Browse by Century: 15th

• [+] Adamus de Fulda – Musica, pars prima (fulmus1)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:329–41.

• [+] Adamus de Fulda – Musica, pars secunda (fulmus2)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:341–58.

• [+] Adamus de Fulda – Musica, pars tertia (fulmus3)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:359–66.

• [+] Adamus de Fulda – Musica, pars quarta (fulmus4)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:367–81.

• [+] Anonymous – Tractatus de musica (aganont)

  Source: Higini Angles, "Dos tractats medievals de musica figurada," in Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, ed. W. Lott, H. Osthoff, and W. Wolffheim (Berlin: Breslauer, 1929), 6–10.

• [+] Anonymous – Compendium musicae mensurabilis tam veteris quam novae artis (ano4cmm)

  Source: De valore notvlarum tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); Compendium mvsicae mensvrabilis tam veteris qvam novae artis (Ms. Paris, Bibl. Nat., lat. 15128); De diversis maneriebvs in mvsica mensvrabili (Ms. Saint-Dié, Bibl. Municipale 42), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 30 (n.p.: American Institute of Musicology, 1982), 33–41.

• [+] Anonymous – Si quis artem (ano4sqa_mpbn1512)

  Source: Paris, Bibliothèque nationale de France, MS latin 15128, ff. 129r–130v.

• [+] Anonymous – Tractatus cantus figurati (ano12tcf)

  Source: Tractatus et compendium cantus figurati (Mss. London, British Libr., Add. 34200; Regensburg, Proskesche Musikbibl., 98 th. 4o), ed. Jill M. Palmer, Corpus scriptorum de musica, vol. 35 (n.p.: American Institute of Musicology / Hänssler Verlag, 1990), 41–93.

• [+] Anonymous – Ars musice (anoam)

  Source: Karl-Werner Gümpel, "Zur Frühgeschichte der vulgärsprachlichen spanischen und katalanischen Musiktheorie," in Gesammelte Aufsätze zur Kulturgeschichte Spaniens, ed. Johannes Vincke, Spanische Forschungen der Görresgesellschaft, I/24 (Münster: Aschendorff, 1968), 326–29.

• [+] Anonymous – Ars et practica cantus figurativi (anoapc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 36–47.

• [+] Anonymous – [De musica mensurata] (anobri)

  Source: P. Altman Kellner, "Ein Mensuraltraktat aus der Zeit um 1400," Anzeiger der Oesterreichischen Akademie der Wissenschaften, philosophisch-historische Klasse 94 (1957): 73–85, 73–85.

• [+] Anonymous – [De musica mensurata] (anobrig)

  Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 293–303.

• [+] Anonymous – [Compendium breve artis musicae] (anocbam)

  Source: Bernhold Schmid, "Ein Mensuralkompendium aus der Handschrift Clm 24809," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990), 74–76.

• [+] Anonymous – Compendium breve de proportionibus (anocbp)

  Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 76–81.

• [+] Anonymous – [Cantor vero vocatur] (anocntr_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, f. 22v.

• [+] Anonymous – [Collectio tractatuum diversae originis] (anocol_mmbai20i)

  Source: Milan, Biblioteca Ambrosiana, MS I.20.inf, ff. 25r–30v.

• [+] Anonymous – Tractatus de musica compendium cantus figurati (anocomp)

  Source: Jill Palmer, "A Late Fifteenth-Century Anonymous Mensuration Treatise (Ssp) Salzburg, Erzabtei St. Peter, a VI 44, 1490; cod. pap.; 206 x 149 mm. 75ff.," Musica disciplina 39 (1985): 87-106, 89–103. Text copyright 1986.

• [+] Anonymous – Capitulum de quattuor mensuris (anocqm)

  Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 62–63.

• [+] Anonymous – De consonantia et dissonantia (anodcd)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 78–79.

• [+] Anonymous – De contrapuncto (anodcon)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 54–55.

• [+] Anonymous – De contrapuncto plano (anodcp)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 68–72.

• [+] Anonymous – De formatione contrapuncti tales dantur regulae (anodfc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 82–83.

• [+] Anonymous – De vera et compendiosa seu regulari constructione contrapuncti et de pluribus viciis a pluribus ignaris comittendis seu commissis ab autoribus prohibitis (anodvc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 58–65.

• [+] Anonymous – [Mensura monochordi] (anoein)

  Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 150–52.

• [+] Anonymous – [Excerpta de consonantiis et de contrapuncto] (anoexc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 86–87.

• [+] Anonymous – [Compendium secundum famosiores musicos] (anofmus_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 68v–75r.

• [+] Anonymous – De musica (anofra4)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 346–50.

• [+] Anonymous – Fragmentum (anofra7)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 496.

• [+] Anonymous – [Tractatus de musica cum glossis] (anohol3_mvnb4774)

  Source: Vienna, Österreichische Nationalbibliothek, MS 4774, ff. 35v–91r.

• [+] Anonymous – [Opusculum de musica ex traditione Iohannis Hollandrini] (anohol6a_mvnb4774)

  Source: Vienna, Österreichische Nationalbibliothek, MS 4774, ff. 12r–23v and 30v–33v.

• [+] Anonymous – [Opusculum de musica ex traditione Iohannis Hollandrini] (anohol6b_mvnb4774)

  Source: Vienna, Österreichische Nationalbibliothek, MS 4774, ff. 24r–30r.

• [+] Anonymous – Tractatus de musica (anoleu)

  Source: Zsuzsa Czagány, "Anonymi Leutoviensis Tractatus de musica," Musica disciplina 46 (1992): 223-242, 234–42.

• [+] Anonymous – Jesus. Libellus musicae adiscendae valde utilis et est dialogus. Discipulus et magister sunt locutores (anolib)

  Source: Anonymus. Ex codice Vaticano lat. 5129, ed. Albert Seay, Corpus scriptorum de musica, vol. 9 ([Rome]: American Institute of Musicology, 1964), 21–48.

• [+] Anonymous – [De modis cantandi] (anomcant_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 44v–59v.

• [+] Anonymous – [De modo cantandi cantum planum] (anomccp_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 20r–22r.

• [+] Anonymous – Musica compendium (anomcomp_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 23r–41r.

• [+] Anonymous – Modus cantandi in mensuralibus (anomod)

  Source: Lorenz Welker, "Ein anonymer Mensuraltraktat in der Sterzinger Miszellaneen-Handschrift," Archiv für Musikwissenschaft 48 (1991): 255-281, 255–81.

• [+] Anonymous – [Tractatus compilatus de musica plana et mensurabili e traditione franconiana] (anompm_mber267)

  Source: Bergamo, Biblioteca civica «Angelo Mai», MS 2/67 (Δ.IV.30), ff. 252r–258r.

• [+] Anonymous – De musica (anomus2)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 423–28.

• [+] Anonymous – Nota regulas super tactus (anonot)

  Source: Theodor Göllner, “Eine Spielanweisung für Tasteninstrumente aus dem 15. Jahrhundert,” in Essays in Musicology. A Birthday Offering for Willi Apel, ed. Hans Tischler (Bloomington: School of Music, Indiana University, 1968), 70–71.

• [+] Anonymous – [Opusculum de arte organica] (anoodao)

  Source: Elzbieta Witkowska-Zaremba, "Ars organisandi around 1430 and Its Terminology," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 402–18.

• [+] Anonymous – [Octo principalia de arte organisandi] (anoopao)

  Source: Elzbieta Witkowska-Zaremba, "Ars organisandi around 1430 and Its Terminology," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 2001), 387–98.

• [+] Anonymous – De origine et effectu musicae (anooref)

  Source: Gilbert Reaney, "The Anonymous Treatise De origine et effectu musicae, an Early 15th Century Commonplace Book of Music Theory," Musica disciplina 37 (1983): 101-19, 109–19. Text copyright 1985.

• [+] Anonymous – De origine et effectu musice (anoori_mlbll763)

  Source: London, British Library, MS Lansdowne 763, ff. 55v–59r.

• [+] Anonymous – De organo mediolanensi (anoorme)

  Source: Jacques Handschin, "Aus der alten Musiktheorie III. Zur Ambrosianischen Mehrstimmigkeit," Acta musicologica 15 (1943): 2-23, 93-94, 5–6.

• [+] Anonymous – [Tractatus de musica] (anophil)

  Source: Andres Briner, "Ein anonymer unvollständiger Musiktraktat des 15. Jahrhunderts in Philadelphia, USA," Kirchenmusikalisches Jahrbuch 50 (1966): 27-38, 27–38.

• [+] Anonymous – [Practica notarum] (anoprno_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 41v–44v.

• [+] Anonymous – [Tractatus de musica] (anopro)

  Source: Dénes von Bartha, "Studien zum musikalischen Schrifttum des 15. Jahrhunderts," Archiv für Musikforschung 1 (1936): 180-99, 180–99.

• [+] Anonymous – Quaestiones et solutiones advidendum tam mensurabilis cantus quam immensurabilis musica (anoqs)

  Source: Quaestiones et solutiones, ed. Albert Seay, Critical Texts, no. 2 (Colorado Springs: Colorado College Music Press, 1977).

• [+] Anonymous – [Regulae cantandi contrapunctum] (anorcc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 50–52.

• [+] Anonymous – [Regulae contrapuncti] (anorcpt)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 90–96.

• [+] Anonymous – [Regulae de contrapuncto] (anordc)

  Source: Anonymi Tractatus de cantu figurativo et de contrapuncto (c. 1430-1520), ed. Christian Meyer, Corpus scriptorum de musica, vol. 41 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 74–76.

• [+] Anonymous – Regule contrapuncti secundum usum Regni Siciliae (anoreg)

  Source: Paolo Nalli, "Regulae contrapuncti secundum usum Regni Siciliae, tratte da un codice siciliano del Sec. XV," Archivio Storico per la Sicilia Orientale II/9 (1933), 287–88 and 291–92.

• [+] Anonymous – Regulae generales de compositione cantus (anorege)

  Source: Fritz Feldmann, Musik und Musikpflege im mittelalterlichen Schlesien, Darstellungen und Quellen zur schlesischen Geschichte, Band 37 (Breslau: Trewendt und Granier, 1938), 193–94.

• [+] Anonymous – Species plani cantus sunt terdecim (anospe)

  Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Das Manuskript Girona 91 und sein Contrapunctus-Traktat," Archiv für Musikwissenschaft 45 (1988): 186-205, 193–96.

• [+] Anonymous – Summula (anosum)

  Source: Summula tractatus metricus de musica glossis commentarioque instructus, ed. Eddie Vetter, Divitiae musicae artis, A/VIIIa (Buren: Knuf, 1988), 39–101.

• [+] Anonymous – Tractatus de contrapuncto (anotdc)

  Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 44–58.

• [+] Anonymous – [Tractatus de contrapuncto et de musica mensurabili] (anotdcdm)

  Source: Tractatus de contrapuncto et de musica mensurabili (Mss. Munich, Staatsbibliothek, Clm. 16208 et 24809), ed. Christian Meyer, Corpus scriptorum de musica, vol. 40 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1995), 47–71.

• [+] Anonymous – [Tractatus de musica] (anotdm)

  Source: Martin Staehelin, "Beschreibungen und Beispiele musikalischer Formen in einem unbeachteten Traktat des frühen 15. Jahrhunderts" Archiv für Musikwissenschaft 31 (1974): 237-242, 239.

• [+] Anonymous – [Tractatus de musica mensurabili] (anotdmm)

  Source: Bernhold Schmid, "Der Musiktraktat aus Clm 26812," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (Munich: Bayerische Akademie der Wissenschaften / C. H. Beck, 1990), 82–98.

• [+] Anonymous – Terminorium musicalium diffinitorium anonymi (anoter)

  Source: Zsuzsa Czagány, "Ein Diffinitorium musicum aus dem späten 15. Jahrhundert," in International Musical Society Study Group Cantus Planus: Papers Read at the Fourth Meeting, Pécs, Hungary, 3-8 September 1990 (Budapest: Hungarian Academy of Sciences, Institute for Musicology, 1992), 132–39.

• [+] Anonymous – [Tractatus de octo tonis] (anotot_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 1r–19v.

• [+] Anonymous – Tractatulus prolationum cum tabulis (anotpt)

  Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 84–92.

• [+] Anonymous – Tractatulus de mensurationum (anotram)

  Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 66–73.

• [+] Anonymous – Opusculum de musica (anotrho)

  Source: Alexander Rausch, Opusculum de musica ex traditione Iohannis Hollandrini. A Commentary, Critical Edition and Translation, Musical Theorists in Translation, vol. 15 (Ottawa: Institute of Mediaeval Music, 1997), 26–80.

• [+] Anonymous – [Versus de musica] (anoverp)

  Source: Alexander Rausch, "Mensuraltraktate des Spätmittelalters in Österreichischen Bibliotheken," in Quellen und Studien zur Musiktheorie des Mittelalters, vol. 3, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 15 (Munich: Bayerische Akademie der Wissenschaften; C. H. Beck, 2001), 284–91.

• [+] Anonymous – Contrapunctus (anovic)

  Source: Karl-Werner Gümpel and Klaus-Jürgen Sachs, "Der anonyme Contrapunctus-Traktat aus Ms. Vich 208," Archiv für Musikwissenschaft 31 (1974): 87-115, 93–97.

• [+] Anonymous – Volens facere clavicordium (anovol)

  Source: Jacques Handschin, "Aus der alten Musiktheorie," Acta musicologica 16/17 (1944-45): 1-10, 7–9.

• [+] Anonymous – [Tractatus de musica plana] (eicanon_meub685)

  Source: Eichstätt, Universitätsbibliothek, MS st 685 (olim O.26 quarto 27), ff. 362r–377v.

• [+] Anonymous – Tractatus de musica figurata et de contrapuncto ab anonymo auctore (tradem)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:434–69.

• [+] Anonymous – Tractatus de musica mensurabili (wfanon4)

  Source: Johannes Wolf, "Ein Breslauer Mensuraltraktat des 15. Jahrhunderts," Archiv für Musikwissenschaft 1 (1918-19), 331–45.

• [+] Anonymous IV – Compendium artis mensurabilis tam veteris quam novae (ano4com)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:376–79.

• [+] Anonymous V – Ars cantus mensurabilis (ano5ars)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:379–98.

• [+] Anonymous VIII – Regulae de contrapuncto (ano8reg)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:409–11.

• [+] Anonymous X – De minimis notulis (ano10dem)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:413–15.

• [+] Anonymous XI – [Tractatus de musica plana et mensurabili] (ano11tdm)

  Source: Richard J. Wingell, "Anonymous XI (CS III): An Edition, Translation, and Commentary," 3 vols. (Ph.D. dissertation, University of Southern California, 1973), 1:1–173.

• [+] Anonymous XI – Tractatus de musica plana et mensurabili (ano11tra)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:416–75.

• [+] Anonymous XII – Tractatus de musica (ano12tra)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:475–95.

• [+] Anselmus, Georgius – De musica (ansdem)

  Source: Georgii Anselmi Parmensis De musica: Dieta prima de celesti harmonia, dieta secunda de instrumentali harmonia, dieta tertia de cantabili harmonia, ed. Giuseppe Massera, "Historia musicae cultores" biblioteca, vol. 14 (Florence: Leo S. Olschki, 1961).

• [+] Antonius de Luca – Ars cantus figurati (lucars)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:421–33.

• [+] Antonius de Luca – Ars cantus figurati (lucarsc)

  Source: Antonius de Luca, Ars cantus figurati; Capitulum de quattuor mensuris; Tractatulus mensurationum; Compendium breve de proportionibus; Tractatulus prolationum cum tabulis, ed. Heinz Ristory, Corpus scriptorum de musica, vol. 38 (n.p.: American Institute of Musicology / Hänssler-Verlag, 1997), 24–59.

• [+] Bonaventura da Brescia – Brevis collectio artis musicae (bonbre)

  Source: Bonaventura da Brescia, Brevis collectio artis musicae, ed. Albert Seay, Critical Texts, no. 11 (Colorado Springs: Colorado College Music Press, 1980).

• [+] Burtius, Nicolaus – Musices opusculum, tractatus primus (burmus1)

  Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

• [+] Burtius, Nicolaus – Musices opusculum, tractatus secundus (burmus2)

  Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

• [+] Burtius, Nicolaus – Musices opusculum, tractatus tertius (burmus3)

  Source: Nicolai Burtij parmensis: musices professoris: ac iuris pontificij studiosissimi: musices opusculum incipit: cum defensione Guidonis aretini: aduersus quendam hyspanum veritatis preuaricatorem (Bologna: Ugo Ruggeri, 1487; reprint ed., Bologna: Forni, 1969).

• [+] Burtius, Nicolaus – Musices opusculum, tractatus secundus, capitulum VI (burmusx)

  Source: Manfred Bukofzer, Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen, Sammlung musikwissenschaftlicher Abhandlungen, Band 21 (Strassbourg: Heitz, 1936), 156–58.

• [+] Capuanus, Nicolaus – Compendium musicale (niccom)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 308–38.

• [+] Carlerius, Egidius – De cantu iubiliationis armonicae et utilitate eius (carlcan)

  Source: Egidius Carlerius, Duo tractatuli de musica, ed. Albert Seay, Critical Texts, no.7 (Colorado Springs: Colorado College Music Press, 1977), 5–13.

• [+] Carlerius, Egidius – Tractatus de duplici ritu cantus ecclesiastici in divinis officiis et primo de simplici (carltra)

  Source: Egidius Carlerius, Duo tractatuli de musica, ed. Albert Seay, Critical Texts, no.7 (Colorado Springs: Colorado College Music Press, 1977), 1–5.

• [+] Ciconia, Johannes – Nova musica (cicnm)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 375–83.

• [+] Ciconia, Johannes – Nova musica, liber primus de consonantiis (cicnm1)

  Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 42–232 (even–numbered pages only).

• [+] Ciconia, Johannes – Nova musica, liber secundus de speciebus (cicnm2)

  Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 234–336 (even–numbered pages only).

• [+] Ciconia, Johannes – Nova musica, liber tertius de proportionibus (cicnm3)

  Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 338–60 (even–numbered pages only).

• [+] Ciconia, Johannes – Nova musica, liber quartus de accidentibus (cicnm4)

  Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 362–410 (even–numbered pages only).

• [+] Ciconia, Johannes – De proportionibus (cicprop)

  Source: Johannes Ciconia, Nova musica and De proportionibus, ed. and trans. by Oliver B. Ellsworth, Greek and Latin Music Theory, vol. 9 (Lincoln: University of Nebraska Press, 1993), 412–46 (even–numbered pages only).

• [+] Cosil, Nicolaus de – [Tractatus de solmisatione] (costra)

  Source: Ruzena Muzíková, "Hudebne teoreticky traktat Mikuláse z Kozlí," Miscellanea musicologica 13 (1960): 7-26, 12–24.

• [+] Dionysius Lewis de Ryckel – De arte musicali, secunda pars: Musica practica (gentpra_mgru70)

  Source: Gent, Universiteitsbibliotheek, MS 70 (71), ff. 106v–123v.

• [+] Dionysius Lewis de Ryckel – De arte musicali, prima pars: Musica speculativa (gentspe_mgru70)

  Source: Gent, Universiteitsbibliotheek, MS 70 (71), ff. 78r–106r.

• [+] Dufay, Guillaume – Musica (dufmus)

  Source: Clement A. Miller, "Early Gaffuriana: New Answers to Old Questions," Musical Quarterly 56 (1970): 387-88, 387–88.

• [+] Faber Stapulensis, Jacobus – Elementa musicalia (stapmus)

  Source: In hoc opere contenta. Arithmetica decem libris demonstrata. Musica libris demonstrata quattuor. Epitome in libros arithmeticos diui Seuerini Boetij. Rithmimachie ludus qui et pugna numerorum appellatur (Paris: Joannes Higmanus et Volgangus Hopilius, 1496), ff. f1r–h6v.

• [+] Gaffurio, Franchino – Extractus parvus musice (gafext)

  Source: Franchini Gafurii Extractus parvus musice, ed. F. Alberto Gallo, Antiquae musicae italicae scriptores, vol. 4 (Bologna: Università degli Studi de Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1969), 13–208.

• [+] Gaffurio, Franchino – Practica musice (gafpm1)

  Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

• [+] Gaffurio, Franchino – Practica musice (gafpm2)

  Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

• [+] Gaffurio, Franchino – Practica musice (gafpm3)

  Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

• [+] Gaffurio, Franchino – Practica musice (gafpm4)

  Source: Practica musice Franchini Gafori Laudensis (Milan: Ioannes Petrus de Lomatio, 1496; reprint ed., New York: Broude Bros., 1979).

• [+] Gaffurio, Franchino – Theorica musice, liber primus (gaftm1)

  Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

• [+] Gaffurio, Franchino – Theorica musice, liber secundus (gaftm2)

  Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

• [+] Gaffurio, Franchino – Theorica musice, liber tertius (gaftm3)

  Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

• [+] Gaffurio, Franchino – Theorica musice, liber quartus (gaftm4)

  Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

• [+] Gaffurio, Franchino – Theorica musice, liber quintus (gaftm5)

  Source: Theorica musice Franchini Gafuri Laudensis (Milan: Ioannes Petrus de Lomatio, 1492; reprint ed., New York: Broude Bros., 1967).

• [+] Gaffurio, Franchino – [Prefatio de Johannis de Muris Musica speculativa] (murmgaf)

  Source: Johannis de Muris Musica <speculativa>, ed. Susan Fast, Musicological Studies, vol. 61 (Ottawa: The Institute of Mediaeval Music, 1994), 332.

• [+] Gaffurio, Franchino – Glossemata quaedam super nonnullas partes theoricae praescriptae Iohannis de Muris (murmgafg_mmbah165)

  Source: Milan, Biblioteca Ambrosiana, MS H.165.inf, ff. 16v–18v.

• [+] Gerson, Johannes de – [Carmina] (gercar_msavi44)

  Source: Salzburg, Stiftsbibliothek St. Peter, MS a.VI.44, ff. 60r–62v.

• [+] Gresemund, Dietrich – Lucubratiunculae bonarum septem artium liberalium, capitulum quintum, De musica (greluc)

  Source: Peter Wagner, "Aus der Musikgeschichte des deutschen Humanismus," Zeitschrift für Musikwissenschaft 3 (1920-21): 21-29, 22–27.

• [+] Guerson, Guillaume – Utillissime musicales regule (gueut)

  Source: Utillissime musicales Regule cunctis summopere necessarie plani cantus simplisis contrapuncti rerum factarum tonorum et artis accentuandi tam exemplariter quam practice per magistrum Guillermi Guersoni de Villalonga nouitter conpilate (Paris: Michel Thouloze, [c. 1495]).

• [+] Guido d'Arezzo [Ps.] – Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis (anotra2)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:50–55.

• [+] Guido d'Arezzo [Ps.] – Tractatus Guidonis correctorius multorum errorum, qui fiunt in cantu gregoriano in multis locis (anotrac2)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 141:431–36.

• [+] Guilielmus monachus – De preceptis artis musice et pratice compendiosus libellus (monpre)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:273–307.

• [+] Guilielmus monachus – De preceptis artis musice et pratice compendiosus libellus (monprec)

  Source: Guilielmi monachi De preceptis artis musicae, ed. Albert Seay, Corpus scriptorum de musica, vol. 11 ([Rome]: American Institute of Musicology, 1965), 15–59.

• [+] Guillermus de Podio – Ars musicorum liber VI (guiars6)

  Source: Guillermus de Podio, Ars musicorum libri VI et VIII, ed. Albert Seay, Critical Texts, no. 8 (Colorado Springs: Colorado College Music Press, 1978), 1–8.

• [+] Guillermus de Podio – Ars musicorum liber VIII (guiars8)

  Source: Guillermus de Podio, Ars musicorum libri VI et VIII, ed. Albert Seay, Critical Texts, no. 8 (Colorado Springs: Colorado College Music Press, 1978), 9–34.

• [+] Guillermus de Podio – Enchiridion de principiis musice discipline (guienc)

  Source: Karl-Werner Gümpel, "Das Enchiridion de principiis musice discipline des Guillermus de Podio," Spanische Forschungen der Görresgesellschaft, I/27 (Münster: Aschendorff, 1973), 362–96.

• [+] Herbenus Traiectensis – De natura cantus ac miraculis vocis (herden)

  Source: Herbeni Traiectensis De natura cantus ac miraculis vocis, ed. Joseph Smits van Waesberghe, Beiträge zur rheinischen Musikgeschichte, vol. 22 (Cologne: Arno Volk, 1957), 16–78.

• [+] Heritius, Erasmus – Musica speculativa (herspe)

  Source: Theodor Kroyer, "Die Musica speculativa des Magister Erasmus Heritius," in Festschrift zum 50. Geburtstag Adolf Sandberger (München: Ferdinand Zierfuss, 1918), 72–91.

• [+] Hothby, Johannes – [De arte contrapuncti] (hotdac)

  Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 43–44.

• [+] Hothby, Johannes – De cantu figurato secundum eundem fratrem Johannem Hothbi Carmelitam (hotdcf1)

  Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 27–31.

• [+] Hothby, Johannes – Regulae Magistri Johannis Hoctobi anglici cantus figurati (hotdcf2)

  Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 39–44.

• [+] Hothby, Johannes – De cantu figurato (hotdec)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:330–32.

• [+] Hothby, Johannes – De proportionibus (hotdep)

  Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 36–42.

• [+] Hothby, Johannes – Dialogus in arte musica (hotdia)

  Source: Johannis Octobi Tres tractatuli contra Bartholomeum Ramum, ed. Albert Seay, Corpus scriptorum de musica, vol. 10 ([Rome]: American Institute of Musicology, 1964), 61–76.

• [+] Hothby, Johannes – Excitatio quaedam musicae artis per refutationem (hotexc)

  Source: Johannis Octobi Tres tractatuli contra Bartholomeum Ramum, ed. Albert Seay, Corpus scriptorum de musica, vol. 10 ([Rome]: American Institute of Musicology, 1964), 17–57.

• [+] Hothby, Johannes – Regulae contrapuncti (hotrc)

  Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 63–69.

• [+] Hothby, Johannes – Sequuntur regulae cantus mensurati eiusdem Ottobi (hotrcm1)

  Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 19–24.

• [+] Hothby, Johannes – Regulae cantus mensurati secundum Johannem Otteby (hotrcm2)

  Source: Johannes Hothby, Opera omnia de musica mensurabili; Thomas Walsingham, Regulae de musica mensurabili, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 31 (Neuhausen-Stuttgart: Hänssler Verlag for the American Institute of Musicology, 1983), 51–59.

• [+] Hothby, Johannes – Regulae supra contrapunctum (hotregc)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:333–34.

• [+] Hothby, Johannes – Regulae super proportionem (hotregp)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:328–30.

• [+] Hothby, Johannes – Regulae supra contrapunctum (hotrsc)

  Source: Johannes Hothby, De arte contrapuncti, ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 26 (n.p.: American Institute of Musicology, 1977), 101–3.

• [+] Hothby, Johannes – Regulae super proportiones (hotrsp)

  Source: Johannes Hothby, Opera omnia de proportionibus; Anonymus, Tractatus de contrapuncto (Ms. Venice, lat. VIII.82, coll. 3047), ed. Gilbert Reaney, Corpus scriptorum de musica, vol. 39 (n.p.: American Institute of Musicology; Hänssler-Verlag, 1997), 17–21.

• [+] Johannes de Olomons – Palma choralis (johpal)

  Source: Johannes de Olomons, Palma choralis, ed. Albert Seay, Critical Texts, no. 6 (Colorado Springs: Colorado College Music Press, 1977).

• [+] Johannes de Olomons – Palma choralis (johpalm_mmbai20i)

  Source: Milan, Biblioteca Ambrosiana, MS I.20.inf, ff. 1r–24v.

• [+] Johannes Gallicus – Ritus canendi [Pars prima] (galrc1)

  Source: Johannes Gallicus, Ritus canendi [Pars prima], ed. Albert Seay, Critical Texts, no. 13 (Colorado Springs: Colorado College Music Press, 1981).

• [+] Johannes Gallicus – Ritus canendi [Pars secunda] (galrc2)

  Source: Johannes Gallicus, Ritus canendi [Pars secunda], ed. Albert Seay, Critical Texts, no. 14 (Colorado Springs: Colorado College Music Press, 1981).

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Tacita nunc inchoatur stupendaque numerorum musica (gallib)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:409–21.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Ritus canendi vetustissimus et novus, liber primus (galrit1)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:298–313.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Ritus canendi vetustissimus et novus, liber secundus (galrit2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:313–28.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Ritus canendi vetustissimus et novus, liber tertius (galrit3)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:328–45.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Vera quamque facilis ad cantandum atque brevis introductio (galrits1)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:345–72.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Incipit liber secundus de sex, ut, re, mi, fa, sol, la, sillabis (galrits2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:372–83.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Incipit liber tertius de contrapuncto praefationcula (galrits3)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:383–96.

• [+] Johannes Gallicus dictus Carthusiensis seu de Mantua – Incipit praefationcula in tam admirabilem quam tacitam et quietissimam novorum concinentiam (galtra)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:396–409.

• [+] Keck, Ioannes – Introductorium musicae (keckinmu)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 3:319–29.

• [+] Keinspeck, Michael – Lilium musicae planae (keinlil)

  Source: Michael Keinspeck und sein Musiktraktat "Lilium musicae planae" Basel 1496, ed. Winfried Ammel, Marburger Beiträge zur Musikforschung, vol. 5 (Marburg: Görich und Weierhäuser, 1970), 111–29.

• [+] Ladislaus de Zalka – [Musica] (szamus)

  Source: Dénes von Bartha, Das Musiklehrbuch einer ungarischen Klosterschule in der Handschrift von Fürstprimas Szalkai (1490), Musicologica hungarica, vol. 1 (Budapest: Magyar nemzeti múzeum, 1934), 63–128.

• [+] Marchetus de Padua, Ciconia, and Anonymous – Lucidarium, Regulae de tonis, Tractatus figurarum, and Nova musica (lafvar)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 385–88.

• [+] Monachus Carthusiensis – Tractatus de musica plana (cartra)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:434–83.

• [+] Nicolaus de Senis – Tractatus de musica (nictra)

  Source: Higini Angles, "Dos tractats medievals de musica figurada," in Musikwissenschaftliche Beiträge: Festschrift für Johannes Wolf zu seinem sechzigsten Geburtstag, ed. W. Lott, H. Osthoff, and W. Wolffheim (Berlin: Breslauer, 1929), 10–12.

• [+] Paulirinus, Paulus – Tractatus de musica (pautra)

  Source: Josef Reiss, "Pauli Paulirini de Praga Tractatus de musica (etwa 1460)," Zeitschrift für Musikwissenschaft 7 (1924-25), 261–64.

• [+] Paulus de Florentia – Ars ad discantandum contrapunctum (paulars)

  Source: Pier Paolo Scattolin, "Il trattato teorico di Paolo da Firenze," in Mensurabilis musicae tractatuli, vol. 2, Antiquae musicae italicae scriptores, vol. 1 (Bologna: Università degli Studi di Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1975), 63–79.

• [+] Paulus de Florentia – Ars ad adiscendum contrapunctum (paularsa)

  Source: Albert Seay, "Paolo da Firenze: A Trecento Theorist," in L'Ars nova italiana del Trecento: Primo convegno internazionale, 23-26 luglio 1959, ed. Bianca Becherini (Certaldo: Centro di studi sull'Ars nova italiana del Trecento, 1962): 118-40, 133–40.

• [+] Person, Gobelinus – Tractatus musicae scientiae (pertra)

  Source: Hermann Müller, "Der tractatus musicae scientiae des Gobelinus Person," Kirchenmusikalisches Jahrbuch 20 (1907): 177-96, 180–96.

• [+] Prosdocimo de' Beldomandi – Brevis summula proportionum quantum ad musicam pertinet (probre1)

  Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 46–62.

• [+] Prosdocimo de' Beldomandi – Brevis summula proportionum (probre2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:258–61.

• [+] Prosdocimo de' Beldomandi – Contrapunctus (procon)

  Source: Prosdocimo de' Beldomandi, Contrapunctus, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 1 (Lincoln: University of Nebraska Press, 1984), 26–94.

• [+] Prosdocimo de' Beldomandi – Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris (proexp)

  Source: Prosdocimi de Beldemandis opera 1: Expositiones tractatus pratice cantus mensurabilis magistri Johannis de Muris, ed. F. Alberto Gallo, Antiquae musicae italicae scriptores, vol. 3 (Bologna: Università degli Studi de Bologna, Istituto di Studi Musicali e Teatrali - Sez. Musicologia, 1966), 19–223.

• [+] Prosdocimo de' Beldomandi – Libellus monocordi (prolib)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:248–58.

• [+] Prosdocimo de' Beldomandi – Parvus tractatulus de modo monacordum dividendi (propar)

  Source: Prosdocimo de' Beldomandi, Brevis summula proportionum quantum ad musicam pertinet and Parvus tractatulus de modo monacordum dividendi, ed. and trans. by Jan Herlinger, Greek and Latin Music Theory, vol. 4 (Lincoln: University of Nebraska Press, 1987), 64–118.

• [+] Prosdocimo de' Beldomandi – Plana musica (propla)

  Source: Prosdocimo de' Beldomandi, Plana musica and Musica speculativa, ed. and trans. by Jan Herlinger, Studies in the History of Music Theory and Literature, vol. 4 (Urbana and Chicago: University of Illinois Press, 2008), 34–154.

• [+] Prosdocimo de' Beldomandi – Tractatus musice speculative (prospe)

  Source: D. Raffaello Baralli and Luigi Torri, "Il Trattato di Prosdocimo de' Beldomandi contro il Lucidario di Marchetto da Padova per la prima volta trascritto e illustrato," Rivista musicale italiana 20 (1913): 731-62, 731–62.

• [+] Prosdocimo de' Beldomandi – Musica speculativa (prospec)

  Source: Prosdocimo de' Beldomandi, Plana musica and Musica speculativa, ed. and trans. by Jan Herlinger, Studies in the History of Music Theory and Literature, vol. 4 (Urbana and Chicago: University of Illinois Press, 2008), 156–252.

• [+] Prosdocimo de' Beldomandi – Tractatus de contrapuncto (protrac)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:193–99.

• [+] Prosdocimo de' Beldomandi – Tractatus practice de musica mensurabili (protrap1)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:200–228.

• [+] Prosdocimo de' Beldomandi – Tractatus practice de musica mensurabili ad modum italicorum (protrap2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:228–48.

• [+] Prosdocimo de' Beldomandi – Tractatus practice cantus mensurabilis ad modum ytalicorum (protray)

  Source: Claudio Sartori, La notazione italiana del trecento in una redazione inedita del "Tractatus practice cantus mensurabilis ad modum ytalicorum" di Prosdocimo de Beldemandis (Florence: Leo S. Olschki, 1938), 35–71.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, prima pars, tractatus primus (rammp1t1)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 1–24.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, prima pars, tractatus secundus (rammp1t2)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 25–51.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, prima pars, tractatus tertius (rammp1t3)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 52–61.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, secunda pars, tractatus primus (rammp2)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 62–76.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, tertia pars, tractatus primus (rammp3t1)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 77–92.

• [+] Ramus de Pareia, Bartholomeus – Musica practica, tertia pars, tractatus secundus (rammp3t2)

  Source: Johannes Wolf, Musica practica Bartolomei Rami de Pareia Bononiae, impressa opere et industria ac expensis magistri Baltasaris de Hiriberia MCCCCLXXXII: Nach den Originaldrucken des Liceo musicale mit Genehmigung der Commune von Bologna, Publikationen der Internationalen Musikgesellschaft, Beihefte, vol. 2 (Leipzig: Breitkopf und Härtel, 1901), 93–112.

• [+] Sadze de Flandria, Christianus – Tractatus modi, temporis et prolationis (flatra)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:264–73.

• [+] Szydlow, Johannes de – Musica (szydmus)

  Source: Waclaw Gieburowski, Die "Musica Magistri Szydlovite": ein polnischer Choraltraktat des XV. Jahrh. und seine Stellung in der Choraltheorie des Mittelalters, mit Beruecksichtigung der Choraltheorie und -Praxis des XV. Jahrh. in Polen, sowie der Nachtridentinischen Choralreform (Posen: St. Adalbert, 1915), 9–72.

• [+] Tallanderius, Petrus – Lectura (tallec)

  Source: Petrus Tallanderius, Lectura, ed. Albert Seay, Critical Texts, no. 4 (Colorado Springs: Colorado College Music Press, 1977).

• [+] Theatinus, Jacobus – De partitione licterarum monocordi (thepar)

  Source: Angiolamaria Guarneri Galuzzi, Il "De partitione licterarum monocordi" di Jacobus Theatinus, Instituta et Monumenta, II/4 (Cremona: Fondazione Claudio Monteverdi, 1975), 29–52.

• [+] Theodonus de Caprio – Regulae contrapuncti (theorc)

  Source: Raffaele Casimiri, "Teodono de Caprio non Teodorico de Campo, Teorico musicale italiano del sec. XV. Un suo trattato inedito," Note d'Archivio per la storia musicale 19 (1942): 38-42, 94–98.

• [+] Theodonus de Caprio – Regule contrapuncti (theoreg_mbavb307)

  Source: Vatican City, Biblioteca Apostolica Vaticana, MS Barb. lat. 307, f. 30r–v.

• [+] Tinctoris, Johannes – Complexus effectuum musices (tincom)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:165–77.

• [+] Tinctoris, Johannes – Complexus effectuum musices (tincom1)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:191–95.

• [+] Tinctoris, Johannes – Complexus viginti effectuum nobilis artis musices (tincom2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:195–200.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber primus (tincon1)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:76–119.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber secundus (tincon2)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:119–47.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber tertius (tincon3)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:147–53.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber primus (tincpt1)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:11–89.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber secundus (tincpt2)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:90–145.

• [+] Tinctoris, Johannes – Liber de arte contrapuncti, Liber tertius (tincpt3)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:146–57.

• [+] Tinctoris, Johannes – Diffinitorium musicae (tindif)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:177–91.

• [+] Tinctoris, Johannes – Expositio manus (tinem)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2:31–57.

• [+] Tinctoris, Johannes – Expositio manus (tinexp)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:1–16.

• [+] Tinctoris, Johannes – De inventione et usu musicae (tininv)

  Source: Karl Weinmann, ed., Johannes Tinctoris (1445-1511) und sein unbekannter Traktat "De inventione et usu musicae" (Regensburg: F. Pustet, 1917), 27–46.

• [+] Tinctoris, Johannes – De inventione et usu musice (tininv2)

  Source: Ronald Woodley, "The Printing and Scope of Tinctoris's Fragmentary Treatise De inventione et vsv mvsice," Early Music History 5 (1985): 239-268, 259–68.

• [+] Tinctoris, Johannes – De inventione et usu musicae (tininv4)

  Source: Karl Weinmann, "Ein unbekannter Traktat des Johannes Tinctoris," in Riemann-Festschrift: Gesammelte Studien: Hugo Riemann zum sechzigsten Geburtstage überreicht von Freunden und Schülern (Leipzig: Hesse, 1909), 269–71.

• [+] Tinctoris, Johannes – Liber de natura et proprietate tonorum (tinldn)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:65–104.

• [+] Tinctoris, Johannes – Liber imperfectionum notarum musicalium (tinlib)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:54–66.

• [+] Tinctoris, Johannes – Liber imperfectionum notarum musicalium (tinlimp)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:143–67.

• [+] Tinctoris, Johannes – Liber de natura et proprietate tonorum (tinnat)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:16–41.

• [+] Tinctoris, Johannes – Proportionale musices (tinpro)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:153–77.

• [+] Tinctoris, Johannes – Proportionale musices (tinprom)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 2a:9–60.

• [+] Tinctoris, Johannes – Tractatus de notis et pausis (tintdn)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:109–20.

• [+] Tinctoris, Johannes – Tractatus de punctis (tintdp)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:185–98.

• [+] Tinctoris, Johannes – Tractatus de regulari valore notarum (tintdr)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:125–38.

• [+] Tinctoris, Johannes – Tractatus alterationum (tintral)

  Source: Johannis Tinctoris Opera theoretica, ed. Albert Seay, 3 vols. in 2, Corpus scriptorum de musica, vol. 22 ([Rome]: American Institute of Musicology, 1975-78), 1:173–79.

• [+] Tinctoris, Johannes – Tractatus alterationum (tintralt)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:66–70.

• [+] Tinctoris, Johannes – Tractatus de notis et pausis (tintran)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:41–46.

• [+] Tinctoris, Johannes – Tractatus super punctis musicalibus (tintrap)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:70–76.

• [+] Tinctoris, Johannes – Tractatus de regulari valore notarum (tintrar)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 4:46–53.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber primus (ugodec1a)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/1 ([Rome]: American Institute of Musicology, 1959), 13–121.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber primus (ugodec1b)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/1 ([Rome]: American Institute of Musicology, 1959), 121–230.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber secundus (ugodec2)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 1–53.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber tertius (ugodec3a)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 54–167.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber tertius (ugodec3b)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/2 ([Rome]: American Institute of Musicology, 1960), 167–266.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber quartus (ugodec4)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 1–84.

• [+] Ugolino Urbevetanis – Declaratio musicae disciplinae, liber quintus (ugodec5)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 85–226.

• [+] Ugolino Urbevetanis – Musica disciplina (ugomus)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 118–65.

• [+] Ugolino Urbevetanis – Tractatus monochordi (ugotram)

  Source: Ugolini Urbevetanis Declaratio musicae disciplinae, ed. Albert Seay, Corpus scriptorum de musica, vol. 7/3 ([Rome]: American Institute of Musicology, 1962), 227–53.

• [+] Wenceslaus de Prachatitz – [Commentum in musicam speculativam Iohannis de Muris] (wencom)

  Source: Gerhard Pietzsch, "Die Pflege der Musik an den Universitäten bis zur Mitte des 16. Jahrhunderts," Mitteilungen des Vereines für Geschichte der Deutschen in Böhmen 73 (1935): 112-18, 112–18.

• [+] Weyts, Carmelite, Nicasius – Regule (weyreg)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 3:262–64.

• [+] Wylde, Johannes – Musica manualis cum tonale (wylmus)

  Source: Johannis Wylde Musica manualis cum tonale, ed. Cecily Sweeney, Corpus scriptorum de musica, vol. 28 (Neuhausen-Stuttgart: American Institute of Musicology, 1982), 43–206.

• [+] Wylde, John – Musica guidonis (wylmusi_mlbll763)

  Source: London, British Library, MS Lansdowne 763, ff. 3r–51v.

• [+] Zabern, Conrad von – De modo bene cantandi (concan)

  Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 260–82.

• [+] Zabern, Conrad von – Opusculum de monochordo (conmon)

  Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 245–59.

• [+] Zabern, Conrad von – Novellus musicae artis tractatus (connov)

  Source: Karl-Werner Gümpel, Die Musiktraktate Conrads von Zabern, Akademie der Wissenschaften und der Literatur, Abhandlungen der Geistes- und Sozialwissenschaftlichen Klasse, Jahrgang 1956, Nr. 4 (Wiesbaden: Steiner, 1956), 184–244.