Browse by Century: 12th

• [+] Abbot Guido – Regulae de arte musica (abguram)

  Source: Scriptorum de musica medii aevi nova series a Gerbertina altera, 4 vols., ed. Edmond de Coussemaker (Paris: Durand, 1864-76; reprint ed., Hildesheim: Olms, 1963), 2:150–92.

• [+] Abbot Guido – Regulae organi (abgureg)

  Source: Cecily Sweeney, "The Regulae organi Guidonis Abbatis and 12th Century Organum/Discant Treatises," Musica disciplina 43 (1989): 27-30, 27–30.

• [+] Al-Farabi – De ortu scientiarum, Dictio de cognoscenda causa unde orta est ars musice (farort)

  Source: Henry George Farmer, ed. and trans., Al-Farabi's Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 44–48.

• [+] Al-Farabi – De scientiis (farsci)

  Source: Max Haas, "Studien zur mittelalterlichen Musiklehre I: Eine Übersicht über die Musiklehre im Kontext der Philosophie des 13. und frühen 14. Jahrhunderts," in Aktuelle Fragen der musikbezogenen Mittelalterforschung: Texte zu einem Basler Kolloquium des Jahres 1975, Forum Musicologicum: Basler Beiträge zur Musikgeschichte, vol. 3, ed. Hans Oesch and Wulf Arlt (Winterthur: Amadeus Verlag, 1982), 420–21.

• [+] Al-Farabi – De scientiis (farscie)

  Source: Henry George Farmer, ed. and trans., Al-Farabi's Arabic-Latin Writings on Music, Collection of Oriental Writers on Music, vol. 2 (Glasgow: The Civic Press, 1934; repr., London: Hinrichsen Edition Ltd., 1965), 21–31.

• [+] Anonymous – Ars musice armonie (anoarsma_mbufix54)

  Source: Basel, Universitätsbibliothek, MS F.IX.54, ff. 5r–8v.

• [+] Anonymous – Tractatus cantandi graduale. Graduali Cisterciensi prologi instar praemissus (anocist)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1151–54.

• [+] Anonymous – De mensura fistularum in organis (anofis)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:283–87.

• [+] Anonymous – Fragmenta musica (anofra2)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 185–94.

• [+] Anonymous – Fragmenta musica (anofra3)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 275–79, 281–84, 286–88.

• [+] Anonymous – Tractatus de musica (anofra5)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 355–62.

• [+] Anonymous – [Guidonis musica] (anogui_mbavr114)

  Source: Vatican City, Biblioteca Apostolica Vaticana, MS Reg. lat. 1146, ff. 9v–34v.

• [+] Anonymous – [Tractatus de musica] (anolaf)

  Source: Albert Seay, "An Anonymus [sic] Treatise from St. Martial," Annales Musicologiques 5 (1957): 7-42, 13–42.

• [+] Anonymous – [Marginalia] (anomarg)

  Source: Heinrich Sowa, "Zur Handschrift Clm 9921," Acta musicologica 5 (1933): 60-65; 107-20, 61–63, 65, 107–8, 110–11, 113–19.

• [+] Anonymous – Mensura monochordi Boetii (anomen)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:344–48.

• [+] Anonymous – Mensura monochordi Boetii (anommb)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:687–92.

• [+] Anonymous – [Tractatus de organo] (anomon)

  Source: Jacques Handschin, "Der Organum-Traktat von Montpellier," in Studien zur Musikgeschichte. Festschrift für Guido Adler zum 75. Geburtstag (Vienna: Universal, 1930), 50–51.

• [+] Anonymous – Monochordum Encheriadis (anomonen)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:693–94.

• [+] Anonymous – [Tractatus de organo] (anomont)

  Source: Hans Heinrich Eggebrecht and Frieder Zaminer, eds., Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit, Neue Studien zur Musikwissenschaft, vol. 3 (Mainz: B. Schotts Söhne, 1970), 187–88.

• [+] Anonymous – Expositio de motu (anomot)

  Source: Joseph Smits van Waesberghe, "Een tweede anoniem Motus-commentaar," in Muziekgeschiedenis de Middeleeuwen, 3 vols. (Tilburg: Bergmans, 1936-46), 1:185–87.

• [+] Anonymous – [Tabula neumarum] (anoneum)

  Source: Hugo Riemann, Studien zur Geschichte der Notenschrift (Leipzig: Breitkopf und Härtel, 1878), taf. XXI.

• [+] Anonymous – [Tractatus de organo] (anoorg)

  Source: Fred Blum, "Another Look at the Montpellier Organum Treatise," Musica disciplina 13 (1959): 21-24, 21–24.

• [+] Anonymous – Quomodo organice moduletur (anoquoo)

  Source: Michael Bernhard, "Ein weiterer Text zur Klangschritt-Lehre," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 68–70.

• [+] Anonymous – Tonale (anotonn)

  Source: Armand Machabey, "'Tonale' inédit du Graduel Manuscrit de Nevers," Revue de musicologie 10 (1926): 120-25, 120–25.

• [+] Anonymous – Tractatuli (anotra17)

  Source: Codex Oxoniensis Bibl. Bodl. Rawl. C 270: Pars B, XVII Tractatuli a quodam studioso peregrino ad annum MC collecti, ed. Joseph Smits van Waesberghe, Divitiae musicae artis A/Xb (Buren: Knuf, 1980), 33–41.

• [+] Anonymous – Tractatus de musica et tonarius (anotrut)

  Source: A. Marcel J. Zijlstra and Nienke de Boer, eds., Tractatus de musica et tonarius e codice Bibliothecae Universitatis Ultraiectensis (Utrecht UB 406)  (Utrecht: Instituut voor Muziekwetenschap, 1993), 9–30.

• [+] Anonymous – [Versus de musica] (anovdm)

  Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 173–74.

• [+] Anonymous – [Versus de tonis] (anovdt)

  Source: Hans Müller, "Bruchstücke aus der mittelalterlichen Musiktheorie," Vierteljahresschrift für Musikwissenschaft 1 (1885), 172–73.

• [+] Anonymous – [Versus de musica] (anover)

  Source: S. A. van Dijk, "Saint Bernard and the Instituta Patrum of Saint Gall," Musica disciplina 4 (1950): 99-109, 109.

• [+] Anonymous – Ars organi (arsorg)

  Source: Irving Godt and Benito V. Rivera, "The Vatican Organum Treatise: A Color Reproduction, Transcription, and Translation," in Gordon Athol Anderson (1929-1981) in memoriam von seinen Studenten, Freunden und Kollegen, 2 vols. (Henryville, PA: Institute of Mediaeval Music, 1984), 2:293–345/11.

• [+] Anonymous – Epistola Sancti Bernardi De revisione cantus Cisterciensis, et Tractatus cantum quem Cisterciensis Ordinis ecclesiae cantare (berepi)

  Source: Epistola S. Bernardi De revisione cantus Cisterciensis, et Tractatus Cantum quem Cisterciensis Ordinis ecclesiae cantare, ed. F. J. Guentner, Corpus scriptorum de musica, vol. 24 ([Rome]: American Institute of Musicology, 1974), 21–41.

• [+] Anonymous – Tonale Sancti Bernardi (berton)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:265–77.

• [+] Anonymous – Tonale Sancti Bernardi (bertona)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 182:1153–66.

• [+] Anonymous – Commentarius in Micrologum Guidonis Aretini (guicom)

  Source: Commentarius anonymus in Micrologum Guidonis Aretini, ed. P. Cölestin Vivell, O.S.B., Kais. Akademie der Wissenschaften in Wien, philosophisch-historische Klasse, Sitzungsberichte, 185/5 (Vienna: Hölder, 1917).

• [+] Anonymous – Commentarius in Micrologum Guidonis Aretini (guicoms)

  Source: Expositiones in Micrologum Guidonis Aretini, ed. Joseph Smits van Waesberghe, Musicologica medii aevi, vol. 1 (Amsterdam: North-Holland Publishing Company, 1957), 99–172.

• [+] Anonymous – De musica et tonis tractatus (metano1)

  Source: Dominicus Mettenleiter, Musikgeschichte der Stadt Regensburg (Regensburg: Bössenecker, 1866), 13–21.

• [+] Anonymous – De tractatu tonorum (schano)

  Source: Marius Schneider, Geschichte der Mehrstimmigkeit: Historische und phänomenologische Studien (Berlin: Gebrüder Bornträger, 1934; reprint ed., Tutzing: Hans Schneider, 1969), 106–18.

• [+] Anonymous – Tractatus cuiusdam monachi de musica (wfanon1)

  Source: Johannes Wolf, "Ein anonymer Musiktraktat des elften bis zwölften Jahrhunderts," Vierteljahresschrift für Musikwissenschaft 9 (1893), 194–226.

• [+] Anonymous – Ars musice (wfanon2)

  Source: Johannes Wolf, "Anonymi cujusdam Codex Basiliensis," Vierteljahresschrift für Musikwissenschaft 9 (1893), 410–12.

• [+] Anonymous – Ars musyce (wfanon2b_mbufix54)

  Source: Basel, Universitätsbibliothek, MS F.IX.54, ff. 1r–4v.

• [+] Anonymous II – Tractatus de musica (ano2tdm)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:338–42.

• [+] Anonymous II – Tractatus de musica (ano2trdm)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:681–86.

• [+] Anonymous III – Fragmentum musices (ano3fra)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 1:343–44.

• [+] Anonymous III – Fragmentum musices (ano3fram)

  Source: Patrologia cursus completus, series latina, ed. J. P. Migne, 221 vols. (Paris: Garnier, 1844-1904), 151:685–88.

• [+] Bernardus abbatis Clareuallis – Institutio Sancti Bernardi abbatis Clareuallis quomodo cantare et psallere debeamus (berins)

  Source: Chrysogonus Waddell, "A Plea for the 'Institutio Sancti Bernardi quomodo cantare et psallere debeamus,'" in Saint Bernard of Clairvaux: Studies Commemorating the Eighth Centenary of His Canonization, ed. M. Basil Pennington, Cistercian Studies Series, no. 28 (Kalamazoo, MI: Cistercian Publications, 1977), 187–88.

• [+] Eberhardus Frisingensis – Tractatus de mensura fistularum (ebetra)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:279–82.

• [+] Frutolfus – Breviarium de musica (frubre)

  Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 26–113.

• [+] Frutolfus – Breviarium de musica, capitulum XI (frubrec)

  Source: Michael Bernhard, "Zur Überlieferung des 11. Kapitels in Frutolfs Breviarum," in Quellen und Studien zur Musiktheorie des Mittelalters, ed. Michael Bernhard, Bayerische Akademie der Wissenschaften, Veröffentlichungen der Musikhistorischen Kommission, Band 8 (München: Bayerische Akademie der Wissenschaften; C. H. Beck, 1990), 40–67.

• [+] Frutolfus – Rythmimachia (frurit)

  Source: R. Peiper, ed., "Fortolfi Rythmimachia," in Abhandlungen zur Geschichte der Mathematik, 9 vols. (Leipzig: B. G. Teubner, 1877-99), 3:169–97 and 228.

• [+] Frutolfus – Tonarius (fruton)

  Source: Frutolfi Breviarium de musica et Tonarius, ed. P. Cölestin Vivell, Akademie der Wissenschaften in Wien, Philosophisch-historische Klasse, Sitzungsberichte, vol. 188, no. 2 (Vienna: In Kommission bei A. Hölder, 1919), 113–83.

• [+] Gerlandus – Fragmenta de musica (gerfra)

  Source: Scriptores ecclesiastici de musica sacra potissimum, 3 vols., ed. Martin Gerbert (St. Blaise: Typis San-Blasianis, 1784; reprint ed., Hildesheim: Olms, 1963), 2:277–78.

• [+] Gundissalinus, Dominicus – De divisione philosophiae, Liber decimus, "De musica" (gunddiv)

  Source: Dominicus Gundissalinus, De divisione philosophiae, ed. Ludwig Baur, Beiträge zur Geschichte der Philosophie des Mittelalters IV/2-3 (Münster: Aschendorff, 1903), 96–102.

• [+] Joannes Presbyter – De musica antica et moderna (joamus)

  Source: Adrien de la Fage, Essais de dipthérographie musicale (Paris: Legouix, 1864), 393–407.

• [+] Odalschalchus – Registrum tonorum (odareg)

  Source: Philipp Jaffé, "Des Abtes Udalskalk van St. Ulrich in Augsburg Registrum Tonorum," Archiv für die Geschichte des Bisthums Augsburg 2 (1859): 68-78, 69–78.

• [+] Roffredi, Guglielmo – Summa musicae artis (roffsum)

  Source: Albert Seay, "Guglielmo Roffredi's Summa musicae artis," Musica disciplina 24 (1970): 69-77, 71–77.

• [+] Rudolf of St. Trond – Quaestiones in musica (rudqua)

  Source: Rudolf Steglich, ed., Die Quaestiones in musica: Ein Choraltraktat des zentralen Mittelalters und ihr mutmasslicher Verfasser Rudolf von St. Trond (1070-1138) (Leipzig: Breitkopf und Härtel, 1911), 12–99.

• [+] Theinredus Doverensis – Musica, liber primus (tdmus1_mobb842)

  Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 1r–18v.

• [+] Theinredus Doverensis – Musica, liber secundus (tdmus2_mobb842)

  Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 18v–21r.

• [+] Theinredus Doverensis – Musica, liber tercius (tdmus3_mobb842)

  Source: Oxford, Bodleian Library, MS Bodley 842 (S.C. 2575), ff. 21r–44v.