [+] Joseph Smits van Waesberghe, "Relazione inedita di una lezione di Guido d'Arezzo sulla teoria della musica," Note d'Archivio per la storia musicale 13 (1936): 38-51.

  • 42–45: Anonymous – [Lectio Guidonis] (guilec)

• [+] Karl-Werner Gümpel, "Das Breviarium de musica und Versus monocordi des Mönchs Oliba von Ripoll," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001).

  • 110–19: Oliva de Ripoll – [Breviarium de musica] and [Versus monocordi] (olibrev)

• [+] Karl-Werner Gümpel, "Das Enchiridion de principiis musice discipline des Guillermus de Podio," Spanische Forschungen der Görresgesellschaft, I/27 (Münster: Aschendorff, 1973).

  • 362–96: Guillermus de Podio – Enchiridion de principiis musice discipline (guienc)

• [+] Karl-Werner Gümpel, "Der Toledaner Kapellmeister Bartolome de Quevedo und sein Kommentar zu der Extravagante 'Docta Sanctorum' Johannes XXII," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, Spanische Forschungen der Görresgesellschaft, I/21 (Münster: Aschendorff, 1963).

  • 297–308: Bartolomé de Quevedo – Commentary on De vita et honestate clericorum of Pope John XXII (quecom)

• [+] Karl-Werner Gümpel, "Gregorianischer Gesang und Musica ficta: Bemerkungen zur spanischen Musiklehre des 15. Jahrhunderts," Archiv für Musikwissenschaft 47 (1990): 120-147.

  • 144–47: Anonymous – Cartula de cantu plano (anocar)

• [+] Karl-Werner Gümpel, "Spicilegium Rivipullense," Archiv für Musikwissenschaft 35 (1978): 57-61.

  • 57–61: Anonymous – [Miscellanea] (anospi)

• [+] Karl-Werner Gümpel, "Zur Frühgeschichte der vulgärsprachlichen spanischen und katalanischen Musiktheorie," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, ed. Johannes Vincke, Spanische Forschungen der Görresgesellschaft, I/24 (Münster: Aschendorff, 1968).

  • 326–29: Anonymous – Ars musice (anoam)

• [+] Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Das Manuskript Girona 91 und sein Contrapunctus-Traktat," Archiv für Musikwissenschaft 45 (1988): 186-205.

  • 193–96: Anonymous – Species plani cantus sunt terdecim (anospe)

• [+] Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Der anonyme Contrapunctus-Traktat aus Ms. Vich 208," Archiv für Musikwissenschaft 31 (1974): 87-115.

  • 93–97: Anonymous – Contrapunctus (anovic)

• [+] Karl Weinmann, "Ein unbekannter Traktat des Johannes Tinctoris," in Riemann-Festschrift: Gesammelte Studien: Hugo Riemann zum sechzigsten Geburtstage überreicht von Freunden und Schülern (Leipzig: Hesse, 1909).

  • 269–71: Johannes Tinctoris – De inventione et usu musicae (tininv4)

• [+] Karl Weinmann, ed., Johannes Tinctoris (1445-1511) und sein unbekannter Traktat "De inventione et usu musicae" (Regensburg: F. Pustet, 1917).

  • 27–46: Johannes Tinctoris – De inventione et usu musicae (tininv)

• [+] Kast, Paul. "Der Traktat 'De Musica' von Joachim Woltersdorf." In Studien zur italienisch-deutschen Musikgeschichte, edited by Paul Kast, 20-27. Analecta musicologica, vol 1. Köln: Böhlau, 1963.

  • 24–27: Joachimus Wolterstorpius – De musica (woldem)

• [+] Kellner, P. Altman. "Ein Mensuraltraktat aus der Zeit um 1400." Anzeiger der Oesterreichischen Akademie der Wissenschaften, philosophisch-historische Klasse 94 (1957): 73–85.

  • 73–85: Anonymous – [De musica mensurata] (anobri)

• [+] Kilwardby, Robert, and Albert G Judy. De Ortu Scientiarum. [London]: British Academy, 1976.

  • 46–47, 50–53, 55–60, 138, 144, 146, 167, and 224: Robert Kilwardby – De ortu scientiarum (kildos)

• [+] Konrad, and Karl Werner Gümpel. Die Musiktraktate Conrads Von Zabern. Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, No. 4. Wiesbaden: Steiner, 1956.

  • 184–244: Conrad von Zabern – Novellus musicae artis tractatus (connov)

  • 245–59: Conrad von Zabern – Opusculum de monochordo (conmon)

  • 260–82: Conrad von Zabern – De modo bene cantandi (concan)

• [+] Kroyer, Theodor. "Die Musica speculativa des Magister Erasmus Heritius." In Festschrift Zum 50. [i.e. Fünfzigsten] Geburtstag Adolf Sandberger überreicht Von Seinen Schülern, edited by Adolf Sandburger, 65-120. München: F. Zierfuss, 1918.

  • 72–91: Erasmus Heritius – Musica speculativa (herspe)

• [+] La Fage, Adrien de. Essais de dipthérographie musicale. Paris: Legouix, 1864.

  • 62–65: Raphael Brandolinus Lippus, junior – De musica et poetica opusculum in quo Conradolum Stangam prothonotarium apostolicum perpetua oratione alloquitur (lipdem)

  • 67–78: Anonymous – Fragmenta musica (anofra)

  • 87–89: Anonymous – De cantibus quae supra modum intenduntur vel remittuntur (anocan)

  • 118–65: Ugolino Urbevetanis – Musica disciplina (ugomus)

  • 185–94: Anonymous – Fragmenta musica (anofra2)

  • 241–48: Anonymous – Musicae liber (anomus)

  • 275–79, 281–84, 286–88: Anonymous – Fragmenta musica (anofra3)

  • 293–94, 297–303: Bertrandus Prudentius – De arte musica (bertarm)

  • 308–38: Nicolaus Capuanus – Compendium musicale (niccom)

  • 343: Aurelianus Reomensis – Musica disciplina (aurepi)

  • 344–45: Juvenal Ancina Fossaniensis – De musica (ancmus)

  • 346–50: Anonymous – De musica (anofra4)

  • 355–62: Anonymous – Tractatus de musica (anofra5)

  • 365–72: Rabanus Maurus – De origine rerum (maumus)

  • 375–83: Johannes Ciconia – Nova musica (cicnm)

  • 385–88: Marchetus de Padua, Ciconia, and Anonymous – Lucidarium, Regulae de tonis, Tractatus figurarum, and Nova musica (lafvar)

  • 393–407: Joannes Presbyter – De musica antica et moderna (joamus)

  • 423–28: Anonymous – De musica (anomus2)

  • 474–75: Anonymous – Vita Sancti Remigii (remvit)

  • 483–84: Anonymous – Ars musica (anofra6)

  • 496: Anonymous – Fragmentum (anofra7)

• [+] Lampadius. Compendium musices, tam figurati quam plani cantus ad formam dialogi, in usum ingenuae pubis ex eruditis Musicorum scriptis accurate congestum, quale ante hac nunquam uisum, et iam recens publicatum. Adiectis etiam regulis de concordantiarum et componendi cantus artificio, summatim omnia musices praecepta pulcherrimis exemplis illustrata, succincte et simpliciter complectens. Bern: Samuel Apiarius, 1554.

  • Lampadius – Compendium musices (lamcom)

• [+] Le Roux, Edna Marie, RSM. "The De harmonica and Tonarius of Regino of Prüm." PhD diss., Catholic University of America, 1965.

  • 22–84: Regino Prumiensis – De harmonica institutione (regdhi)

  • 137–294 and (left column only) 303–5: Regino Prumiensis – Tonarius (regtona)

• [+] Liban, Jerzy. De accentuum ecclesiasticorum exquisita ratione, scilicet Lectionali, Epistolari, et Euangelico, Libellus omnibus sacris iniciatis, Vicarijs et Ecclesiae Ministris, non minus Vtilis quam necessarius. Cracow: Scharffenberg, 1539. Reprint, Cracow: Polskie Wydawnictwo Muzyczne, 1975.

  • Jerzy Liban – De accentuum ecclesiasticorum exquisita ratione (libdea)

• [+] Liban, Jerzy. De musicae laudibus oratio seu adhortatio quaedam, ad musicae studiosos: cui annexa est, quae in scalis et musica tractantur, multorum vocabulorum graecorum interpretatio, cum octo tonorum proprietatibus, et totidem eorum melodijs, tetraphonis haud inconcinnis Atque alia nonnulla, quae sequens ostendit paginula. His octo tonis, tanquam auctarium additur Peregrinus, quasi post liminio reuersus, qui cum coeteris tonis fratribus suis, in pristinam redit noticiam. Cracow: Halicz, 1540. Reprint, Cracow: Polskie Wydawnictwo Muzyczne, 1975.

  • Jerzy Liban – De musicae laudibus oratio (libdem)

• [+] Liban, Jerzy. De philosophiae laudibus oratio in qua singularum artium fere liberalium, laus et decorum continetur et utilitas, a doctissimorum sententiis philosphorum, non abhorrens, eme, lege, et adficiere. Cracow: Scharffenberg, 1537. Reprint, Cracow: Polskie Wydawnictwo Muzyczne, 1975.

  • Jerzy Liban – De philosophiae laudibus oratio (libdep)

• [+] Lippius, Johann. Synopsis musicae novae omnino verae atque methodicae universae, in omnis sophiae praegustum [Parergos] inventae disputatae et propositae omnibus philomusis. à Magistro Joanne Lippio Argentoratensi Alsato Theologo. Argentorati: Impensis P. Ledertz, Typis C. Kieffer, 1612.

  • Johannes Lippius – Synopsis musicae novae omnino verae atque methodicae universae (lipmus)

• [+] Listenius, Nicolaus, and Georg Schünemann. Musica Nicolai Listenii: Ab authore denuo recognita multisque novis regulis et exemplis adaucta. Veröffentlichungen der Musik-Bibliothek Paul Hirsch, vol. 8. Berlin: M. Breslauer, 1927.

  • Nicolaus Listenius – Musica (lismus)

• [+] Lossio, Luca. Erotemata musicae practicae. Nuremburg: Montanus et Neuberus, 1563. Reprint, New York: Arnaldo Forni, 1980.

  • Luca Lossio – Erotemata musicae practicae (losero)

• [+] Luscinius, Othmar, and Johann Schott. Musurgia seu praxis musicae. Illius primo quae instrumentis. Agitur certa ratio, ab Ottomaro Luscinio Argentino duobus libris absoluta. Eiusdem Ottomari Luscinii, de concentus polyphoni, id est, ex plurifariis vocibus compositi, canonibus, libri totidem. Strasbourg: Joannem Schottum, 1536.

  • Ottmar Luscinius – Musurgia seu praxis musicae (lusmus)

• [+] Machabey, Armand. "'Tonale' inédit du Graduel Manuscrit de Nevers." Revue de musicologie 10 (1926): 120-25.

  • 120–25: Anonymous – Tonale (anotonn)

• [+] Macrobius, Theodosius Ambrosius. Macrobius: Franciscus Eyssenhardt recognovit. Leipzig: B. G. Teubner, 1868.

  • 465–570: Macrobius Ambrosius Theodosius – Commentarium in somnium Scipionis (maccom1)

  • 642–52: Marcus Tullius Cicero – Somnium Scipionis (maccomss)

• [+] Marchetto, da Padova. The Lucidarium of Marchetto of Padua. Edited by Jan W. Herlinger. Chicago: University of Chicago Press, 1985.

  • 68–106: Marchetus de Padua – Lucidarium, tractatus primus (marluc1)

• [+] Marchettus de Padua and Joseph Vecchi. Marcheti de Padua Pomerium. Corpus scriptorum de musica, vol. 6. [Rome]: American Institute of Musicology, 1961.

  • 31–210: Marchetus de Padua – Pomerium (marpome)

• [+] Marcin Kromer, De musica figurata liber posterior, ed. Albert Seay, Texts/Translations, no. 3 (Colorado Springs: Colorado College Music Press, 1980).

  • 2–34: Marcin Kromer – De musica figurata (krodem)

• [+] Martin, Claude. Elementorum musices practicae pars prior, libris duobus absoluta, nunc primùm in lucem aedita. Paris, 1550. Reprint, Geneva: Minkoff, 1981.

  • Claude Martin – Elementorum musices practicae (marele)

• [+] Mei, Girolamo. De modis. Edited by Tsugami Eisuke. Tokyo: Keiso Shobo, 1991.

  • 3–129: Girolamo Mei – De modis (meimod)

• [+] Meibom, Marcus. Antiquae musicae auctores septem Graece et Latine, Marcus Meibomius restituit ac notis explicavit. 2 vols. Amsterdam: apud L. Elzevirium, 1652.

  • 2:165–98: Martianus Capella – De nuptiis Philologiae et Mercurii, Liber IX, De musica (mardnp9)

• [+] Mettenleiter, Dominicus. Musikgeschichte der Stadt Regensburg. Regensburg: Bössenecker, 1866.

  • 13–21: Anonymous – De musica et tonis tractatus (metano1)

  • 61–70 partim: Anonymous – [Regulae de musica] (metano2)

  • 70–78 partim: Anonymous – Ars musica (metano3)

• [+] Meyer, Christian, ed. Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520). Corpus scriptorum de musica, vol. 41. N.p.: American Institute of Musicology / Hänssler-Verlag, 1997.

  • 36–47: Anonymous – Ars et practica cantus figurativi (anoapc)

  • 50–52: Anonymous – [Regulae cantandi contrapunctum] (anorcc)

  • 54–55: Anonymous – De contrapuncto (anodcon)

  • 58–65: Anonymous – De vera et compendiosa seu regulari constructione contrapuncti et de pluribus viciis a pluribus ignaris comittendis seu commissis ab autoribus prohibitis (anodvc)

  • 68–72: Anonymous – De contrapuncto plano (anodcp)

  • 74–76: Anonymous – [Regulae de contrapuncto] (anordc)

  • 78–79: Anonymous – De consonantia et dissonantia (anodcd)

  • 82–83: Anonymous – De formatione contrapuncti tales dantur regulae (anodfc)

  • 86–87: Anonymous – [Excerpta de consonantiis et de contrapuncto] (anoexc)

  • 90–96: Anonymous – [Regulae contrapuncti] (anorcpt)

  • 98–115: Anonymous – Iuxta artem conficiendi [compositiones] (anoiux)

• [+] Meyer, Christian, ed. Tractatus de contrapuncto et de musica mensurabili (Mss. Munich, Staatsbibliothek, Clm. 16208 et 24809). Corpus scriptorum de musica, vol. 40. N.p.: American Institute of Musicology / Hänssler-Verlag, 1995.

  • 47–71: Anonymous – [Tractatus de contrapuncto et de musica mensurabili] (anotdcdm)

• [+] Meyer, Christian. "Aus der Werkstatt des Kompilators." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 2, edited by Michael Bernhard, 7–9. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 13. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1997.

  • 7–9: Anonymous – [Compilatio Caroloruhensis] (anocc)

  • 10–12: Anonymous – De numeris musicis et de consonantiis (anomk)

• [+] Michels, Ulrich. "Der Musiktraktat Des Anonymus OP. Ein Frühes Theoretiker-Zeugnis Der Ars Nova." Archiv Für Musikwissenschaft 26 (1969): 49-62.

  • 56–62: Anonymous OP – Tractatus de musica (anoptra)

• [+] Miller, Clement A. "Early Gaffuriana: New Answers to Old Questions." Musical Quarterly 56 (1970): 387-88.

  • 387–88: Guillaume Dufay – Musica (dufmus)

• [+] Moberg, Carl Allan. "Om flerstämmig musik i Sverige under medeltiden." Svensk Tidskrift för Musikforskning 10 (1928): 62-67.

  • 62–67: Petrus Picardus – [Musica mensurabilis] (petmusup)

  • 67–82: Anonymous – [Tractatus de musica mensurata et musica falsa] (anoups2)

  • 82–86: Anonymous – [Tractatus brevis de musica mensurata] (anoups3)

• [+] Monetarius, Stefan. Epitoma utriusque musicae practicae. Krakow, 1515. Reprint, Polskie Wydawnictwo Muzyczne, 1975.

  • Stefan Monetarius – Epitoma utriusque musicae practicae (monepi)

• [+] Monterosso, Raffaello. "Un compendio inedito del 'Lucidarium' di Marchetto da Padova." Studi medievali III/2 (1966): 914-31.

  • 927–31: Marchetus de Padua – [Compendium] (marcom)

• [+] Muzíková, Ruzena. "Hudebne teoreticky traktat Mikuláse z Kozlí." Miscellanea musicologica 13 (1960): 7-26.

  • 12–24: Nicolaus de Cosil – [Tractatus de solmisatione] (costra)

• [+] Müller, Hans, ed. Hucbalds echte und unechte Schriften über Musik. Leipzig: B. G. Teubner, 1884.

  • 79–80: Anonymous – Cologne Organum Treatise (colorg)

• [+] Müller, Hans. "Bruchstücke aus der mittelalterlichen Musiktheorie." Vierteljahresschrift für Musikwissenschaft 1 (1885).

  • 172–73: Anonymous – [Versus de tonis] (anovdt)

  • 173–74: Anonymous – [Versus de musica] (anovdm)

• [+] Müller, Hans. Eine Abhandlung über Mensuralmusik in der Karlsruher Handschrift St. Peter pergamen. 29a. Mittheilungen aus der Grossherzoglich Badischen Hof- und Landesbibliothek und Münzsammlung, Band 4. Leipzig: B. G. Teubner, 1886.

  • 5–7: Dietricus – Regulae super discantum et ad discernendum ipsas notas discantus (diereg)

• [+] Müller, Hermann. "Der tractatus musicae scientiae des Gobelinus Person." Kirchenmusikalisches Jahrbuch 20 (1907): 177-96.

  • 180–96: Gobelinus Person – Tractatus musicae scientiae (pertra)

• [+] Nalli, Paolo. "Regulae contrapuncti secundum usum Regni Siciliae, tratte da un codice siciliano del Sec. XV." Archivio Storico per la Sicilia Orientale II/9 (1933): 277-292.

  • 287–88 and 291–92: Anonymous – Regule contrapuncti secundum usum Regni Siciliae (anoreg)

• [+] Odington, Walter, and Frederick Hammond. Summa De Speculatione Musicae. [Rome]: American Institute of Musicology, 1970.

  • 42–146: Walter Odington – Summa de speculatione musice (odisum)

• [+] Odorannus, Robert-Henri Bautier, Monique Gilles, Maria-Elizabeth Duchez, and Michel Huglo. Opera Omnia. Sources d'histoire médiévale, vol. 4. Paris: Centre Nationale de la Recherche Scientifique, 1972.

  • 150–225: Odorannus de Sens – Liber opusculorum, capitula V-VI (odosens)

• [+] Ornithoparchus, Andreas and Andreas Ornithoparchus. Musice active micrologus. Leipzig: Valentin Schumann, 1517. Reprint, New York: Dover, 1973.

  • ff. Air–Eijv: Andreas Ornithoparchus – Musice active micrologus liber primus (ornmus1)

• [+] Page, Christopher, and Johannes de Muris. The Summa Musice: A Thirteenth Century Manual for Singers. Cambridge: Cambridge University Press, 1991.

  • 139–211: Perseus and Petrus – Summa musice (pepesum)

• [+] Palmer, Jill. "A Late Fifteenth-Century Anonymous Mensuration Treatise (Ssp) Salzburg, Erzabtei St. Peter, a VI 44, 1490; cod. pap.; 206 x 149 mm. 75ff." Musica disciplina 39 (1985): 87-106.

  • 89–103. Text copyright 1986: Anonymous – Tractatus de musica compendium cantus figurati (anocomp)

• [+] Palmer, Jill M., ed. Tractatus et compendium cantus figurati (Mss. London, British Libr., Add. 34200; Regensburg, Proskesche Musikbibl., 98 th. 4o). Corpus scriptorum de musica, vol. 35. N.p.: American Institute of Musicology / Hänssler Verlag, 1990.

  • 41–93: Anonymous – Tractatus cantus figurati (ano12tcf)

• [+] Pannain, G. "Liber musicae. Un teorico anonimo del XIV secolo." Rivista musicale Italiana 27 (1920): 409-40.

  • 409–39: Anonymous – Liber musicae (anolibm)

• [+] Papp, Ágnes. "Eine späte Abschrift der Lehre der Musica plana in einem Gesangbuch aus Ungarn: Musiktheoretische Aufzeichnungen und Tonar." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, edited by Michael Bernhard. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001.

  • 498–510: János Czerey – [De musica plana] (czedmp)

• [+] Pascal, Paul. "The 'Institutionum disciplinae' of Isidore of Seville." Traditio 13 (1957): 425-431.

  • 426–27: Isidorus Hispalensis – Institutionum disciplinae (isinst)

• [+] Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904).

  • 32:1081–1100: Aurelius Augustinus – De musica, liber primus (augdem1)

  • 63:1167–96: Anicius Manlius Severinus Boethius – De institutione musica, liber primus (boedim1)

  • 69:570–73: Aurelius Cassiodorus – Epistola XL: Boethio patricio Theodericvs rex (casletp)

  • 70:1208–12: Aurelius Cassiodorus – Institutiones musicae, seu excerpta ex eiusdem libro, de artibus ac disciplinis liberalium litterarum (casim)

  • 82:163–69: Isidorus Hispalensis – De musica (isidem)

  • 90:909–20: Beda [Ps.] – Musica theorica (bedmust)

  • 90:919–38: Beda [Ps.] – Musica quadrata seu mensurata (bedmus)

  • 111:495–500: Rabanus Maurus – De universo, liber XVIII, caput IV (maudeu)

  • 131:931–64: Remigius Altisiodorensis – Musica (remmusi)

  • 131:1171–78: Notker – [De musica] (notdemu)

  • 132:483–502: Regino Prumiensis – De harmonica institutione (reghari)

  • 132:905–29: Hucbald – De harmonica institutione (hucharm)

  • 132:929–58: Anonymous – Alia musica (alimu)

  • 132:957–82: Anonymous – Musica enchiriadis (musench)

  • 132:981–1026: Anonymous – Scholia enchiriadis de arte musica (schen)

  • 132:1025–42: Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocobr)

  • 133:755–58: Odo – Tonarium (odoto)

  • 133:757–74: Odo – Dialogus de musica (ododi)

  • 133:773–96: Odo – De musica (odomu)

  • 133:795–808: Odo – Regulae de rhythmimachia (odorh)

  • 133:807–14: Odo – Regulae super abacum (odore)

  • 133:815–16: Odo – Quomodo organistrum construatur (odoor)

  • 140:1109–20: Adelboldus – Musica (ademusi)

  • 141:379–406: Guido d'Arezzo – Micrologus (guimicro)

  • 141:405–14: Guido d'Arezzo – Regulae rhythmicae in antiphonarii sui prologum prolatae (guirrh)

  • 141:413–22: Guido d'Arezzo – Prologus in antiphonarium (guiprol)

  • 141:423–32: Guido d'Arezzo – Epistola Guidonis Michaeli monacho de ignoto cantu (guiep)

  • 141:431–36: Guido d'Arezzo [Ps.] – Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis (anotrac2)

  • 141:435–44: Anonymous – Quomodo de arithmetica procedit musica (anoquom)

  • 142:1097–1116: Berno Augiensis – Musica seu Prologus in Tonarium (bernmus)

  • 142:1115–30: Berno Augiensis – Tonabius [sic] (bernto)

  • 142:1131–54: Berno Augiensis – De varia psalmorum atque cantuum modulatione (bernvarp)

  • 142:1155–58: Berno Augiensis – De consona tonorum diversitate (berndct)

  • 143:413–39: Hermannus Contractus – Musica (hermusp)

  • 143:439–44: Hermannus Contractus – Versus ad discernendum cantum (herverp)

  • 150:1147–78: Willehelmus Hirsaugensis – Musica (wilmusi)

  • 150:1307–46: Aribo – Musica (arimu)

  • 150:1391–1430: Johannes Affligemensis – Musica (johmu)

  • 151:653–74: Bernelinus – Cita et vera divisio monochordi in diatonico genere (berndivm)

  • 151:673–82: Anonymous I – Musica (ano1mu)

  • 151:681–86: Anonymous II – Tractatus de musica (ano2trdm)

  • 151:685–88: Anonymous III – Fragmentum musices (ano3fram)

  • 151:687–92: Anonymous – Mensura monochordi Boetii (anommb)

  • 151:693–94: Anonymous – Monochordum Encheriadis (anomonen)

  • 163:777–92: Theogerus Metensis – Musica (themusi)

  • 182:1151–54: Anonymous – Tractatus cantandi graduale. Graduali Cisterciensi prologi instar praemissus (anocist)

  • 182:1153–66: Anonymous – Tonale Sancti Bernardi (bertona)

• [+] Peiper, R. "Fortolfi Rythmimachia." Abhandlungen zur Geschichte der Mathematik 3 (1880): 169-197.

  • 3:169–97 and 228: Frutolfus – Rythmimachia (frurit)

• [+] Petrus, and Denis Harbinson. Petrus de Cruce Ambianensi Tractatus de tonis. Corpus scriptorum de musica, vol. 29. [Rome]: American Institute of Musicology, 1976.

  • vi–xxv: Petrus de Cruce Ambianensis – Tractatus de tonis (pettrac)

• [+] Picardus, Petrus, and F. Alberto Gallo. Ars motettorum compilata breviter; Anonymous, Gilbert Reaney, and André Gilles. Ars musicae mensurabilis secundum Franconem (Mss. Paris, Bibl. nal., lat. 15129, Uppsala, Universiteitsbibl., C 55); Anonymous and F. Alberto Gallo. Compendium musicae mensurabilis artis antiquae (Ms. Faenza, Biblioteca Comunale 117). Corpus scriptorum de musica, 15. [Rome]: American Institute of Musicology, 1971.

  • 16–24: Petrus Picardus – Ars motettorum compilata breviter (petars)

  • 38–54 (even): Anonymous – Ars musicae mensurabilis secundum Franconem (anofig)

  • 39–53 (odd): Ars musicae mensurabilis secundum Franconem (anoarsm)

  • 66–72: Anonymous – Compendium musicae mensurabilis artis antiquae (anocom)

• [+] Pietzsch, Gerhard. "Die Pflege der Musik an den Universitäten bis zur Mitte des 16. Jahrhunderts." Mitteilungen des Vereines für Geschichte der Deutschen in Böhmen 73 (1935): 112-18.

  • 112–18: Wenceslaus de Prachatitz – [Commentum in musicam speculativam Iohannis de Muris] (wencom)

• [+] Pizzani, Hucbaldus. "[Bedae Presbyteri] Musica theorica sive Scholia in Boethii De institutione musica libros quinque." Romanobarbarica 5 (1980): 329–57.

  • 329–57: Bede [Ps.] – Musica theorica (bedmut)

• [+] Plato, Calcidius, and Johann Wrobel. Platonis Timaeus interprete Chalcidio cum eiusdem commentario. Leipzig: B. G. Teubner, 1876. Facsimile, Frankfurt am Main: Minerva, 1963.

  • Calcidius – Platonis Timaeus et commentarius (chaltim)

• [+] Prosdocimus, and Jan W. Herlinger. Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi. Greek and Latin Music Theory, vol. 4. Lincoln: University of Nebraska Press, 1987.

  • 46–62: Prosdocimo de' Beldomandi – Brevis summula proportionum quantum ad musicam pertinet (probre1)

  • 64–118: Prosdocimo de' Beldomandi – Parvus tractatulus de modo monacordum dividendi (propar)

  • 126–34: Anonymous – Sequitur de synemenis (anoseq)

  • 150–52: Anonymous – [Mensura monochordi] (anoein)

• [+] Prosdocimus, and Jan W. Herlinger. Contrapunctus. Greek and Latin Music Theory, vol. 1. Lincoln: University of Nebraska Press, 1984.

  • 26–94: Prosdocimo de' Beldomandi – Contrapunctus (procon)

• [+] Prosdocimus, and Jan W. Herlinger. Plana musica and Musica speculativa. Studies in the History of Music Theory and Literature, vol. 4. Urbana and Chicago: University of Illinois Press, 2008.

  • 34–154: Prosdocimo de' Beldomandi – Plana musica (propla)

  • 156–252: Prosdocimo de' Beldomandi – Musica speculativa (prospec)

• [+] Prosdocimus, de Beldemandis. Prosdocimi De Beldemandis Opera. Vol. 1, Expositiones tractatus practice cantus mensurabilis magistri Johannis de Muris. Edited by F. Alberto Gallo. Antiquae musicae Italicae scriptores, vol. 3. Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali, 1966.

  • 19–223: Prosdocimo de' Beldomandi – Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris (proexp)

• [+] Rausch, Alexander. "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, edited by Michael Bernhard. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15. Munich: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001.

  • 284–91: Anonymous – [Versus de musica] (anoverp)

  • 293–303: Anonymous – [De musica mensurata] (anobrig)

• [+] Rausch, Alexander. Opusculum de musica ex traditione Iohannis Hollandrini. A Commentary, Critical Edition and Translation. Musical Theorists in Translation, vol. 15. Ottawa: Institute of Mediaeval Music, 1997.

  • 26–80: Anonymous – Opusculum de musica (anotrho)

• [+] Reaney, Gilbert, André Gilles, and Jean Maillard. "The 'Ars nova' of Philippe de Vitry." Musica disciplina 10 (1956): 5-33.

  • 13–32: Philippe de Vitry – Ars nova (vitarn)

• [+] Reaney, Gilbert, ed. De musica libellus (Ms. Paris, Bibl. Nat., lat. 6286); Tractatus de discantu (Ms. Saint-Dié, Bibl. Municipale, 42); Compendium discantus (Ms. Oxford, Bodl. Libr., Bodley 842); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 15139); Traitié de deschant (Ms. Paris, Bibl. Nat., lat. 14741). Corpus scriptorum de musica, vol. 36. N.p.: American Institute of Musicology / Hänssler-Verlag, 1996).

  • 19–35: Anonymous – De musica libellus (anodml)

  • 39–45: Anonymous – Tractatus de discantu (anotrdis)

  • 50–56: Franco [Ps.] – Tractatus de discantu (fracomp)

• [+] Reaney, Gilbert, ed. De valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); De diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42). Corpus scriptorum de musica, vol. 30. N.p.: American Institute of Musicology, 1982.

  • 13–28: Anonymous – De valore notularum tam veteris quam novae artis (ano2dev)

  • 33–41: Anonymous – Compendium musicae mensurabilis tam veteris quam novae artis (ano4cmm)

  • 51–62: Anonymous – De diversis manieribus in musica mensurabili (ano7ddm)

• [+] Reaney, Gilbert. "The Anonymous Treatise De origine et effectu musicae, an Early 15th Century Commonplace Book of Music Theory." Musica disciplina 37 (1983): 101-19.

  • 109–19. Text copyright 1985: Anonymous – De origine et effectu musicae (anooref)

• [+] Reckow, Fritz. Der Musiktraktat des Anonymus 4. 2 vols. Beihefte zum Archiv für Musikwissenschaft, vols. 4-5. Wiesbaden: Steiner, 1967.

  • 1:22–89: Anonymous 4 – [Musica] (ano4mus)

• [+] Reimer, Erich. Johannes de Garlandia: De mensurabili musica, kritische Edition mit Kommentar und Interpretation der Notationslehre. 2 vols. Beihefte zum Archiv für Musikwissenschaft, vols. 10-11. Wiesbaden: Steiner, 1972.

  • 1:35–89 and 91–97: Johannes de Garlandia – De mensurabili musica (gardmm)

• [+] Reisch, Gregor. Margarita philosophica, mit einem Vorwort, einer Einleitung und einem neuen Inhaltsverzeichnis von Lutz Geldsetzer. Düsseldorf: Stern-Verlag Janssen & Co., [1973].

  • 175–203: Gregor Reisch – Margarita philosophica cum additionibus nouis: ab auctore suo studiosissima reuisione quarto super additis, Liber V: De principiis musicae (reimar)

• [+] Rhau, Georg. Enchiridion utriusque musicae practicae a Georgio Rhau ex varijs musicorum libris, pro pueris in schola Vitebergensi congestum. Wittemberg: Georg Rhau, 1538. Reprint, Kassel: Bärenreiter, 1951.

  • Georg Rhau – Enchiridion utriusque musicae practicae (rhaenc)

• [+] Riemann, Hugo. "Anonymi Introductorium musicae (c. 1500)." Monatshefte für Musikgeschichte 29 (1897); 30 (1898): 1–8, 11–19.

  • 1–8, 11–19: Anonymous – Introductorium musicae (anoleip)

• [+] Riemann, Hugo. Geschichte der Musiktheorie im IX.-XIX. Jahrhundert. Berlin: Hesse, 1898.

  • 20: Anonymous – Cologne Organum Treatise (colorgr)

• [+] Riemann, Hugo. Studien zur Geschichte der Notenschrift. Leipzig: Breitkopf und Härtel, 1878.

  • taf. XXI: Anonymous – [Tabula neumarum] (anoneum)

• [+] Rodolphe de Saint-Trond, Die Quaestiones in Musica: Ein Choraltraktat des Zentralen Mittelalters und ihr Mutmasslicher Verfasser, Rudolf Von St. Trond (1070-1138). Edited by Rudolf Steglich. Leipzig: Breitkopf & Härtel, 1911.

  • 12–99: Rudolf of St. Trond – Quaestiones in musica (rudqua)

• [+] Rohloff, Ernst. Der Musiktraktat des Johannes de Grocheo nach den Quellen neu herausgegeben mit Übersetzung ins Deutsche und Revisionsbericht. Media latinitas musica, vol. 2. Leipzig: Gebrüder Reinecke, 1943.

  • 41–67: Johannes de Grocheo – De musica (grodem)

• [+] Rossetti, Biagio. Libellus de rudimentis musices. Edited by Albert Seay. Critical Texts, no. 12. Colorado Springs: Colorado College Music Press, 1981.

  • 1–60: Biagio Rossetti – Libellus de rudimentis musices: Compendium musicae (roslib1)

• [+] Russell, Tilden A. "A Poetic Key to a Pre-Guidonian Palm and the 'Echemata'" Journal of the American Musicological Society 34 (1981): 109-18.

  • 110: Anonymous – Item versi eiusdem acute divisionis (anovers)

• [+] Rutgerus, Sycamber de Venray and Fritz Soddemann. Dialogus De Musica (um 1500). Beiträge zur rheinischen Musikgeschichte, vol. 54. Köln: A. Volk-Verlag, 1963.

  • 1–64: Rutgerus Sycamber de Venray – Dialogus de musica (rutdia)

• [+] S. Tommaso d'Aquino, Ars musice. Edited by Mario di Martino. Naples: Eugenio de Simone, 1933.

  • 23–39: Thomas Aquinas [Ps.] – Ars musice (aquars)

• [+] Salinas, Franciscus. Francisci Salinae Burgensis Abbatis Sancti Pancratii de Rocca Scalegna in regno Neapolitano, et in Academia Salmanticensi Musicae Professoris, de Musica libri Septem, in quibus eius doctrinae veritas tam quae ad Harmoniam, quam quae ad Rhythmum pertinet, iuxta sensus ac rationis iudicium ostenditur, et demonstratur. Salamanca: Mathias Gastius, 1577.

  • ff. 1r–8v and pp. 1–45: Franciscus Salinas – De musica, liber primus (salmus1)

• [+] Sartori, Claudio. La notazione italiana del trecento in una redazione inedita del "Tractatus practice cantus mensurabilis ad modum ytalicorum" di Prosdocimo de Beldemandis. Florence: Leo S. Olschki, 1938.

  • 35–71: Prosdocimo de' Beldomandi – Tractatus practice cantus mensurabilis ad modum ytalicorum (protray)

• [+] Scattolin, Pier Paolo. "Il trattato teorico di Paolo da Firenze." In Mensurabilis musicae tractatuli, vol. 2, Antiquae musicae italicae scriptores, vol. 1, edited by P. Paolo Scattolin, 63-79. Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1975.

  • 63–79: Paulus de Florentia – Ars ad discantandum contrapunctum (paulars)

• [+] Schanppecher, Melchior, and Klaus Wolfgang Niemöller. Die musica figurativa des Melchior Schanppecher. Beiträge zur rheinischen Musikgeschichte, vol. 50. Köln: Volk, 1961.

  • 1–40: Melchior Schanppecher – Opus aureum musicae, partes III et IV (schopa)

• [+] Schmale, Franz-Josef. Die Briefe des Abtes Bern von Reichenau. Veröffentlichungen der Kommission für Geschichtliche Landeskunde in Baden-Württemberg A/6. Stuttgart: W. Kohlhammer, 1961.

  • 17–19: Berno Augiensis – De consona tonorum diversitate (berndctd)

• [+] Schmid, Bernhold. "Der Musiktraktat aus Clm 26812." In Quellen und Studien zur Musiktheorie des Mittelalters, edited by Michael Bernhard, 82–98. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990.

  • 82–98: Anonymous – [Tractatus de musica mensurabili] (anotdmm)

• [+] Schmid, Bernhold. "Ein Mensuralkompendium aus der Handschrift Clm 24809." In Quellen und Studien zur Musiktheorie des Mittelalters, edited by Michael Bernhard, 74–76. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990.

  • 74–76: Anonymous – [Compendium breve artis musicae] (anocbam)

• [+] Schmid, Hans, ed. Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 3. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1981.

  • 1–29, 31–59: Anonymous – Musica enchiriadis (musenci)

  • 60–156: Anonymous – Scolica enchiriadis de arte musica (scench)

  • 157–78: Anonymous – Commemoratio brevis de tonis et psalmis modulandis (anocmb)

  • 179–81: Anonymous – De dimensione monocordi (anoddm)

  • 182–84: Anonymous – Ecce modorum sive tonorum auspice Christo incipit ordo (anoecc)

  • 187–205: Anonymous – Inchiriadon Uchubaldi Francigenae (anoinc)

  • 205–13: Anonymous – De organo (anoincor)

  • 214–21: Anonymous – [Dialogus de organo et tractatulus de cantu] (anodia)

  • 222–23: Anonymous – Cologne Organum Treatise (colorgs)

  • 224–32: Anonymous – [Mensura fistularum] (anoprg)

  • 233–35 (left column only): Anonymous – Compositio monocordi secundum Enchiriadem (anome1a)

  • 233–35 (right column only): Anonymous – Compositio monocordi secundum Enchiriadem (anome1b)

  • 236–37: Anonymous – Monocordum Domni Encheriadis (anome2)

  • 238: Anonymous – Mensura monocordi (anommon)

  • 239: Anonymous – De enquiriadis monocordi divisione (anoemd)

  • 240: Anonymous – Divisio monocordi secundum enchiriadem (anome5)

  • 241: Anonymous – [Mensura monocordi VI] (anome6)

• [+] Schneider, Marius. Geschichte der Mehrstimmigkeit: Historische und phänomenologische Studien. Berlin: Gebrüder Bornträger, 1934. Reprint, Tutzing: Hans Schneider, 1969.

  • 106–18: Anonymous – De tractatu tonorum (schano)

• [+] Schreur, Philip Evan. Tractatus Figurarum: Treatise on Noteshapes. Greek and Latin music theory. Greek and Latin music theory, vol. 6. Lincoln: University of Nebraska Press, 1989.

  • 66–102: Anonymous – Tractatus figurarum (trafig)

• [+] Seay, Albert, ed. Anonymus. Ex codice Vaticano lat. 5129. Corpus scriptorum de musica, vol. 9. [Rome]: American Institute of Musicology, 1964.

  • 21–48: Anonymous – Jesus. Libellus musicae adiscendae valde utilis et est dialogus. Discipulus et magister sunt locutores (anolib)

• [+] Seay, Albert, ed. Quaestiones et solutiones. Critical Texts, no. 2. Colorado Springs: Colorado College Music Press, 1977.

  • Anonymous – Quaestiones et solutiones advidendum tam mensurabilis cantus quam immensurabilis musica (anoqs)

• [+] Seay, Albert. "An Anonymus [sic] Treatise from St. Martial." Annales Musicologiques 5 (1957): 7-42.

  • 13–42: Anonymous – [Tractatus de musica] (anolaf)

• [+] Seay, Albert. "Guglielmo Roffredi's Summa musicae artis." Musica disciplina 24 (1970): 69-77.

  • 71–77: Guglielmo Roffredi – Summa musicae artis (roffsum)

• [+] Seay, Albert. "Paolo da Firenze: A Trecento Theorist." In L'Ars nova italiana del trecento: Primo convegno internazionale, 23-26 luglio 1959, edited by Bianca Becherini. Certaldo: Centro di studi sull'Ars nova italiana del Trecento, 1962: 118-140.

  • 133–40: Paulus de Florentia – Ars ad adiscendum contrapunctum (paularsa)

• [+] Sebastian, and Elżbieta Witkowska-Zaremba. Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia. [Kraków: Jan Haller, 1518]. Reprint, Kraków: Polskie Wydawnictwo Muzyczne, 1979.

  • Sebastianus de Felstin – Modus regulariter accentuandi lectiones Matutinales, prophetias necnon epistolas et euangelia (felmod)

• [+] Sebastian, z Felsztyna. Opusculum Musicae Compilatum. Cracow: Jan Haller, 1517. Reprint, Kraków: Polskie Wydawnictwo Muzyczne, 1979.

  • Sebastianus de Felstin – Opusculum musice (felop)

• [+] Smits van Waesberghe, Joseph, ed. Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars A, "De vocum consonantiis" ac "De re musica" (Osberni Cantuariensis?). Divitiae musicae artis A/Xa. Buren: Knuf, 1979.

  • 14–38: Osbernus Cantuariensis (?) – De vocum consonantiis (osbmus)

• [+] Smits van Waesberghe, Joseph, ed. Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars B, XVII Tractatuli a quodam studioso peregrino ad annum MC collecti. Divitiae musicae artis A/Xb. Buren: Knuf, 1980.

  • 33–41: Anonymous – Tractatuli (anotra17)

• [+] Smits van Waesberghe, Joseph, ed. Cymbala (Bells in the Middle Ages). Musicological Studies and Documents, vol. 1. Rome: American Institute of Musicology, 1951.

  • 37–61: Anonymous – [Mensura cymbalorum] (anocym)

• [+] Smits van Waesberghe, Joseph, ed. De numero tonorum litterae episcopi A. ad coepiscopum E. missae ac Commentum super tonos episcopi E. (ad 1000). Divitiae musicae artis A/I. Buren: Knuf, 1975.

  • 24–93 (even pages only): Anonymous – Commentum super tonos (anocst)

  • 24–93 (odd pages only): Anonymous – Commentum super tonos (anocsto)

• [+] Smits van Waesberghe, Joseph. "De commentator anonymus in Micrologum Guidonis Aretini en zijn verhouding tot de Luiksche muziekschool." In Muziekgeschiedenis de Middeleeuwen, 3 vols., 1:154–70. Tilburg: Bergmans, 1936–46.

  • 1:154–70: Anonymous – Expositio de motu (anomov)

• [+] Smits van Waesberghe, Joseph. "Een tweede anoniem Motus-commentaar." In Muziekgeschiedenis de Middeleeuwen, 3 vols., 1:185–87. Tilburg: Bergmans, 1936-46.

  • 1:185–87: Anonymous – Expositio de motu (anomot)

• [+] Smits van Waesberghe, Joseph. Expositiones in Micrologum Guidonis Aretini. Musicologica medii aevi, vol. 1. Amsterdam: North-Holland Publishing Company, 1957.

  • 19–30: Anonymous – Liber argumentorum (anoarg)

  • 31–58: Anonymous – Liber specierum (anospeg)

  • 67–92: Anonymous – Metrologus liber (anomete)

  • 99–172: Anonymous – Commentarius in Micrologum Guidonis Aretini (guicoms)

• [+] Sowa, Heinrich, ed. Ein anonymer glossierter Mensuraltraktat 1279. Königsberger Studien zur Musikwissenschaft, vol. 9. Kassel: Bärenreiter, 1930.

  • 1–132: Anonymous – De expositione musice (ano1279)

• [+] Sowa, Heinrich. "Zur Handschrift Clm 9921." Acta musicologica 5 (1933): 60-65; 107-20.

  • 61–63, 65, 107–8, 110–11, 113–19: Anonymous – [Marginalia] (anomarg)

• [+] Sowa, Heinrich. Quellen zur Transformation der Antiphonen: Tonar- und Rhythmusstudien. Kassel: Bärenreiter, 1935.

  • 81–154: Anonymous – Libellus tonarius (anolit)

  • 154–60: Anonymous – De musica et de transformatione specialiter (anodmt)

• [+] Spangenberg, Johann. Quaestiones musicae in usum scholae Northusiane, per Ioannem Spangenberg Herdessianum collectae. Nuremberg: Iohannes Petreius, 1536.

  • Iohannes Spangenberg – Quaestiones musicae in usum scholae Northusianae (spanqua)

• [+] Staehelin, Martin. "Beschreibungen und Beispiele musikalischer Formen in einem unbeachteten Traktat des frühen 15. Jahrhunderts." Archiv für Musikwissenschaft 31 (1974): 237-242.

  • 239: Anonymous – [Tractatus de musica] (anotdm)

• [+] Stoquerus, Gaspar. De musica verbali libri duo. Edited and translated by Albert C. Rotola, S.J. Greek and Latin Music Theory, vol. 5. Lincoln: University of Nebraska Press, 1988.

  • 100–254: Gaspar Stoquerus – De musica verbali libri duo (stodem)

• [+] Sweeney, Cecily. "The Regulae organi Guidonis Abbatis and 12th Century Organum/Discant Treatises." Musica disciplina 43 (1989): 27-30.

  • 27–30: Abbot Guido – Regulae organi (abgureg)

• [+] Tallanderius, Petrus, and Albert Seay. Lectura. Critical Texts, no. 4. Colorado Springs: Colorado College Music Press, 1977.

  • Petrus Tallanderius – Lectura (tallec)

• [+] Thomas, Aquinas, Saint. D. Thomae Aquinatis De arte musica nunc primum ex codice bibliothecae Universitatis Ticinensis. Edited by Sac. Guarinus Amelli. Milan: S. Josephus, 1880.

  • 19–25: Thomas Aquinas [Ps.] – De arte musica (aqumus)

• [+] Ugolino, and Albertus Seay. Ugolini Urbevetanis Declaratio musicae disciplinae. Corpus scriptorum de musica, vol. 7/1. [Rome]: American Institute of Musicology, 1959.

  • 13–121: Ugolino Urbevetanis – Declaratio musicae disciplinae, liber primus (ugodec1a)

• [+] Ugolino, and Albertus Seay. Ugolini Urbevetanis Declaratio musicae disciplinae. Corpus scriptorum de musica, vol. 7/2. [Rome]: American Institute of Musicology, 1960.

  • 1–53: Ugolino Urbevetanis – Declaratio musicae disciplinae, liber secundus (ugodec2)

• [+] Ugolino, and Albertus Seay. Ugolini Urbevetanis Declaratio musicae disciplinae. Corpus scriptorum de musica, vol. 7/3. [Rome]: American Institute of Musicology, 1962.

  • 1–84: Ugolino Urbevetanis – Declaratio musicae disciplinae, liber quartus (ugodec4)

  • 227–53: Ugolino Urbevetanis – Tractatus monochordi (ugotram)

• [+] Unpublished critical text by Ulrike Hascher-Burger (Sonderholm 67, NL-2133 Hoofdorp, The Netherlands).

  • Anonymous – [Tractatulus de musica] (anotrdm)

• [+] Van Dijk, S. A. "Saint Bernard and the 'Instituta Patrum' of Saint Gall." Musica Disciplina 4 (1950): 99-109.

  • 109: Anonymous – [Versus de musica] (anover)

• [+] Vanneo, Stefano, Recanetum De Musica Aurea: Liber II, Capituli XX-XXXVII: De Proportione. Edited by Albert Seay. Colorado Springs: Colorado College Music Press, 1979.

  • Stephano Vanneo – Recanetum de musica aurea, liber II, capituli XX-XXXVII (vanrec)

• [+] Vanneo, Stefano. Recanetum de musica aurea. Rome: Valerius Doricus, 1533. Facsimile, Bologna: Forni, 1969.

  • Stephano Vanneo – Recanetum de musica aurea (vanrem)

• [+] Vecchi, G. "Anonimi Rubrice brevis." Quadrivium 10 (1969): 128-34.

  • 128–34: Anonymous – Rubrice brevis (anorub)

• [+] Vecchi, Giuseppe. "Su la composizione del Pomerium di Marchetto da Padova e la Brevis Compilatio." Quadrivium 1 (1956): 177-205.

  • 177–205: Marchetus de Padua – Brevis compilatio (marbrev)

• [+] Vetter, Eduardus, ed. Summula: Tractatus Metricus De Musica: Glossis Commentarioque Instructus. Divitiae musicae artis, A/VIIIa. Buren: Knuf, 1988.

  • 39–101: Anonymous – Summula (anosum)

• [+] Vetulus de Anagnia, Johannes, and Frederick Hammond. Liber De Musica Iohannis Vetuli De Anagnia. [n.p.]: American Institute of Musicology, 1977.

  • 26–97: Johannes Verulus de Anagnia – Liber de musica (verldm)

• [+] Vitry, Philippe de, André Gilles, Jean Maillard, and Gilbert Reaney. Philippi De Vitriaco Ars Nova. Corpus scriptorum de musica, vol. 8. Rome: American Institute of Musicology, 1964.

  • 13–31: Philippe de Vitry – Ars nova (vitarno)

  • 55–69: Anonymous – Ars mensurandi motetos (anoars)

  • 80–81: Anonymous – Sub brevissimo compendio Philippus de Vitriaco in musica incipit (anoomd)

  • 84–93: Anonymous – De arte musicae (anoart)

• [+] Vivell, P. Cölestin, O.S.B., Kais, ed. Commentarius anonymus in Micrologum Guidonis Aretini. Akademie der Wissenschaften in Wien, philosophisch-historische Klasse, Sitzungsberichte, 185/5. Vienna: Hölder, 1917.

  • Anonymous – Commentarius in Micrologum Guidonis Aretini (guicom)

• [+] Waddell, Chrysogonus. "A Plea for the 'Institutio Sancti Bernardi quomodo cantare et psallere debeamus.'" In Saint Bernard of Clairvaux: Studies Commemorating the Eighth Centenary of His Canonization, edited by M. Basil Pennington, 187–88. Cistercian Studies Series, no. 28. Kalamazoo, MI: Cistercian Publications, 1977.

  • 187–88: Bernardus abbatis Clareuallis – Institutio Sancti Bernardi abbatis Clareuallis quomodo cantare et psallere debeamus (berins)

• [+] Waesberghe, Joseph Smits van, ed. Adalboldi episcopi Ultraiectensis Epistola cum tractatu de musica instrumentali humanaque ac mundana. Divitiae musicae artis A/II. Buren: Knuf, 1981.

  • 12–29: Adelboldus – Epistola cum tractatu de musica instrumentali humanaque ac mundana (adetra)

• [+] Wagner, Peter. "Aus dem St. Thomas-Archiv zu Leipzig," Zeitschrift für Musikwissenschaft 12 (1929): 130-137.

  • 129–37: Anonymous – [Tractatulus de musica] (anotrdmw)

• [+] Wagner, Peter. "Aus der Musikgeschichte des deutschen Humanismus." Zeitschrift für Musikwissenschaft 3 (1920-21): 21-29.

  • 22–27: Dietrich Gresemund – Lucubratiunculae bonarum septem artium liberalium, capitulum quintum, De musica (greluc)

• [+] Wagner, Peter. "Un piccolo trattato sul canto ecclesiastico." Rassegna gregoriana 3 (1904): 481–84.

  • 482–84: Anonymous – Quid est cantus? (anoquid)

• [+] Welker, Lorenz. "Ein anonymer Mensuraltraktat in der Sterzinger Miszellaneen-Handschrift." Archiv für Musikwissenschaft 48 (1991): 255-281.

  • 255–81: Anonymous – Modus cantandi in mensuralibus (anomod)

• [+] Willelmus, Johannes Torkesey, Gilbert Reaney, and André Gilles. Ms. Oxford, Bodley 842 (Willelmus): Breviarivm Regvlare Mvsicae. Ms. British Museum, Royal 12. C. VI., Tractatus de figuris sive de notis; Johannes Torkesey, Declaratio trianguli et scuti. Corpus scriptorum de musica, vol. 12. [Rome]: American Institute of Musicology, 1966.

  • 15–31: Willelmus – Breviarium regulare musicae (wilbre)

  • 40–51: Anonymous – Tractatus de figuris sive de notis (tradef)

  • 58–61: Johannes Torkesey – Trianguli et scuti declaratio de proportionibus musicae mensurabilis (tortri)

• [+] Wingell, Richard. "Anonymous XI (CS III): An Edition, Translation, and Commentary." PhD diss., University of Southern California, 1973.

  • 1:1–173: Anonymous XI – [Tractatus de musica plana et mensurabili] (ano11tdm)

• [+] Witkowska-Zaremba, Elzbieta. "Ars organisandi around 1430 and Its Terminology." In Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, edited by Michael Bernhard, 387–98, 402–18. Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15. Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001.

  • 387–98: Anonymous – [Octo principalia de arte organisandi] (anoopao)

  • 402–18: Anonymous – [Opusculum de arte organica] (anoodao)

• [+] Witkowska-Zaremba, Elzbieta. Musica Muris i nurt spekulatywny w muszykografii sredniowiecznej--Musica Muris and Speculative Trend in the Medieval Musicography. Polish Academy of Sciences: Institute for the History of Science, Education and Technology, Studia Copernicana, vol. 32. Warsaw: Polska Akademia Nauk, 1992.

  • 171–204: Johannes de Muris – Musica speculativa (murmspew)

• [+] Wollick, Nicolaus. Die Musica Gregoriana des Nicolaus Wollick. Edited by Klaus Wolfgang Niemöller. Beiträge zur Rheinischen Musikgeschichte, vol. 11. Cologne: Staufen, 1955.

  • 1–80: Nicolaus Wollick – Opus aureum, partes I-II (wolopa)

• [+] Woodley, Ronald. "The Printing and Scope of Tinctoris's Fragmentary Treatise 'De inventione et vsv mvsice.'" Early Music History 5 (1985): 239-268.

  • 259–68: Johannes Tinctoris – De inventione et usu musice (tininv2)

• [+] Yudkin, Jeremy, ed. and trans. De musica mensurata: The Anonymous of St. Emmeram. Music: Scholarship and Performance. Bloomington: Indiana University Press, 1990.

  • 338–48: Anonymous – De musica mensurata (anodmm)

• [+] Zijlstra, A. Marcel J. and Nienke de Boer, eds. Tractatus de musica et tonarius e codice Bibliothecae Universitatis Ultraiectensis (Utrecht UB 406). Utrecht: Instituut voor Muziekwetenschap, 1993.

  • 9–30: Anonymous – Tractatus de musica et tonarius (anotrut)

• Manuscripts
• [+] Basel, Universitätsbibliothek, MS F.IX.54

  • ff. 1r–4v: Anonymous – Ars musyce (wfanon2b_mbufix54)

  • ff. 5r–8v: Anonymous – Ars musice armonie (anoarsma_mbufix54)

• [+] Bergamo, Biblioteca civica «Angelo Mai», MS 2/67 (Δ.IV.30)

  • ff. 252r–258r: Anonymous – [Tractatus compilatus de musica plana et mensurabili e traditione franconiana] (anompm_mber267)

• [+] Bologna, Museo Internazionale e Biblioteca della Musica, MS D.32

  • ff.1r–41r: Giovanni Battista Doni – Idea, sive designatio aliquot Operum, quae Ioannes Baptista Donius, partim absolvit, partim incepit (donide_mbmid-32)

• [+] Bologna, Museo Internazionale e Biblioteca della Musica, MS E.78

  • ff. <1r>–<48r>: Claudius Le Vol – De modo addiscendi Cantum Ecclesiasticum unicus Tractatus (voldem_mibme.78)

• [+] Bologna, Museo Internazionale e Biblioteca della Musica, MS F.32

  • ff. 1r–37r: Francesco Bianchini – De Tribus Generibus Instrumentorum Musicae Veterum Organicae (biantri_mbmibm32)

• [+] Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS 14579-85

  • ff. 48r–54r: Johannes de Muris – Musica speculativa (murmspeb_mbbr1457)

• [+] Brussels, Bibliothèque royale de Belgique / Koninklijke Bibliotheek van België, MS II.784

  • ff. 1r–20v: Guido d'Arezzo – Micrologus (guimicb_mbbr2784)

• [+] Cambridge, Trinity College, Wren Library, MS R.15.22 (944)

  • ff. 5r–27r: Anicius Manlius Severinus Boethius – De institutione musica, liber primus (boemus1c_mctc944)

• [+] Cashel (Co. Tipperary), G. P. A. Bolton Library (formerly Cathedral Library), MS 1

  • no. 1, 59–70: Anonymous – [Tractatus de musica] (anotrac_mcbolt1)

• [+] Eichstätt, Universitätsbibliothek, MS st 685 (olim O.26 quarto 27)

  • ff. 362r–377v: Anonymous – [Tractatus de musica plana] (eicanon_meub685)

• [+] Florence, Biblioteca Marucelliana, MS A.CCXCV. s.n.

  • f.<1r>–<3v>: Giovanni Battista Doni – Fragmentum. Lectori Ingenuo (donfra_mfbma295)

• [+] Florence, Biblioteca Medicea Laurenziana, MS Ashburnham 1051

  • f. 170r: Ludovicus Sanctus – Sentencia in musica sonora subiecti (ludsent_mfab1051)

• [+] Florence, Biblioteca Medicea Laurenziana, MS Ashburnham 1119

  • ff. 57r–63v: Johannes de Muris – Libellus cantus mensurabilis (murlibf_mfab1119)

• [+] Florence, Biblioteca Medicea Laurenziana, MS Plut. XXVII dex. 9

  • ff. 143v–145r: Anonymous – [Tractatulus de musica] (anotrdmf_mfbl279)

• [+] Gent, Universiteitsbibliotheek, MS 70 (71)

  • ff. 106v–123v: Dionysius Lewis de Ryckel – De arte musicali, secunda pars: Musica practica (gentpra_mgru70)

• [+] Kraków, Biblioteka Jagiellońska, MS 754

  • ff. 43v, 42r–v, and 44r: Anonymous – [Tractatulus de musica] (anotrdmk_mkbj754)

• [+] London, British Library, MS Additional 4909

  • ff. 17v–20r: Anonymous – Quatuor Principalia I (quapria1_mlbl4909)

• [+] London, British Library, MS Additional 21455

  • f. 8v: Anonymous – Regula de monocordo (regdeml_mlbl2145)

  • ff. 3r–6r: Anonymous – [De mensurabili musica] (anomm_mlbl2145)

  • ff. 6r–7r: Anonymous – Regula discantus (anord_mlbl2145)

  • ff. 7r–8v: Johannes Torkesey – Trianguli et scuti declaratio (tortril_mlbl2145)

  • ff. 9v–11r: Anonymous – [De discantu et contranota] (anoddc_mlbl2145)

• [+] London, British Library, MS Additional 23220

  • ff. 1r–7r: Anonymous – [De litteris, de deduccionibus, de modis, de speciebus] (berman1_mlbl2322)

  • ff. 14v–21v: Johannes Boen – Ars musice (boenars_mlbl2322)

  • ff. 22r–28v: Henricus Helene – Summula (hehesum_mlbl2322)

• [+] London, British Library, MS Harley 978

  • ff. 14r–15r: Anonymous – [De intervallis] (anoint_mlblh978)

• [+] London, British Library, MS Lansdowne 763

  • f. 52r–v: Anonymous – De octo tonis vbi nascuntur et oriuntur aut efficiuntur (anooct_mlbll763)

  • f. 68v: Anonymous – Et octo tonorum incipit tractatus metricus (anooctt_mlbll763)

  • ff. 3r–51v: John Wylde – Musica guidonis (wylmusi_mlbll763)

  • ff. 52v–53v: Anonymous – Monachus quidam de Sherbourn talem musicam profert de Sancta Maria Magdalene (anodesa_mlbll763)

  • ff. 54r–55r: Anonymous – Est tonus sic (anoest_mlbll763)

  • ff. 55v–59r: Anonymous – De origine et effectu musice (anoori_mlbll763)

  • ff. 59r–60v: Anonymous – Speculum cantancium. siue psallencium (anospec_mlbll763)

  • ff. 61r–68v: Anonymous – Metrologus liber (anomet_mlbll763)

  • ff. 69r–87v: Anonymous – [De origine musice artis] (anodeo_mlbll763)

  • ff. 88v–89r: Anonymous – Distinccio inter colores musicales, et armorum heroum (anodist_mlbll763)

  • ff. 89v–94v: Johannes Torkesey – Declaratio et expositio (torkdec_mlbll763)

  • ff. 95r–98r: Anonymous – Regule Magistri Johannis de Muris incipiunt (murreg_mlbll763)

  • ff. 98v–105r: Thomas Walsingham – Regule Magistri. Thome Walsingham. De figuris compositis. et non compositis. et de cantu perfecto et inperfecto. et De modis. incipiunt (walregu_mlbll763)

  • ff. 123r–124r: Anonymous – Proportio est duarum rerum (anodua_mlbll763)

• [+] London, British Library, MS Royal 12.C.VI

  • ff. 52r–53v: Anonymous – De tonorum agnicionibus (anoton_mlblr12)

• [+] Madrid, Biblioteca Nacional de España, MS 6486

  • ff. 41r–45v: Gaspar Stoquerus – De vera solfizationis (stovera_mmbn6486)

  • ff. 46v–49r: Gaspar Stoquerus – De modo, tempore, et prolatione (stomtp_mmbn6486)

• [+] Milan, Biblioteca Ambrosiana, MS H.165.inf

  • ff. 1r–16r: Johannes de Muris – Musica speculativa (murmusm_mmbah165)

  • ff. 16v–18v: Franchino Gaffurio – Glossemata quaedam super nonnullas partes theoricae praescriptae Iohannis de Muris (murmgafg_mmbah165)

  • ff. 18v–22v: Johannes de Muris – Libellus cantus mensurabilis (murlibm1_mmbah165)

• [+] Milan, Biblioteca Ambrosiana, MS I.20.inf.

  • ff. 1r–24v: Johannes de Olomons – Palma choralis (johpalm_mmbai20i)

  • ff. 25r–30v: Anonymous – [Collectio tractatuum diversae originis] (anocol_mmbai20i)

  • ff. 31r–34v: Johannes de Muris – Libellus cantus mensurabilis (murlibm_mmbai20i)

  • ff. 34v–36v: Philippus de Caserta – Tractatus de diversis figuris (castram_mmbai20i)

  • ff. 36v–38v: Marchetus de Padua – Lucidarium, tractatus primus (marlu1m_mmbai20i)

• [+] Munich, Bayerische Staatsbibliothek, MS Clm 28186

  • ff. 258r–259v: Anonymous – [Tractatulus de musica] (anotrdmm_mmbs2818)

• [+] Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575)

  • f. 46v: Anonymous – [De proportione] (anoprop_mobb842)

  • f. 46v: Anonymous – [De harmonia planetarum] (anoharp_mobb842)

  • f. 47r–v: Anonymous – De divisione monacordi (anodiv_mobb842)

  • f. 47v: Anonymous – [De prolatione] (anoprol_mobb842)

  • f. 76r: Anonymous – [De discantu] (anodis_mobb842)

  • ff. 1r–18v: Theinredus Doverensis – Musica, liber primus (tdmus1_mobb842)

  • ff. 44v–45r: Anonymous – [De intervallis] (anoin_mobb842)

  • ff. 45v–46r: Anonymous – [Opusculum musicum] (musicao_mobb842)

  • ff. 49r–59v: Franco – Ars cantus mensurabilis (fraacmo_mobb842)

  • ff. 60r–62v: Franco – Compendium discantus (fracomo_mobb842)

  • ff. 62v–73v: Willelmus – Breviarium regulare musice (wilbrev_mobb842)

  • ff. 74r–75v: Anonymous – [De proportionibus et de intervallis] (anopi_mobb842)

  • ff. 76r–77v: Anonymous – Diverse conclusiones (anodc_mobb842)

  • ff. 77v–78r: Anonymous – [Fragmenta] (anofrag_mobb842)

• [+] Paris, Bibliothèque nationale de France, MS latin 7400A

  • ff. 24v–25v: Anonymous – Qualiter debeant fieri organa (anoqual_mpbn7400)

• [+] Paris, Bibliothèque nationale de France, MS latin 14741

  • ff. 2r–6v: Anonymous – [Compendium musicae] (anoquae_mpbn1474)

  • ff. 7r–8r: Anonymous – [De mensuratione] (anomens_mpbn1474)

• [+] Paris, Bibliothèque nationale de France, MS latin 15128

  • ff. 120r–122v: Anonymous – [De valore notularum tam veteris quam novae artis] (ano2val_mpbn1512)

  • ff. 122v–124r: Johannes dictus Ballox – [Abreviatio Magistri Franconis] (balabrev_mpbn1512)

  • ff. 124r–127r: Anonymous – De plana musica (anodpm_mpbn1512)

  • ff. 127r–129r: Anonymous – [Compendiolum artis veteris ac novae] (ano3comp_mpbn1512)

  • ff. 129r–130v: Anonymous – Si quis artem (ano4sqa_mpbn1512)

• [+] Paris, Bibliothèque nationale de France, MS latin 16663

  • ff. 64v–66v: Anonymous – Discantus positio vulgaris (disposi_mpbn1666)

  • ff. 66r–76v: Johannes de Garlandia – De musica mensurabili positio (gardmp_mpbn1666)

  • ff. 76v–83r: Franco – Ars cantus mensurabilis (fraacme_mpbn1666)

  • ff. 83r–84v: Petrus Picardus – Musica mensurabilis (petmm_mpbn1666)

• [+] Rochester, Eastman School of Music, Sibley Library, MS 92.1100 (Wolffheim 1; acc. 149,667)

  • 91–130: Hermannus Contractus – Musica (hermus_mrsl1496)

• [+] Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44

  • f. 22v: Anonymous – [Cantor vero vocatur] (anocntr_msavi44)

  • ff. 1r–19v: Anonymous – [Tractatus de octo tonis] (anotot_msavi44)

  • ff. 20r–22r: Anonymous – [De modo cantandi cantum planum] (anomccp_msavi44)

  • ff. 23r–41r: Anonymous – Musica compendium (anomcomp_msavi44)

  • ff. 41v–44v: Anonymous – [Practica notarum] (anoprno_msavi44)

  • ff. 44v–59v: Anonymous – [De modis cantandi] (anomcant_msavi44)

  • ff. 60r–62v: Johannes de Gerson – [Carmina] (gercar_msavi44)

  • ff. 68v–75r: Anonymous – [Compendium secundum famosiores musicos] (anofmus_msavi44)

• [+] Siena, Biblioteca comunale degli Intronati, MS L.V.30

  • f. 129r–v: Anonymous – Sub breuissimo compendio Philippo de Vitriaco in musica incipit (anoomde_msbclv30)

  • ff. 14r–32r: Anonymous – [Tractatus de musica] (lamtrac_msbclv30)

• [+] Vatican City, Biblioteca Apostolica Vaticana, MS Barb. lat. 307

  • f. 29r–v: Anonymous – [Fragmentum] (anofragm_mbavb307)

  • f. 30r–v: Theodonus de Caprio – Regule contrapuncti (theoreg_mbavb307)

  • f. 31r–v: Anonymous – De proportionibus (anodep_mbavb307)

  • f. 31v: Johannes de Muris – Libellus cantus mensurabilis [fragmentum] (murlcm_mbavb307)

  • ff. 1r–16v: Johannes Verulus de Anagnia – Liber de musica (verdmpv_mbavb307)

  • ff. 17r–20v: Philippe de Vitry – Ars nova (vitanv_mbavb307)

  • ff. 21r–27r: Anonymous – [De musica] (anomusi_mbavb307)

  • ff. 27r–29r: Isidorus Hispalensis – Sententiae de musica (isisent_mbavb307)

  • ff. 29v–30r: Anonymous – Ars et modus pulsandi organa secundum modum nouissimum inuentum per magistros musicos modernos (anoampo_mbavb307)

• [+] Vatican City, Biblioteca Apostolica Vaticana, MS lat. 5320

  • ff. 80r–83v: Anonymous – Compendium breve artis musicae (anocba_mbav5320)

• [+] Vatican City, Biblioteca Apostolica Vaticana, MS Reg. lat. 1146

  • ff. 2r–5r: Johannes de Muris – Compendium musicae practicae (murcomp_mbavr114)

  • ff. 5v–9r: Anonymous – [De proportionibus] (anoprop1_mbavr114)

  • ff. 9v–34v: Anonymous – [Guidonis musica] (anogui_mbavr114)

  • ff. 35r–46r: Johannes de Muris – Libellus cantus mensurabilis (murlibr_mbavr114)

  • ff. 46r–55r: Anonymous – [De discantu, proportionibus et tonis] (berman4_mbavr114)

  • ff. 55v–57r: Johannes Torkesey – [Declaratio trianguli et scuti] (torkdec1_mbavr114)

  • ff. 57r–66r: Anonymous – Ars plane musice (anoapm_mbavr114)

  • ff. 67r–70v: Anonymous – Metrologus (anomet1_mbavr114)

• [+] Venice, Biblioteca Nazionale Marciana, MS lat. VIII.24 (3434)

  • ff. 1r–7v: Odo – Dialogus (ododial_mvbm8-24)

  • ff. 8v–10r: Anonymous – [Tractatus versificatus de modis] (anotrac3_mvbm8-24)

  • ff. 10r–44r: Henricus Helene – Summula (hehesumm_mvbm8-24)

  • ff. 44v–73v: Johannes Boen – Musica (boenmusi_mvbm8-24)

  • ff. 73v–89v: Johannes Boen – Ars musice (boenarsm_mvbm8-24)

  • ff. 90r–108r: Johannes de Muris – Musica speculativa (murmspec_mvbm8-24)

• [+] Venice, Biblioteca Nazionale Marciana, MS lat. VIII.85 (3579)

  • ff. 11r–23v: Johannes de Muris – Libellus cantus mensurabilis (murlibv_mvbm8-85)

• [+] Vienna, Österreichische Nationalbibliothek, MS 4702

  • ff. 86r–90v: Anonymous – [Tractatus de solmisatione] (anotds_mvnb4702)

• [+] Vienna, Österreichische Nationalbibliothek, MS 4774

  • ff. 12r–23v and 30v–33v: Anonymous – [Opusculum de musica ex traditione Iohannis Hollandrini] (anohol6a_mvnb4774)

  • ff. 24r–30r: Anonymous – [Opusculum de musica ex traditione Iohannis Hollandrini] (anohol6b_mvnb4774)

  • ff. 35v–91r: Anonymous – [Tractatus de musica cum glossis] (anohol3_mvnb4774)